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  1. Culture-bearing women
    the Black women renaissance and cultural nationalism
    Autor*in: Penier, Izabella
    Erschienen: [2019]
    Verlag:  De Gruyter Poland Ltd, Warsaw

    Frontmatter --Contents --Preface --1.Introduction: The Black Women Renaissance, Matrilineal Romances and the "Volkish Tradition" --2.Mapping the Black Women's Renaissance: The Formative 1970s and the Shift from a Black Nationalist to a Black Womanist... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Universitätsbibliothek Hildesheim
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Hochschule Mannheim, Hochschulbibliothek
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    Hochschule Albstadt-Sigmaringen, Bibliothek Sigmaringen
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    Frontmatter --Contents --Preface --1.Introduction: The Black Women Renaissance, Matrilineal Romances and the "Volkish Tradition" --2.Mapping the Black Women's Renaissance: The Formative 1970s and the Shift from a Black Nationalist to a Black Womanist Aesthetic --3.Matrifocal Nationalism, Afrocentric Womanism and the Fear of Disinheritance --4.Kulturnation: The Black Women's Renaissance, Folk Heritage and the Essential Black Female Matrix --5.Volknation: The Black Holocaust and the Poetics of the Slave Sublime --6.Culturalism, Classism, and the Politics of Redistribution --Bibliography --Index This study examines the Black Women's Renaissance (BWR) - the flowering of literary talent among African American women at the end of the 20th century. It focuses on the historical and heritage novels of the 1980s and the vexed relationship between black cultural nationalism and black feminism. It argues that when the nation seemingly fell out of fashion, black women writers sought to re-create what Renan called "a soul, a spiritual principle" for their ethnic group. BWR narratives, especially those associated with womanism, appreciated "culture bearing" mothers as cultural reproducers of the nation and transmitters of its values. In this way, the writers of the BWR gave rise to "matrifocal" cultural nationalism that superseded masculine cultural nationalism of the previous decade and made black women, instead of black men, principal agents/carriers of national identity. This monograph argues that even though matrifocal nationalism empowered women, ultimately it was a flawed project. It promoted gender and cultural essentialism, i.e. it glorified black motherhood and mother-daughter bonding and condemned other, more radical models of black female subjectivity. Moreover, the BWR, vivified by middle-class and educated black women, turned readers' attention from more contentious social issues, such as class mobility or wealth redistribution. The monograph compares the cultural nationalist novels of the 1980s with social protest novels written by the same authors in the 1970s and explains the rationale behind the change in their aesthetic and political agenda. It also contrasts novels written by womanist writers (Toni Morrison, Alice Walker, Gloria Naylor to name just a few) and by African Caribbean immigrant or second-generation writers (Audre Lorde, Paule Marshall, Jamaica Kincaid and Michelle Cliff) to show that, on the score of cultural nationalism, the BWR was not a monolithic phenomenon. African American and African Caribbean women writers collectively contributed to the flourishing of the BWR, but they did not share the same ideas on black identities, histories, or the question of ethnonational belonging

     
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  2. Dislocating Race and Nation
    Episodes in Nineteenth-Century American Literary Nationalism
    Autor*in: Levine, Robert S
    Erschienen: 2008; ©2008.
    Verlag:  The University of North Carolina Press, Chapel Hill

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Levine emphasizes the centrality of both inter- and intra-American conflict in his analysis of four illuminating "episodes" of literary responses to questions of U.S. racial nationalism and imperialism. He examines Charles Brockden Brown and the Louisiana Purchase; David Walker and the debates on the Missouri Compromise; Nathaniel Hawthorne, Herman Melville, and Hannah Crafts and the blood-based literary nationalism and expansionism of the mid-nineteenth century; and Frederick Douglass and his approximately forty-year interest in Haiti. Levine offers critiques of recent developments in whiteness and imperialism studies, arguing that a renewed attention to the place of contingency in American literary history helps us to better understand and learn from writers trying to make sense of their own historical moments. Contents -- Acknowledgments -- Prologue: Undoings -- CHAPTER 1. Charles Brockden Brown, Louisiana, and the Contingencies of Empire -- CHAPTER 2. Circulating the Nation: David Walker, the Missouri Compromise, and the Appeals of Black Literary Nationalism -- CHAPTER 3. Genealogical Fictions: Melville and Hannah Crafts in Hawthorne's House -- CHAPTER 4. Frederick Douglass's Hemispheric Nationalism, 1857-1893 -- Epilogue: Undoings Redux -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     
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  3. Race, transnationalism, and nineteenth-century American literary studies
    Autor*in: Levine, Robert Steven
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory routes of black nationalism; 4. American studies in an age of extinction: Poe, Hawthorne, Katrina; 5. The slave narrative and the revolutionary tradition of African American autobiography; 6. 'Whiskey, blacking, and all': temperance and race in William Wells Brown's Clotel; 7. Beautiful warships: the transnational aesthetics of Melville's Israel Potter; 8. Antebellum Rome: transatlantic mirrors in Hawthorne's The Marble Faun; 9. Edward Everett Hale's and Sutton E. Griggs's Men without a Country; 10. Frederick Douglass in fiction: from Harriet Beecher Stowe to James McBride; Notes

