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  1. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511013086; 051111866X; 0511484070; 0521781302; 0521787351; 9780511013089; 9780511118661; 9780511484070; 9780521781305; 9780521787352
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: LITERARY CRITICISM / Shakespeare; DRAMA / Shakespeare; Acting in literature; Drama / Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Englisch; Theater; Wissen; Theater in literature; Acting in literature; Drama; Aufführung; Drama; Textproduktion
    Weitere Schlagworte: Shakespeare, William / 1564-1616; Shakespeare, William / 1564-1616; Shakespeare, William; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xiii, 298 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 269-288) and index

    Introduction: conjunctures and concepts -- - Performance and authority in Hamlet (1603) -- - A new agenda for authority -- - The "low and ignorant" crust of corruption -- - Towards a circulation of authority in the theatre -- - Players, printers, preachers: distraction in authority -- - Pen and voice: versions of doubleness -- - "Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) -- - Bifold authority in Troilus and Cressida -- - "Unworthy scaffold" for "so great an object" (Henry V) -- - Playing with a difference -- - To "disfigure, or to present" (A Midsummer Night's Dream) -- - To "descant" on difference and deformity (Richard III) -- - The "self-resembled show" -- - Presentation, or the performant function -- - Histories in Elizabethan performance -- - Disparity in mid-Elizabethan theatre history -- - Reforming "a whole theatre of others" (Hamlet) -- - From common player to excellent actor -- - Differentiation, exclusion, withdrawal -- - Hamlet and the purposes of playing -- - Renaissance writing and common playing -- - Unworthy antics in the glass of fashion -- - "When in one line two crafts directly meet" -- - (Word)play and the mirror of representation -- - Space (in)dividable: locus and platea revisited -- - Space as symbolic form: the locus -- - The open space: provenance and function -- - Locus and platea in Macbeth -- - Banqueting in Timon of Athens -- - Shakespeare's endings: commodious thresholds -- - Epilogues vs. closure -- - Ends of postponement: holiday into workaday -- - Thresholds to memory and commodity -- - Liminality: cultural authority 'betwixt-and-between'
  2. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge, U.K.

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521781302; 0521787351
    RVK Klassifikation: EC 5146 ; HI 3390
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: Wissen; Theater in literature; Acting in literature; Drama; Textproduktion; Aufführung; Drama
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: xiii, 298 p
    Bemerkung(en):

    Includes bibliographical references (p. 269-288) and index
  3. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge

    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers:... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Introduction: conjunctures and concepts --Performance and authority in Hamlet (1603) --A new agenda for authority --The "low and ignorant" crust of corruption --Towards a circulation of authority in the theatre --Players, printers, preachers: distraction in authority --Pen and voice: versions of doubleness --"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine) --Bifold authority in Troilus and Cressida --"Unworthy scaffold" for "so great an object" (Henry V) --Playing with a difference --To "disfigure, or to present" (A Midsummer Night's Dream) --To "descant" on difference and deformity (Richard III) --The "self-resembled show" --Presentation, or the performant function --Histories in Elizabethan performance --Disparity in mid-Elizabethan theatre history --Reforming "a whole theatre of others" (Hamlet) --From common player to excellent actor --Differentiation, exclusion, withdrawal --Hamlet and the purposes of playing --Renaissance writing and common playing --Unworthy antics in the glass of fashion --"When in one line two crafts directly meet" --(Word)play and the mirror of representation --Space (in)dividable: locus and platea revisited --Space as symbolic form: the locus --The open space: provenance and function --Locus and platea in Macbeth --Banqueting in Timon of Athens --Shakespeare's endings: commodious thresholds --Epilogues vs. closure --Ends of postponement: holiday into workaday --Thresholds to memory and commodity --Liminality: cultural authority 'betwixt-and-between'. Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521781302; 9780521781305; 0521787351; 9780521787352; 0511013086; 0511484070; 9780511013089; 051111866X; 9780511118661; 9780511484070
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: Drama; Theater in literature; Acting in literature; Drama; Theater in literature; Acting in literature; Drama; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Acting in literature; Drama ; Technique; Performing arts; Theater; Theater in literature; Toneel; Engels; Schriftcultuur; Criticism, interpretation, etc
    Weitere Schlagworte: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William; Shakespeare, William
    Umfang: Online Ressource (xiii, 298 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 269-288) and index. - Description based on print version record

