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  1. Chinese Shakespeares
    two centuries of cultural exchange
    Erschienen: c2009
    Verlag:  Columbia University Press, New York

    For close to two hundred years, the ideas of Shakespeare have inspired incredible work in the literature, fiction, theater, and cinema of China, Taiwan, and Hong Kong. From the novels of Lao She and Lin Shu to Lu Xun's search for a Chinese... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    For close to two hundred years, the ideas of Shakespeare have inspired incredible work in the literature, fiction, theater, and cinema of China, Taiwan, and Hong Kong. From the novels of Lao She and Lin Shu to Lu Xun's search for a Chinese ""Shakespeare,"" and from Feng Xiaogang's martial arts films to labor camp memoirs, Soviet-Chinese theater, Chinese opera in Europe, and silent film, Shakespeare has been put to work in unexpected places, yielding a rich trove of transnational imagery and paradoxical citations in popular and political culture. Chinese Shakespeares is th

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0231148488; 0231519923; 0231148496; 9780231148481; 9780231519922; 9780231148498
    Schriftenreihe: Global Chinese culture
    Schlagworte: Theater; Chinese drama; Performing arts; Shakespeare, William - History and criticism
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: Online-Ressource (xi, 350 p), ill
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; Illustrations; Acknowledgments; A Note on Texts and Translation; Prologue; PART I: Theorizing Global Localities; 1. Owning Chinese Shakespeares; PART II: The Fiction of Moral Space; 2. Shakespeare in Absentia:The Genealogy of an Obsession; 3. Rescripting Moral Criticism: Charles and Mary Lamb, Lin Shu, and Lao She; PART III: Locality at Work; 4. Silent Film and Early Theater: Performing Womanhood and Cosmopolitanism; 5. Site- Specific Readings: Confucian Temple, Labor Camp,and Soviet-Chinese Theater; PART IV: Postmodern Shakespearean Orients; 6. Why Does Everyone Need Chinese Opera?

    7. Disowning Shakespeare and ChinaEpilogue; Select Chronology; Notes; Select Bibliography; Index