     
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  4. Dislocating Race and Nation
    Episodes in Nineteenth-Century American Literary Nationalism
    Autor*in: Levine, Robert S
    Erschienen: 2008; ©2008.
    Verlag:  The University of North Carolina Press, Chapel Hill

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British... mehr

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    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Levine emphasizes the centrality of both inter- and intra-American conflict in his analysis of four illuminating "episodes" of literary responses to questions of U.S. racial nationalism and imperialism. He examines Charles Brockden Brown and the Louisiana Purchase; David Walker and the debates on the Missouri Compromise; Nathaniel Hawthorne, Herman Melville, and Hannah Crafts and the blood-based literary nationalism and expansionism of the mid-nineteenth century; and Frederick Douglass and his approximately forty-year interest in Haiti. Levine offers critiques of recent developments in whiteness and imperialism studies, arguing that a renewed attention to the place of contingency in American literary history helps us to better understand and learn from writers trying to make sense of their own historical moments. Contents -- Acknowledgments -- Prologue: Undoings -- CHAPTER 1. Charles Brockden Brown, Louisiana, and the Contingencies of Empire -- CHAPTER 2. Circulating the Nation: David Walker, the Missouri Compromise, and the Appeals of Black Literary Nationalism -- CHAPTER 3. Genealogical Fictions: Melville and Hannah Crafts in Hawthorne's House -- CHAPTER 4. Frederick Douglass's Hemispheric Nationalism, 1857-1893 -- Epilogue: Undoings Redux -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z.

     
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  5. Remapping citizenship and the nation in African-American literature
    Autor*in: Knadler, Stephen P.
    Erschienen: 2010
    Verlag:  Routledge,, New York

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203868607; 9781135247140; 9781135247188; 9781135247195
    Weitere Identifier:
    Schriftenreihe: Routledge transnational perspectives on American literature ; 11
    Schlagworte: American literature; African Americans in literature; Black nationalism in literature; Citizenship in literature; African Americans; African Americans
    Umfang: 1 online resource (xi, 235 pages)
  6. Nationalism, Marxism, and African American literature between the wars
    a new Pandora's box
    Autor*in: Dawahare, Anthony
    Erschienen: c2003
    Verlag:  University Press of Mississippi, Jackson

    During and after the Harlem Renaissance, two intellectual forces nationalism and Marxism clashed and changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    During and after the Harlem Renaissance, two intellectual forces nationalism and Marxism clashed and changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant fiction, poetry, and prose of the day. Nationalism, Marxism, and African American Literature Between the Wars: A New Pandora's Box challenges that notion. It boldly proposes that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of Afric

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1578065070
    Schriftenreihe: Margaret Walker Alexander series in African American studies
    Schlagworte: American literature; Nationalism and literature; African Americans in literature; Black nationalism in literature; Black nationalism; Politics in literature; Race in literature; Communism and literature; Socialism and literature; African Americans; American literature; African Americans; African Americans ; Intellectual life ; 20th century; American literature ; 20th century ; History and criticism; American literature ; African American authors ; History and criticism; Black nationalism ; United States ; History ; 20th century; Communism and literature ; United States ; History ; 20th century; Nationalism and literature ; United States ; History ; 20th century; Socialism and literature ; United States ; History ; 20th century; Electronic books
    Umfang: Online-Ressource (xix, 161 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [141]-156) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction; Part I: Nationalism in the Harlem Renaissance; Chapter 1. Black Nationalist Discourse in the Postwar Period; Chapter 2. The Dual Nationalism of Alain Locke's The New Negro; Chapter 3. The Dance of Nationalism in the Harlem Renaissance; Part II: Internationalism and African American Writing in the 1930s; Chapter 4. Marxism and Black Proletarian Literary Theory; Chapter 5. Langston Hughes's Radical Poetry and the ""End of Race""; Chapter 6. Richard Wright's Critique of Nationalist Desire

