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  1. The Cambridge introduction to Poetic form
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and... mehr

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    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue and ballad and narrative.

     

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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521774994; 9780521772945
    Weitere Identifier:
    RVK Klassifikation: HG 160
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: English poetry; Literary form; Poetics; English language; English poetry ; History and criticism ; Theory, etc; Literary form; Poetics; English language ; Versification
    Weitere Schlagworte: Array; Literary form; Poetics; Array
    Umfang: IX, 245 S.
  2. <<The>> Cambridge introduction to poetic form
    Erschienen: 2012
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: O'Neill, Michael (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521772945; 9780521774994; 9781139422475
    Schlagworte: English poetry; Literary form; Poetics; English language; LITERARY CRITICISM / Semiotics & Theory
    Umfang: X, 245 S.
    Bemerkung(en):

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  3. The Cambridge introduction to Poetic form
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue and ballad and narrative.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521774994; 9780521772945
    Weitere Identifier:
    RVK Klassifikation: HG 160
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: English poetry; Literary form; Poetics; English language; English poetry ; History and criticism ; Theory, etc; Literary form; Poetics; English language ; Versification
    Weitere Schlagworte: Array; Literary form; Poetics; Array
    Umfang: IX, 245 S.
  4. The Cambridge Introduction to Poetic Form
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    This work provides lucid, elegant and original analyses of poetic form and its workings in a wide range of poems. mehr

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    This work provides lucid, elegant and original analyses of poetic form and its workings in a wide range of poems.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: O'Neill, Michael
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521772945; 9780521774994; 9781139421492 (Sekundärausgabe)
    RVK Klassifikation: HG 140
    Umfang: 260 S.
    Bemerkung(en):

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  5. The Cambridge Introduction to Poetic Form
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    This work provides lucid, elegant and original analyses of poetic form and its workings in a wide range of poems mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
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    This work provides lucid, elegant and original analyses of poetic form and its workings in a wide range of poems

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521772945
    Umfang: Online-Ressource (260 p)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; The Cambridge Introduction to Poetic Form; Title; Michael D. Hurley and Michael O'Neill; Copyright; Contents; Acknowledgements; Note on Texts; Introduction; Overview; Form; Form as Mirror or as Shaping Spirit; Form and History; Form and Metaphor; Form and Value; Form and Poetry about Form; Theories of Form and Purpose of the Book; Further Reading; Chapter 1: The Elements of Poetic Form; Overview; Rhythm and Metre; Further Thoughts on Rhythm and Metre; Lineation; Rhyme; Stanza; Further Reading; Chapter 2: Lyric; Overview; Questions of Subjectivity; Mood; Lyric and Grief

    Lyric, Time, and LoveComplexity and Lyric: From Short Poems to the Ode; Lyric Form at a Larger Level; Further Reading; Chapter 3: The Sonnet; The Sonnet Reaches England; Milton and the 'Italian' Revival; Wordsworth and his Contemporaries; The Victorians; To the Present Day; Further Reading; Chapter 4: Elegy; Early English Elegists: Sidney and Spenser; Milton; Thomas Gray; Shelley; Tennyson; Modern Elegy; Further Reading; Chapter 5: Epic; Overview; Spenser; Milton; Wordsworth; Pound and Eliot; Further Reading; Chapter 6: Soliloquy; Overview; Marlowe and Jonson; Shakespearean Soliloquy; Hamlet

    OthelloSoliloquy and Lament; The Romantic Soliloquy: Byron's Manfred; Yeats; Further Reading; Chapter 7: Dramatic Monologue; The Victorians; Modernism; To the Present Day; Further Reading; Chapter 8: Ballad and Narrative; Overview; Ballad; 'Sir Patrick Spens'; Romantic Poetry and the Ballad; Victorian and Twentieth-Century Poetry and the Ballad; Narrative Poetry; Chaucer and Narrative; Marlowe, Description, and Narrative; Pope, Time, Reflection, and Narrative; Narrative from Crabbe to Keats; Later Nineteenth-Century Narrative Poetry; Twentieth-Century Narrative Poetry; Further Reading; Notes

    Index