    Introduction: conjunctures and conceptsPerformance and authority in Hamlet (1603)A new agenda for authorityThe "low and ignorant" crust of corruptionTowards a circulation of authority in the theatrePlayers, printers, preachers: distraction in authorityPen and voice: versions of doubleness"Frivolous jestures" vs. matter of "worthiness" (Tamburlaine)Bifold authority in Troilus and Cressida"Unworthy scaffold" for "so great an object" (Henry V)Playing with a differenceTo "disfigure, or to present" (A Midsummer Night's Dream)To "descant" on difference and deformity (Richard III)The "self-resembled show"Presentation, or the performant functionHistories in Elizabethan performanceDisparity in mid-Elizabethan theatre historyReforming "a whole theatre of others" (Hamlet)From common player to excellent actorDifferentiation, exclusion, withdrawalHamlet and the purposes of playingRenaissance writing and common playingUnworthy antics in the glass of fashion"When in one line two crafts directly meet"(Word)play and the mirror of representationSpace (in)dividable: locus and platea revisitedSpace as symbolic form: the locusThe open space: provenance and functionLocus and platea in MacbethBanqueting in Timon of AthensShakespeare's endings: commodious thresholdsEpilogues vs. closureEnds of postponement: holiday into workadayThresholds to memory and commodityLiminality: cultural authority 'betwixt-and-between'.
  4. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Higbee, Helen; West, William
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511013086; 9780511013089; 0521781302; 9780521781305; 0521787351; 9780521787352; 051111866X; 9780511118661; 9780511484070; 0511484070; 9780511046001; 0511046006; 0511153651; 9780511153655; 1280162171; 9781280162176
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Umfang: 1 Online-Ressource (xiii, 298 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 269-288) and index
  5. Author's pen and actor's voice
    playing and writing in Shakespeare's theatre
    Autor*in: Weimann, Robert
    Erschienen: 2000
    Verlag:  Cambridge University Press, Cambridge, U.K

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    Signatur:
    e-Book Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliothek LIV HN Sontheim
    Signatur:
    ProQuest Academic Complete
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signatur:
    ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    Signatur:
    E-Books ProQuest Academic
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    Signatur:
    E-Book Proquest
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    Signatur:
    eBook ProQuest
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    Signatur:
    EBS ProQuest
    Fernleihe:
    keine Fernleihe

     

    Robert Weimann redefines the relationship between writing and performance, or 'playing', in Shakespeare's theatre and offers a reconsideration and redefinition of Elizabethan performance and production practices. The study reviews the most recent methodologies of textual scholarship, performance theory, and film interpretation, and offers a new approach to understanding Shakespeare

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0521787351; 0521781302
    Schriftenreihe: Cambridge studies in Renaissance literature and culture ; 39
    Schlagworte: Theater in literature; Acting in literature; Drama; Shakespeare, William ; 1564-1616 ; Knowledge ; Performing arts; Electronic books
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: Online-Ressource (xiii, 298 p), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 269-288) and index

    Electronic reproduction; Available via World Wide Web

    Cover; Half-title; Series-title; Title; Copyright; Dedication; Contents; Preface; Introduction: conjunctures and concepts; 1 Performance and authority in Hamlet (1603); 2 A new agenda for authority; 3 Pen and voice: versions of doubleness; 4 Playing with a difference; 5 Histories in Elizabethan performance; 6 Hamlet and the purposes of playing; 7 Space (in)dividable: locus and platea revisited; 8 Shakespeare's endings: commodious thresholds; Afterword: thresholds forever after; Notes; Works cited; Index