    Afterword: Beyond Twentieth-Century Nationalisms in the Study of African American CultureBibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
  7. Behold the Land
    The Black Arts Movement in the South
    Autor*in: Smethurst, James
    Erschienen: 2021
    Verlag:  The University of North Carolina Press, Chapel Hill

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    Standort:
    Otto-von-Guericke-Universität, Universitätsbibliothek
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    eBook EBSCO AC
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    Sprache: Englisch
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    ISBN: 9781469663067
    Schlagworte: Black Arts movement; American literature; African Americans in literature; Black nationalism in literature; Black nationalism; African Americans
    Umfang: 1 Online-Ressource (1 online resource), 7 halftones
  8. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Autor*in: Smethurst, James Edward
    Erschienen: 2005
    Verlag:  University of North Carolina Press, Chapel Hill

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Würzburg
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  9. Nationalism, Marxism, and African American literature between the wars
    a new Pandora's box
    Autor*in: Dawahare, Anthony
    Erschienen: ©2003
    Verlag:  University Press of Mississippi, Jackson

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1417506962; 9781417506965; 9781604730418; 1604730412; 1578065070; 9781578065073
    Schriftenreihe: Margaret Walker Alexander series in African American studies
    Schlagworte: 20th century; African American authors; African Americans; American literature; Black nationalism; Communism and literature; History; History and criticism; Intellectual life; Nationalism and literature; Politics and government; Socialism and literature; United States; Literature; LITERARY CRITICISM / American / General; African Americans in literature; African Americans / Intellectual life; African Americans / Politics and government; American literature; American literature / African American authors; Black nationalism; Black nationalism in literature; Communism and literature; Nationalism and literature; Politics in literature; Race in literature; Socialism and literature; Geschichte; Literatur; Politik; Schwarze. USA; American literature; Nationalism and literature; Communism and literature; Socialism and literature; Black nationalism; American literature; African Americans; African Americans; African Americans in literature; Black nationalism in literature; Politics in literature; Race in literature; Literatur; Nationalbewusstsein; Schwarze; Kommunismus
    Umfang: 1 Online-Ressource (xix, 161 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 141-156) and index

    Black nationalist discourse in the postwar period -- The dual nationalism of Alain Locke's The new Negro -- The dance of nationalism in the Harlem Renaissance -- Marxism and Black proletarian literary theory -- Langston Hughes's radical poetry and the "end of race" -- Richard Wright's critique of nationalist desire -- Beyond twentieth-century nationalisms in the study of African American culture

    During and after the Harlem Renaissance, two intellectual forces nationalism and Marxism clashed and changed the future of African American writing
  10. Race, transnationalism, and nineteenth-century American literary studies
    Autor*in: Levine, Robert S.
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory... mehr

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    Universitätsbibliothek Bamberg
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    Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory routes of black nationalism; 4. American studies in an age of extinction: Poe, Hawthorne, Katrina; 5. The slave narrative and the revolutionary tradition of African American autobiography; 6. 'Whiskey, blacking, and all': temperance and race in William Wells Brown's Clotel; 7. Beautiful warships: the transnational aesthetics of Melville's Israel Potter; 8. Antebellum Rome: transatlantic mirrors in Hawthorne's The Marble Faun; 9. Edward Everett Hale's and Sutton E. Griggs's Men without a Country; 10. Frederick Douglass in fiction: from Harriet Beecher Stowe to James McBride; Notes Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316154939
    Weitere Identifier:
    RVK Klassifikation: HT 1691
    Schlagworte: Rasse <Motiv>; Schwarze <Motiv>; Literatur; Internationalisierung; Kulturkontakt
    Weitere Schlagworte: American literature, 19th century; History and criticism; Race in literature; Transnationalism in literature; African Americans in literature; American literature; African American authors; History and criticism; Blacks in literature; Black nationalism in literature
    Umfang: 1 Online-Ressource (ix, 249 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 24 Oct 2017)
  11. Dislocating race & nation
    episodes in nineteenth-century American literary nationalism
    Autor*in: Levine, Robert S.
    Erschienen: c2008
    Verlag:  University of North Carolina Press, Chapel Hill

