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  1. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Standort:
    Universitätsbibliothek Augsburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9781571135490; 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Umfang: 1 Online-Ressource (168 S.)
  2. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Standort:
    Bayerische Staatsbibliothek
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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schlagworte: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Deutsch; Drama; Religion <Motiv>
    Umfang: 1 online resource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
  3. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schlagworte: Religion; German drama / 21st century / History and criticism; Theater / Religious aspects; Religion in literature; Religion <Motiv>; Deutsch; Drama
    Umfang: 1 online resource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)
  4. Religion in contemporary German drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Camden House, Rochester, NY

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571135490; 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873
    Schriftenreihe: Studies in German literature, linguistics, and culture
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Umfang: 1 Online-Ressource (168 S.)
  5. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873 ; GN 9284
    Schlagworte: Theater; Religion in literature; German drama; German drama ; 21st century ; History and criticism; Theater ; Religious aspects; Religion in literature
    Umfang: 1 Online-Ressource (168 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1701 ; GN 1873 ; GN 9284
    Schlagworte: Theater; Religion in literature; German drama; German drama ; 21st century ; History and criticism; Theater ; Religious aspects; Religion in literature
    Umfang: 1 Online-Ressource (168 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  7. Religion in Contemporary German Drama
    Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss
    Autor*in: Crowe, Sinéad
    Erschienen: 2013
    Verlag:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious... mehr

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    Universitätsbibliothek Gießen
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    Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strauß, George Tabori, Werner Fritsch, and Lukas Bärfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. Sinéad Crowe is a Teaching Assistant at the University of Limerick, Ireland.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571138446
    RVK Klassifikation: GN 1894
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Deutsch; Drama; Religion <Motiv>
    Weitere Schlagworte: Strauß, Botho (1944-): Groß und klein; Strauß, Botho (1944-): Die eine und die andere; Tabori, George (1914-2007): Mein Kampf; Fritsch, Werner (1960-): Wondreber Totentanz; Fritsch, Werner (1960-): Aller Seelen; Bärfuss, Lukas (1971-): Der Bus
    Umfang: 1 Online-Ressource (168 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)