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  1. From Mankind to Marlowe
    Growth of Structure in the Popular Drama of Tudor England
    Autor*in: Bevington, David M.
    Erschienen: [1962]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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  2. Shakespeare
    The Theater and the Book
    Autor*in: Knapp, Robert S.
    Erschienen: [1989]
    Verlag:  Princeton University Press, Princeton, N.J.

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400859962
    Weitere Identifier:
    Schlagworte: Englische Literatur; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Semiotics and literature / England / History / 16th century; Literature and history / England / History / 16th century; Theater / England / History / 16th century; LITERARY CRITICISM / Drama; English drama / Early modern and Elizabethan; Literature and history; Semiotics and literature; Theater; Geschichte; Semiotik; Drama; Theater; Buch
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (272p.)
    Bemerkung(en):

    This book explores the reasons for the lasting freshness and modernity of Shakespeare's plays, while revising the standard history of English medieval and Renaissance drama. Robert Knapp argues that changes in the authority of English monarchs, in the differentiation and integration of English society, in the realization of human figures on stage, and in the understanding of signs helped produce scripts that still compel us to the act of interpretationOriginally published in 1989.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  3. Costuming the Shakespearean stage
    visual codes of representation in early modern theatre and culture
    Autor*in: Lublin, Robert I.
    Erschienen: 2011
    Verlag:  Ashgate, Farnham, Surrey, England

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  4. A companion to Renaissance drama
    Erschienen: 2004
    Verlag:  Blackwell, Oxford

    Standort:
    Technische Hochschulbibliothek Rosenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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  5. Early English performance
    medieval plays and Robin Hood games : shifting paradigms in early English drama studies
    Beteiligt: Butterworth, Philip (Hrsg.); Marshall, John (Hrsg.)
    Erschienen: 2020; © 2020
    Verlag:  Routledge, Abingdon, Oxon

    "Covering a period of nearly 40 years' work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the... mehr

     

    "Covering a period of nearly 40 years' work by the author this collection of essays in the Shifting Paradigms in Early English Drama Studies series brings the perspective of a Drama academic and practitioner of early English plays to the understanding of how medieval plays and Robin Hood games of the fifteenth and sixteenth centuries were performed. It explores why, where, when, and how the plays happened, who took part, and who were the audiences. The insights are informed by a combination of research and the public presentation of surviving texts. The research included in the volume unites the early English experiences of religious and secular performance. This recognition challenges the dominant critical distinction of the past between the two and the consequent privileging of biblical and moral plays over secular entertainments. What further binds, rather than separates, the two is that the destination of funds raised by the different activities maintained the civic and parochial needs of the institutions upon which the people depended. This collection redefines the inclusive nature and common interests of the purposes that lay behind generically different undertakings. They shared an extraordinary investment of human and financial resources in the anticipation of a profit that was pious and practical"--

     
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  6. Unto the breach
    martial formations, historical trauma, and the early modern stage
    Autor*in: Cahill, Patricia A.
    Erschienen: 2009
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    This original and historically rigorous study of war in Elizabethan drama and culture examines the era's emergent military science as played out in its theatres, where large audiences came to see war dramas throughout the late 16th century. mehr

    Standort:
    Universitätsbibliothek Würzburg
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    This original and historically rigorous study of war in Elizabethan drama and culture examines the era's emergent military science as played out in its theatres, where large audiences came to see war dramas throughout the late 16th century.

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191705830
    Weitere Identifier:
    RVK Klassifikation: HI 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; War in literature; Theater / England / History / 16th century; Geschichte; English drama; Theater; War in literature; Englisch; Drama; Krieg <Motiv>; Theater
    Umfang: 1 Online-Ressource (VIII, 227 S.), Ill., Kt.
    Bemerkung(en):

    e

    Includes bibliographical references and index
  7. From Mankind to Marlowe
    Growth of Structure in the Popular Drama of Tudor England
    Autor*in: Bevington, David M.
    Erschienen: [1962]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Standort:
    Technische Hochschule Augsburg
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    Standort:
    Universitätsbibliothek Bamberg
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    Standort:
    Hochschule Coburg, Zentralbibliothek
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    Standort:
    Hochschule Kempten, Hochschulbibliothek
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    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Standort:
    Universitätsbibliothek Passau
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  8. Literature and the theater in Shakespeare's day
    Autor*in: Evans, Robert C.
    Erschienen: 2012
    Verlag:  Chelsea House, New York