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780807832264; 9780807859032; 080783226X; 0807859036
    RVK Klassifikation: HT 1520
    Schlagworte: Geschichte; American literature; National characteristics, American, in literature; Literature and history; Nationalism and literature; American literature; Literature and society; Race relations in literature; Black nationalism in literature; Nationalbewusstsein; Ethnische Beziehungen <Motiv>; Nationalismus; Literatur
    Umfang: x, 322 p
    Bemerkung(en):

    Includes bibliographical references and index

    Undoings -- Charles Brockden Brown, Louisiana, and the contingencies of empire -- Circulating the nation: David Walker, the Missouri Compromise, and the appeals of black literary nationalism -- Genealogical fictions: Melville and Hannah crafts in Hawthorne's house -- Frederick Douglass's hemispheric nationalism, 1857-1893 -- Undoings redux
  12. Dislocating race & nation
    episodes in nineteenth-century American literary nationalism
    Autor*in: Levine, Robert S., (Robert Steven)
    Erschienen: ©2008
    Verlag:  University of North Carolina Press, Chapel Hill

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 080783226X; 0807859036; 0807887889; 1469605651; 9780807832264; 9780807859032; 9780807887882; 9781469605654
    Schlagworte: American literature; LITERARY CRITICISM / American / General; American literature; Black nationalism in literature; Literature and history; Literature and society; National characteristics, American, in literature; Nationalism and literature; Race relations in literature; Geschichte; American literature; National characteristics, American, in literature; Literature and history; Nationalism and literature; American literature; Literature and society; Race relations in literature; Black nationalism in literature; Nationalismus; Literatur; Nationalbewusstsein; Ethnische Beziehungen <Motiv>
    Umfang: 1 Online-Ressource (x, 322 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Undoings -- Charles Brockden Brown, Louisiana, and the contingencies of empire -- Circulating the nation: David Walker, the Missouri Compromise, and the appeals of black literary nationalism -- Genealogical fictions: Melville and Hannah crafts in Hawthorne's house -- Frederick Douglass's hemispheric nationalism, 1857-1893 -- Undoings redux

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period
  13. Nationalism, Marxism, and African American literature between the wars
    a new Pandora's box
    Autor*in: Dawahare, Anthony
    Erschienen: c2003
    Verlag:  University Press of Mississippi, Jackson

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1578065070
    Schriftenreihe: Margaret Walker Alexander series in African American studies
    Schlagworte: Geschichte; Politik; Schwarze. USA; American literature; Nationalism and literature; Communism and literature; Socialism and literature; Black nationalism; American literature; African Americans; African Americans; African Americans in literature; Black nationalism in literature; Politics in literature; Race in literature; Kommunismus; Nationalbewusstsein; Schwarze; Literatur
    Umfang: xix, 161 p
    Bemerkung(en):

    Includes bibliographical references (p. [141]-156) and index

    Black nationalist discourse in the postwar period -- The dual nationalism of Alain Locke's The new Negro -- The dance of nationalism in the Harlem Renaissance -- Marxism and Black proletarian literary theory -- Langston Hughes's radical poetry and the "end of race" -- Richard Wright's critique of nationalist desire -- Beyond twentieth-century nationalisms in the study of African American culture
  14. Dislocating race & nation
    episodes in nineteenth-century American literary nationalism
    Erschienen: c2008
    Verlag:  University of North Carolina Press, Chapel Hill

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British... mehr

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    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasized the unique features of America and consciously differentiated American literature from British literature. Robert S. Levine challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers. Conflict and uncertainty, not consensus, Levine argues, helped define American literary nationalism during this period. Le

     
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  15. Race, transnationalism, and nineteenth-century American literary studies
    Autor*in: Levine, Robert S.
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory... mehr

