This book explores how the creations of great authors result from the same cognitive processes as our everyday counterfactual and hypothetical imaginations.
mehr
This book explores how the creations of great authors result from the same cognitive processes as our everyday counterfactual and hypothetical imaginations.
This book explores how the creations of great authors result from the same cognitive processes as our everyday counterfactual and hypothetical imaginations
mehr
Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
Fernleihe:
keine Ausleihe von Bänden, nur Papierkopien werden versandt
This book explores how the creations of great authors result from the same cognitive processes as our everyday counterfactual and hypothetical imaginations
Electronic reproduction; Available via World Wide Web
Cover; How Authors' Minds Make Stories; Title; Copyright; Dedication; Contents; Acknowledgments; Introduction; 1 Simulation; From Deictic Shift to Simulation; The Function-Approximating Mechanisms of Simulation; Levels, Means, Processes, and Topics of Simulation; A Theoretical Note on Rules and Networks; The Resurrection of Quentin Compson; Simulating Minds: Elements of Emma Woodhouse's Neural Network; Conclusion; 2 Story Development, Literary Evaluation, and the Place of Character; Universal Genres; Development Principles; Evaluation Principles; Conclusion; 3 A Narrative Idiolect
Shakespearean PatternsShakespeare's Narrative Idiolect; Henry V; Julius Caesar; Richard II; Hamlet; The Tempest; Conclusion; 4 Principles and Parameters of Storytelling; A Note on the Analysis of Racine's Work; La Thébaïd ou Les Frères Ennemis (The Thebiad or The Enemy Brothers); Alexandre le Grand (Alexander the Great); Andromaque; Britannicus; Bérénice; Bajazet; Mithridate; Iphigénie; Phèdre; Conclusion; 5 Argument and Metaphor in Brecht and Kafka; Arguments and Metaphors; Theater for Instruction: Die Maßnahme (The Measures Taken); The Complexity of Models
Die Verwandlung (The Metamorphosis)Conclusion; 6 Emplotment; The Emplotment of Hamlet: Some General Principles; The Emplotment of Hamlet: Textual Particulars; Conclusion; Afterword; Simulating Narrative Minds; Narration Occluded or Explained: Faulkner's Light in August; Bunch Bumbles, Lena Leery; Celebrating Artifice: Calvino's Se una Notte d'Inverno un Viaggiatore (If on a Winter's Night a Traveler); Conclusion; Notes; Introduction; 1. Simulation; 2. Story Development, Literary Evaluation, and the Place of Character; 3. A Narrative Idiolect; 4. Principles and Parameters of Storytelling
5. Argument and Metaphor in Brecht and Kafka6. Emplotment; Afterword; Works Cited; Index;