    Provides students with important background information on the practice of writing and producing plays in Shakespeare's England. Quotations from a number of writers of Shakespeare's time are included to give students a better understanding of the... mehr

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    Universitätsbibliothek der LMU München
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    Provides students with important background information on the practice of writing and producing plays in Shakespeare's England. Quotations from a number of writers of Shakespeare's time are included to give students a better understanding of the environment in which he worked.--From publisher description

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schlagworte: Theater / England / History / 16th century; Theater / England / History / 17th century; Literature and society / History / 16th century; Literature and society / History / 17th century; Literature and society; Theater; Zeithintergrund; Gesellschaftsleben; Literatur; Theater; Geschichte
    Weitere Schlagworte: Shakespeare, William / 1564-1616
    Umfang: vii, 128 p., ill. (some col.), 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: The literary landscapes of Renaissance England -- The universities -- The theater challenged and defended -- Puritanism -- London's theaters and theater companies -- Masques -- Audiences in Shakespeare's time -- Writing for London's theaters -- A gallery of Shakespeare's contemporaries
  9. Magical transformations on the early modern English stage
    Beteiligt: Hopkins, Lisa (Hrsg.); Ostovich, Helen (Hrsg.)
    Erschienen: [2014]; © 2014
    Verlag:  Ashgate, Farnham, Surrey ; Burlington, VT

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Beteiligt: Hopkins, Lisa (Hrsg.); Ostovich, Helen (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781472432872; 1472432878; 9781472432865; 147243286X
    Schriftenreihe: Studies in performance and early modern drama
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Magic in literature; Theater / England / History / 16th century; DRAMA / English, Irish, Scottish, Welsh; English drama / Early modern and Elizabethan; Magic in literature; Theater; Drama; Englisch; Magie; Geschichte; Array; Drama; Englisch; Magie <Motiv>
    Umfang: 1 online resource (ix, 265 pages)
    Bemerkung(en):

    Print version record

    Considering a variety of questions centering on magic and, or in, performance, this volume furthers the debate about the cultural work performed by representations of magic on the early modern English stage. Collectively the essays show that the idea of transformation applies not only to the objects and subjects of magic, but that the plays themselves can be seen as working to effect transformation in the ways that they challenge contemporary assumptions and stereotypes

    Cover; Contents; Notes on Contributors ; Acknowledgements ; Introduction; Part I Demons and Pacts; 1 Magic and the Decline of Demons; 2 Who the Devil is in Charge?; 3 Danger in Words; Part II Rites to Believe; 4 'The Charm's Wound Up'; 5 Demonising Macbeth; 6 Hermetic Miracles in The Winter's Tale; Part III Learned Magic; 7 'We ring this round with our invoking spells'; 8 Boiled Brains, 'Inward Pinches', and Alchemical Tempering in The Tempest; 9 Profit and Delight?; Part IV Local Witchcraft; 10 Three Wax Images, Two Italian Gentlemen, and One English Queen

    11 'In good reporte and honest estimacion amongst her neighbours'12 'A witch, a quean, an old cozening quean!'; 13 'Gingerbread Progeny' in Bartholomew Fair; 14 'My poor fiddle is bewitched'; Bibliography; Index
  10. Theatrical convention and audience response in early modern drama
    Autor*in: Lopez, Jeremy
    Erschienen: 2003
    Verlag:  Cambridge University Press, Cambridge