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    Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory routes of black nationalism; 4. American studies in an age of extinction: Poe, Hawthorne, Katrina; 5. The slave narrative and the revolutionary tradition of African American autobiography; 6. 'Whiskey, blacking, and all': temperance and race in William Wells Brown's Clotel; 7. Beautiful warships: the transnational aesthetics of Melville's Israel Potter; 8. Antebellum Rome: transatlantic mirrors in Hawthorne's The Marble Faun; 9. Edward Everett Hale's and Sutton E. Griggs's Men without a Country; 10. Frederick Douglass in fiction: from Harriet Beecher Stowe to James McBride; Notes Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316154939
    Weitere Identifier:
    RVK Klassifikation: HT 1691
    Schlagworte: Rasse <Motiv>; Schwarze <Motiv>; Literatur; Internationalisierung; Kulturkontakt
    Weitere Schlagworte: American literature, 19th century; History and criticism; Race in literature; Transnationalism in literature; African Americans in literature; American literature; African American authors; History and criticism; Blacks in literature; Black nationalism in literature
    Umfang: 1 Online-Ressource (ix, 249 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 24 Oct 2017)
  16. Remapping citizenship and the nation in African-American literature
    Autor*in: Knadler, Stephen P.
    Erschienen: 2010
    Verlag:  Routledge,, New York

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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780203868607; 9781135247140; 9781135247188; 9781135247195
    Weitere Identifier:
    Schriftenreihe: Routledge transnational perspectives on American literature ; 11
    Schlagworte: American literature; African Americans in literature; Black nationalism in literature; Citizenship in literature; African Americans; African Americans
    Umfang: 1 online resource (xi, 235 pages)
  17. Dislocating race & nation
    episodes in nineteenth-century American literary nationalism
    Autor*in: Levine, Robert S.
    Erschienen: 2008
    Verlag:  University of North Carolina Press, Chapel Hill ; Oxford University Press, Oxford

    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasised the unique features of America and consciously differentiated American literature from British... mehr

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    American literary nationalism is traditionally understood as a cohesive literary tradition developed in the newly independent United States that emphasised the unique features of America and consciously differentiated American literature from British literature. This book challenges this assessment by exploring the conflicted, multiracial, and contingent dimensions present in the works of late eighteenth- and nineteenth-century American and African American writers.

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781469605654
    Weitere Identifier:
    RVK Klassifikation: HT 1520
    Schlagworte: Literatur; Nationalismus; Ethnische Beziehungen <Motiv>; Nationalbewusstsein; American literature; National characteristics, American, in literature; Literature and history; Nationalism and literature; American literature; Literature and society; Race relations in literature; Black nationalism in literature
    Umfang: 1 Online-Ressource (x, 322 p.)
    Bemerkung(en):

    Includes bibliographical references and index
  18. Race, transnationalism, and nineteenth-century American literary studies
    Autor*in: Levine, Robert Steven
    Erschienen: 2018
    Verlag:  Cambridge University Press, Cambridge

    Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its... mehr

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    Inspired by Toni Morrison's call for an interracial approach to American literature, and by recent efforts to globalize American literary studies, Race, Transnationalism, and Nineteenth-Century American Literary Studies ranges widely in its case-study approach to canonical and non-canonical authors. Leading critic Robert S. Levine considers Cooper, Hawthorne, Stowe, Melville, and other nineteenth-century American writers alongside less well known African American figures such as Nathaniel Paul and Sutton Griggs. He pays close attention to racial representations and ideology in nineteenth-century American writing, while exploring the inevitable tension between the local and the global in this writing. Levine addresses transatlanticism, the Black Atlantic, citizenship, empire, temperance, climate change, black nationalism, book history, temporality, Kantian transnational aesthetics, and a number of other issues. The book also provides a compelling critical frame for understanding developments in American literary studies over the past twenty-five years Machine generated contents note: Introduction; 1. Reading slavery and race in 'classic' American literature; 2. Temporality, race, and empire in Cooper's The Deerslayer: the beginning of the end; 3. Fifth of July: Nathaniel Paul and the circulatory routes of black nationalism; 4. American studies in an age of extinction: Poe, Hawthorne, Katrina; 5. The slave narrative and the revolutionary tradition of African American autobiography; 6. 'Whiskey, blacking, and all': temperance and race in William Wells Brown's Clotel; 7. Beautiful warships: the transnational aesthetics of Melville's Israel Potter; 8. Antebellum Rome: transatlantic mirrors in Hawthorne's The Marble Faun; 9. Edward Everett Hale's and Sutton E. Griggs's Men without a Country; 10. Frederick Douglass in fiction: from Harriet Beecher Stowe to James McBride; Notes

     
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  19. Remapping citizenship and the nation in African-American literature
    Autor*in: Knadler, Stephen P.
    Erschienen: 2009
    Verlag:  Routledge, New York

    In this study, Knadler examines how African American writers, often traveling to the margins of a nineteenth and early twentieth-century U.S. Empire, developed sets of cross-racial, cross-national identifications, sympathies and alliances that caused... mehr

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    Hochschulbibliothek Friedensau
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    In this study, Knadler examines how African American writers, often traveling to the margins of a nineteenth and early twentieth-century U.S. Empire, developed sets of cross-racial, cross-national identifications, sympathies and alliances that caused them to challenge dominant ideas of U.S. nationalism, democracy and citizenship

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0415996317; 0203868609; 9780415996310; 9780203868607
    Schriftenreihe: Routledge transnational perspectives on American literature ; v. 11
    Schlagworte: African Americans; African Americans; Black nationalism in literature; Citizenship in literature; African Americans in literature; American literature
    Umfang: Online-Ressource (xi, 235 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Book Cover; Title; Copyright; Contents; Acknowledgments; Introduction: Black Politics and Diasporic Intimacy: Remapping the Nation and Citizenship; Part I: Transnational Citizenship in the "Golden Age of Black Nationalism"; 1 "To Breathe Central America": Hemispheric Interplays and Martin Delany's Imagining of Citizenship in the Colored Republic; 2 Fashioning Democracy in America: Eliza Potter, Elizabeth Keckley, and Black Working-Class Women in the Consumer Republic

    3 Trans-American Seductions and Creolized Black Reconstruction: The Imagining of Democratic Agency in Post-Civil War African-American FictionPart II: Reconstructing Black Citizenship at the Age of Empire; 4 Accommodated Citizenship: Black Cowboys and the Borderland West; 5 Sensationalizing Patriotism: Sutton Griggs and the Sentimental Nationalism of Citizen Tom; 6 Policing the Isthmus: The Contested Transpacifi c Geography of a New World Negro; Epilogue: The Signifyin(g) Monkey Round the World; Notes; Bibliography; Index
  20. Remapping citizenship and the nation in African-American literature
    Autor*in: Knadler, Stephen P.
    Erschienen: 2010
    Verlag:  Routledge, New York

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Format: Online
    ISBN: 0203868609; 9780203868607; 9781282284135
    Schriftenreihe: Routledge transnational perspectives on American literature ; 11
    Schlagworte: American literature; African Americans in literature; Black nationalism in literature; Citizenship in literature; African Americans; African Americans; Electronic books
    Umfang: Online-Ressource (xii, 235 p.)
    Bemerkung(en):

    Description based on print version record

    Includes bibliographical references (p. 207-226) and index

    Remapping citizenship and the nation in African-American literature
  21. Nationalism, Marxism, and African American literature between the wars
    a new Pandora's box
    Autor*in: Dawahare, Anthony
    Erschienen: c2003
    Verlag:  University Press of Mississippi, Jackson

    During and after the Harlem Renaissance, two intellectual forces nationalism and Marxism clashed and changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    During and after the Harlem Renaissance, two intellectual forces nationalism and Marxism clashed and changed the future of African American writing. Current literary thinking says that writers with nationalist leanings wrote the most relevant fiction, poetry, and prose of the day. Nationalism, Marxism, and African American Literature Between the Wars: A New Pandora's Box challenges that notion. It boldly proposes that such writers as A. Philip Randolph, Langston Hughes, and Richard Wright, who often saw the world in terms of class struggle, did more to advance the anti-racist politics of Afric

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1578065070
    Schriftenreihe: Margaret Walker Alexander series in African American studies
    Schlagworte: American literature; Nationalism and literature; African Americans in literature; Black nationalism in literature; Black nationalism; Politics in literature; Race in literature; Communism and literature; Socialism and literature; African Americans; American literature; African Americans; African Americans ; Intellectual life ; 20th century; American literature ; 20th century ; History and criticism; American literature ; African American authors ; History and criticism; Black nationalism ; United States ; History ; 20th century; Communism and literature ; United States ; History ; 20th century; Nationalism and literature ; United States ; History ; 20th century; Socialism and literature ; United States ; History ; 20th century; Electronic books
    Umfang: Online-Ressource (xix, 161 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [141]-156) and index