    This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483714
    Weitere Identifier:
    RVK Klassifikation: HI 1250
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater audiences / England / History / 16th century; Theater audiences / England / History / 17th century; English drama / 17th century / History and criticism; Theater / England / History / 16th century; Theater / England / History / 17th century; Drama; Englisch; Aufführung
    Umfang: 1 online resource (viii, 239 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    1. "As it was acted to great applause": Elizabethan and Jacobean audiences and the physicality of response -- 2. Meat, magic, and metamorphosis: on puns and wordplay -- 3. Managing the aside -- 4. Exposition, redundancy, action -- 5. Disorder and convention -- 6. Drama of disappointment: character and narrative in Elizabethan and Jacobean tragedy -- 7. Laughter and narrative in Elizabethan and Jacobean comedy -- 8. Epilogue: Jonson and Shakespeare
  11. Theatre and humanism
    English drama in the sixteenth century
    Autor*in: Cartwright, Kent
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... mehr

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    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483479
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1260
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater / England / History / 16th century; Renaissance / England; Humanists / England; Drama; Englisch; Humanismus; Frühneuenglisch
    Umfang: 1 online resource (x, 321 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment
  12. The English clown tradition from the middle ages to Shakespeare
    Autor*in: Hornback, Robert
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of... mehr

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in 'King Lear', drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846157202
    RVK Klassifikation: HG 620 ; HG 627 ; HI 1264
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama (Comedy) / History and criticism; English drama / 17th century / History and criticism; Clowns / England / History / 16th century; Clowns / England / History / 17th century; Clowns in literature; Fools and jesters in literature; Comic, The, in literature; Theater / England / History / 16th century; Theater / England / History / 17th century; Clown
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Characters / Clowns
    Umfang: 1 online resource (xiii, 240 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: Unearthing Yoricks : literary archeology and the ideologies of early English clowning -- Folly as proto-racism : blackface in the "natural" fool tradition -- "Sports and follies against the Pope" : Tudor evangelical lords of misrule -- "Verie devout asses" : ignorant Puritan clowns -- The fool "by art" : the all-licensed "artificial" fool in the King Lear quarto -- Epilogue: License revoked : ending an era
  13. Stage and picture in the English Renaissance
    the mirror up to nature
    Autor*in: Astington, John
    Erschienen: 2017
    Verlag:  Cambridge University Press, Cambridge

    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This book presents a new approach to the relationship between traditional pictorial arts and the theatre in Renaissance England. Demonstrating the range of visual culture in evidence from the mid-sixteenth to mid-seventeenth century, from the grandeur of court murals to the cheap amusement of woodcut prints, John H. Astington shows how English drama drew heavily on this imagery to stimulate the imagination of the audience. He analyses the intersection of the theatrical and the visual through such topics as Shakespeare's Roman plays and the contemporary interest in Roman architecture and sculpture; the central myth of Troy and its widely recognised iconography; scriptural drama and biblical illustration; and the emblem of the theatre itself. The book demonstrates how the art that surrounded Shakespeare and his contemporaries had a profound influence on the ways in which theatre was produced and received

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781316344095
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1269
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / 17th century / History and criticism; Art and literature / England / History / 16th century; Art and literature / England / History / 17th century; Art and society / England / History / 16th century; Art and society / England / History / 16th century; Theater / England / History / 16th century; Theater / England / History / 17th century; Renaissance / England; Bühne; Englisch; Kunst; Drama; Theater; Illustration
    Umfang: 1 online resource (xii, 270 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 07 Jul 2017)

    Machine generated contents note: Introduction; 1. Antique Romans; 2. Aeneas' tale to Dido; 3. Corn and camels; 4. The picture of we three; 5. Excellent morals; 6. A Mirror for Magistrates; 7. The theatre pictured; 8. Conclusion
  14. Unto the breach
    martial formations, historical trauma, and the early modern stage
    Autor*in: Cahill, Patricia A.
    Erschienen: 2008
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

    This original and historically rigorous study of war in Elizabethan drama and culture examines the era's emergent military science as played out in its theatres, where large audiences came to see war dramas throughout the late 16th century. mehr

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    Universitätsbibliothek Bayreuth
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    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    Universitätsbibliothek der LMU München
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    Standort:
    Universitätsbibliothek Würzburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This original and historically rigorous study of war in Elizabethan drama and culture examines the era's emergent military science as played out in its theatres, where large audiences came to see war dramas throughout the late 16th century.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780199212057
    RVK Klassifikation: HI 1269
    Auflage/Ausgabe: 1. publ.
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; War in literature; Theater / England / History / 16th century; Geschichte; English drama; Theater; War in literature; Englisch; Theater; Drama; Krieg <Motiv>
    Umfang: VIII, 227 S., Ill., Kt.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke

    Includes bibliographical references and index
  15. Shakespeare and the institution of theatre
    "the best in this kind"
    Autor*in: Sheen, Erica
    Erschienen: 2009
    Verlag:  Palgrave Macmillan, Basingstoke

    Standort:
    Universitätsbibliothek Augsburg
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    Standort:
    Universitätsbibliothek Bamberg
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    Standort:
    Universitätsbibliothek Bayreuth
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    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Standort:
    Bayerische Staatsbibliothek
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    Standort:
    Universitätsbibliothek der LMU München
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780230524804; 023052480X
    RVK Klassifikation: HI 3390 ; HI 3560
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: Theater / England / History / 16th century; Theater / England / History / 17th century; Geschichte; Theater; Theater; Theater
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Stage history; Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Umfang: VIII, 172 S.
    Bemerkung(en):

    Includes bibliographical references (p. 143-166) and index
  16. Manly mechanicals on the early modern English stage
    Autor*in: Arab, Ronda
    Erschienen: c2011
    Verlag:  Susquehanna University Press, Selinsgrove

  17. The English clown tradition from the middle ages to Shakespeare
    Autor*in: Hornback, Robert
    Erschienen: 2009
    Verlag:  Boydell & Brewer, Suffolk

    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    From the late-medieval period through to the seventeenth century, English theatrical clowns carried a weighty cultural significance, only to have it stripped from them, sometimes violently, by the close of the Renaissance when the famed "license" of fooling was effectively revoked. This groundbreaking survey of clown traditions in the period looks both at their history, and reveals their hidden cultural contexts and legacies; it has far-reaching implications not only for our general understanding of English clown types, but also their considerable role in defining social, religious and racial boundaries. It begins with an exploration of previously un-noted early representations of blackness in medieval psalters, cycle plays, and Tudor interludes, arguing that they are emblematic of folly and ignorance rather than of evil. Subsequent chapters show how protestants at Cambridge and at court, during the reigns of Henry VIII and Edward, patronised a clownish, iconoclastic Lord of Misrule; look at the Elizabethan puritan stage clown; and move on to a provocative reconsideration of the Fool in 'King Lear', drawing completely fresh conclusions. Finally, the epilogue points to the satirical clowning which took place surreptitiously in the Interregnum, and the (sometimes violent) end of "licensed" folly. Professor ROBERT HORNBACK teaches in the Departments of Literature and Theatre at Oglethorpe University

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781846157202
    RVK Klassifikation: HG 620 ; HG 627 ; HI 1264
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama (Comedy) / History and criticism; English drama / 17th century / History and criticism; Clowns / England / History / 16th century; Clowns / England / History / 17th century; Clowns in literature; Fools and jesters in literature; Comic, The, in literature; Theater / England / History / 16th century; Theater / England / History / 17th century; Clown
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Characters / Clowns
    Umfang: 1 online resource (xiii, 240 pages)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction: Unearthing Yoricks : literary archeology and the ideologies of early English clowning -- Folly as proto-racism : blackface in the "natural" fool tradition -- "Sports and follies against the Pope" : Tudor evangelical lords of misrule -- "Verie devout asses" : ignorant Puritan clowns -- The fool "by art" : the all-licensed "artificial" fool in the King Lear quarto -- Epilogue: License revoked : ending an era
  18. The Cambridge introduction to early modern drama
    1576-1642
    Autor*in: Sanders, Julie
    Erschienen: 2014
    Verlag:  Cambridge University Press, Cambridge

    Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of... mehr

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    Engaging and stimulating, this Introduction provides a fresh vista of the early modern theatrical landscape. Chapters are arranged according to key genres (tragedy, revenge, satire, history play, pastoral and city comedy), punctuated by a series of focused case studies on topics ranging from repertoire to performance style, political events to the physical body of the actor, and from plays in print to the space of the playhouse. Julie Sanders encourages readers to engage with particular dramatic moments, such as opening scenes, skulls on stage or the conventions of disguise, and to apply the materials and methods contained in the book in inventive ways. A timeline and frequent cross-references provide continuity. Always alert to the possibilities of performance, Sanders reveals the remarkable story of early modern drama not through individual writers, but through repertoires and company practices, helping to relocate and re-imagine canonical plays and playwrights

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781139004930
    Weitere Identifier:
    RVK Klassifikation: HI 1250
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / 17th century / History and criticism; Theater / England / History / 16th century; Theater / England / History / 17th century; Theater; Frühneuenglisch; Drama; Aufführungspraxis
    Umfang: 1 Online-Ressource (XVII, 261 S.)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Machine generated contents note: Preface. An outline of approaches taken; Introduction: brick, lime, sand, plaster over lath, and 'new oaken boards': the early modern playhouse; Case study A. Richard III at the Globe; Case study B. An outdoor theatre repertoire: The Rose on Bankside; 1. Tragedy; Case study C. Opening scenes; Case study D. Staging violence and the space of the stage; 2. Revenge drama; Case study E. 'Here in the friars': the second Blackfriars indoor playhouse; Case study F. The social life of things: skulls on the stage; 3. Histories; Case study G. Title pages and plays in print; 4. Comedy, pastoral and romantic; Case study H. The boy actor: body, costume, and disguise; 5. City comedies; Case study I. The dramaturgy of scenes; Case study J. Collaborative writing or the literary workshop; 6. Satire; Case study K. Topical theatre and 1605-6; Case study L. 'Little eyases': the children's companies and repertoire; 7. Tragicomedy; Case study M. The visual rhetoric of dumb show; Conclusion. The wind and the rain: the wider landscape of early modern performance; Chronology; Bibliography
  19. Language and stage in medieval and Renaissance England
    Autor*in: Dillon, Janette
    Erschienen: 1998
    Verlag:  Cambridge University Press, Cambridge

    This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period Latin was regarded as the sacramental language of authority, but in the newly politicized linguistic arena of the... mehr

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    This study explores the use of other languages, especially Latin, in medieval and Renaissance English drama. Until the medieval period Latin was regarded as the sacramental language of authority, but in the newly politicized linguistic arena of the late fourteenth century it became a symbol of the potential enemy from Rome. In this book Janette Dillon examines why, during the period 1400 to 1600, other languages increasingly invade English plays, and how their significance is illuminated by developments in Church and state, in particular the advancing Reformation and expanding English nationalism. In marked contrast to other related studies, Dillon focuses on drama as performance and employs a wide range of works, from the mystery cycles to The Spanish Tragedy, and finally Shakespeare

     
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  20. Themes and conventions of Elizabethan tragedy
    Autor*in: Bradbrook, M. C.
    Erschienen: 1980
    Verlag:  Cambridge University Press, Cambridge

    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been... mehr

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    The first edition of this book formed the basis of the modern approach to Elizabethan poetic drama as a performing art, an approach pursued in subsequent volumes by Professor Bradbrook. Its influence has also extended to other fields; it has been studied by Grigori Kozintesev and Sergei Eisenstein for instance. Conventions of open stage, stylized plot and characters, and actors' traditions of presentation are related to the special expectations which a rhetorical training produced in the listeners. The general discussion of tragic conventions is followed by individual studies of how these were used by Marlowe, Tourneur, Webster and Middlewon. For this second edition Professor Bradbrook has revised her material and written a new introduction. A new final chapter on performace and characterization describes the conventions of role-playing. Dramatists before and after Shakespeare are compared with him in their methods of showing a complex identity on stage. This chapter also considers the work of Marston, Chapman and Ford in relation to the themes and conventions studied in earlier chapters, providing a link with the subsequent volumes in A History of Elizabethan Drama