    Electronic reproduction; Available via World Wide Web

    Contents; Acknowledgments; Introduction; Part I: Nationalism in the Harlem Renaissance; Chapter 1. Black Nationalist Discourse in the Postwar Period; Chapter 2. The Dual Nationalism of Alain Locke's The New Negro; Chapter 3. The Dance of Nationalism in the Harlem Renaissance; Part II: Internationalism and African American Writing in the 1930s; Chapter 4. Marxism and Black Proletarian Literary Theory; Chapter 5. Langston Hughes's Radical Poetry and the ""End of Race""; Chapter 6. Richard Wright's Critique of Nationalist Desire

    Afterword: Beyond Twentieth-Century Nationalisms in the Study of African American CultureBibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z
  22. The Black God Trope and Rhetorical Resistance
    A Tradition of Race and Religion
    Autor*in: Collins, Armondo R.
    Erschienen: 2023; ©2023
    Verlag:  Lexington Books/Fortress Academic, Lanham

    Cover -- Contents -- Acknowledgments -- Introduction -- Proto-Black Nationalism -- Message to the Blackman in America -- Clarence 13x's Black God Ethos and the Rhetorical Challenge of the Five Percenters -- The Black God Trope in the Novel -- Alice... mehr

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    Cover -- Contents -- Acknowledgments -- Introduction -- Proto-Black Nationalism -- Message to the Blackman in America -- Clarence 13x's Black God Ethos and the Rhetorical Challenge of the Five Percenters -- The Black God Trope in the Novel -- Alice Walker's Womanist Black God Trope in The Color Purple -- The Black God Trope as Rhetorical Pedagogy -- Bibliography -- Index -- About the Author. "In The Black God Trope and Rhetorical Resistance: A Tradition of Race and Religion, Armondo R. Collins theorizes Black Nationalist rhetorical strategies as an avenue to better understanding African American communication practices. The author demonstrates how black rhetors use writing about God to create a language that reflects African Americans' shifting subjectivity within the American experience"--

     
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    Sprache: Englisch
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    Format: Online
    ISBN: 9781666921571
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Rhetoric, Race, and Religion Series
    Schlagworte: African Americans; English language; Black nationalism in literature; Black nationalism; Black theology; Rhetoric
    Umfang: 1 online resource (153 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  23. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Erschienen: 2005
    Verlag:  University of North Carolina Press, Chapel Hill

    James Smethurst examines the formation of the Black Arts Movement and demonstrates how it influenced the production and reception of literature and art in the US. The Movement, he argues, changed American attitudes to the relationship between popular... mehr

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    James Smethurst examines the formation of the Black Arts Movement and demonstrates how it influenced the production and reception of literature and art in the US. The Movement, he argues, changed American attitudes to the relationship between popular culture and "high" art and transformed public funding for the arts

     
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    ISBN: 080787650X; 9780807876503
    Schriftenreihe: The John Hope Franklin series in African American history and culture
    Schlagworte: American literature; Black nationalism; African Americans; Black Arts movement; Black nationalism in literature; Black Arts movement; American literature; African Americans in literature; African Americans; Black nationalism; African Americans in literature; Black nationalism in literature; Black Arts movement; American literature; Black nationalism; African Americans; Black nationalism; Black nationalism in literature; Black arts movement; Kultur; Kunst; Künstler; Literatur; Nationalismus; Schwarze; Sozialgeschichte; Afro-amerikaner i litteraturen; Afro-amerikaneri konsten; Black nationalism i litteraturen; Amerikansk litteratur; English; Languages & Literatures; American Literature; African Americans in literature; African Americans ; Intellectual life; American literature ; African American authors; Black Arts movement; Criticism, interpretation, etc; History; LITERARY CRITICISM ; American ; General
    Umfang: Online Ressource (xv, 471 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [429]-458) and index. - Description based on print version record

    Foreground and underground : the Left, nationalism, and the origins of the Black arts matrixArtists imagine the nation, the nation imagines art : the Black Arts Movement and popular culture, history, gender, performance, and textuality -- New York altar city : New York, the Northeast, and the development of Black arts cadres and ideologies -- Institutions for the people : Chicago, Detroit, and the Black Arts Movement in the Midwest -- Bandung world : the West Coast, the Black Arts Movement, and the development of revolutionary nationalism, cultural nationalism, third worldism, and multiculturalism -- Behold the land : regionalism, the Black nation, and the Black Arts Movement in the South.