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511620362
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1251 ; HI 1269
    Auflage/Ausgabe: Second edition
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / 17th century / History and criticism; English drama (Tragedy) / History and criticism; Theater / England / History / 16th century; Geschichte <Motiv>; Thema; Tragödie; Englisch; Konvention
    Umfang: 1 online resource (viii, 270 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  21. Elizabethan stage conventions and modern interpreters
    Autor*in: Dessen, Alan C.
    Erschienen: 1984
    Verlag:  Cambridge University Press, Cambridge

    Alan Dessen samples about four hundred manuscripts and printed plays to record the original staging conventions of the age of Shakespeare. After studying the stage properties, movements and configurations implicit in recurrent phrases and stage... mehr

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    Alan Dessen samples about four hundred manuscripts and printed plays to record the original staging conventions of the age of Shakespeare. After studying the stage properties, movements and configurations implicit in recurrent phrases and stage directions, he concludes that Elizabethan spectators, less concerned with realism than later generations, were used to receiving a kind of theatrical shorthand transmitted by the actors from the playwright. Professor Dessen both describes this shorthand (e.g. the use of nightgowns, boots and dishevelled hair) and draws attention to the implications of his findings for modern interpreters, addressing not only critics and teachers but also editors, actors and directors

     
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    Format: Online
    ISBN: 9780511554179
    Weitere Identifier:
    RVK Klassifikation: HI 1250 ; HI 1269 ; HI 3560
    Schlagworte: Geschichte; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater / England / History / 16th century; Stage directions; Theater; Aufführung; Drama; Englisch; Rezeption
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Dramatic production; Shakespeare, William / 1564-1616 / Criticism and interpretation
    Umfang: 1 online resource (xi, 190 pages)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  22. Shakespeare and the institution of theatre
    "the best in this kind"
    Autor*in: Sheen, Erica
    Erschienen: 2009
    Verlag:  Palgrave Macmillan, Basingstoke

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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780230234529
    Weitere Identifier:
    RVK Klassifikation: HI 3390 ; HI 3560
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Palgrave Shakespeare studies
    Schlagworte: Theater / England / History / 16th century; Theater / England / History / 17th century; Geschichte; Theater; Theater; Theater
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Stage history; Shakespeare, William <1564-1616>; Shakespeare, William <1564-1616>; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource
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    Includes bibliographical references (p. 143-166) and index
  23. Historical affects and the early modern theater
    Beteiligt: Arab, Ronda (Hrsg.); Dowd, Michelle M. (Hrsg.); Zucker, Adam (Hrsg.)
    Erschienen: 2015
    Verlag:  Routledge, Taylor & Francis Group, New York ; ProQuest Ebook Central, London

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    Beteiligt: Arab, Ronda (Hrsg.); Dowd, Michelle M. (Hrsg.); Zucker, Adam (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781138020504; 9781315776514; 9781317690702
    Schriftenreihe: Routledge advances in theatre and performance studies ; 33
    Schlagworte: English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; English drama / 17th century / History and criticism; Theater and history / England / History; Theater / England / History / 16th century; Theater / England / History / 17th century
    Umfang: 1 Online-Ressource (ix, 260 Seiten)
    Bemerkung(en):

    Literaturverzeichnis: Seite [232]-254
  24. Performing gods in classical antiquity and the age of Shakespeare
    Autor*in: Dixon, Dustin W
    Erschienen: 2021
    Verlag:  Bloomsbury Academic, London [England] ; Bloomsbury Publishing

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
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    Auflage/Ausgabe: First edition
    Schriftenreihe: Bloomsbury Studies in Classical Reception
    Schlagworte: Theater / England / History / 16th century; Theater / England / History / 17th century; Ancient (Classical) Greek
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Stage history / To 1625
    Umfang: 1 online resource (240 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  25. Emotional excess on the Shakespearean stage
    passion's slaves
    Autor*in: Escolme, Bridget
    Erschienen: 2019
    Verlag:  Bloomsbury Publishing, London

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
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    Schlagworte: Emotions in literature; English drama / Early modern and Elizabethan, 1500-1600 / History and criticism; Theater / England / History / 16th century; Theater / England / History / 17th century
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Stage history
    Umfang: 1 online resource, illustrations
    Bemerkung(en):

    Includes bibliographical references