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  1. The merry rise of Skywalker
    Autor*in: Doescher, Ian
    Erschienen: [2020]; © 2020
    Verlag:  Quirk Books, Philadelphia

    "As our story opens, a sea of troubles threatens the valiant Resistance, who are pursued by the sound and fury of the vile First Order. Can Rey, Poe, Finn, Rose, BB-8, Chewbacca, and their allies overcome such toil and trouble? Shall Kylo Ren be... mehr

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As our story opens, a sea of troubles threatens the valiant Resistance, who are pursued by the sound and fury of the vile First Order. Can Rey, Poe, Finn, Rose, BB-8, Chewbacca, and their allies overcome such toil and trouble? Shall Kylo Ren be proven fortune's fool or master of his fate? What will become of the House of Skywalker? And is all well that ends well?"--

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781683691891; 168369189X
    RVK Klassifikation: AP 59800
    Schriftenreihe: William Shakespeare´s Star Wars ; part the 9th
    Schlagworte: Star Wars films; Star Wars fiction; Star Wars fiction; Star Wars films; Adaptations; Parodies, imitations, etc; Science fiction; Science fiction
    Weitere Schlagworte: Lucas, George (1944-); Shakespeare, William (1564-1616); Lucas, George; Shakespeare, William
    Umfang: 169 Seiten, Illustrationen, 22 cm
    Bemerkung(en):

    "Disney/Lucasfilm."
  2. Star Wars and the history of transmedia storytelling
    Beteiligt: Hassler-Forest, Daniel Alfred (HerausgeberIn); Guynes, Sean A. (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    Frontmatter --Table of Contents --"I Am Fluent in over Six Million Forms of Communication" --Introduction: "What Is This Strange World We've Come to?" --Foreword: "I Have a Bad Feeling About This" /Jenkins, Henry / Hassler-Forest, Dan --Part I "First... mehr

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    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Standort:
    Technische Universität Hamburg, Universitätsbibliothek
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    Standort:
    Leibniz-Fachhochschule Hannover, Bibliothek
    Fernleihe:
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    Standort:
    Universitätsbibliothek Hildesheim
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    Standort:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signatur:
    eBook Ebsco OA
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    Standort:
    Hochschule Mannheim, Hochschulbibliothek
    Signatur:
    eBook EBSCO OA
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    Standort:
    Hochschule Merseburg, Bibliothek
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    Standort:
    Hochschule Albstadt-Sigmaringen, Bibliothek Sigmaringen
    Signatur:
    eBook EbscoOA
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    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
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    Frontmatter --Table of Contents --"I Am Fluent in over Six Million Forms of Communication" --Introduction: "What Is This Strange World We've Come to?" --Foreword: "I Have a Bad Feeling About This" /Jenkins, Henry / Hassler-Forest, Dan --Part I "First Steps Into A Larger World": Establishing the Star Wars Storyworld --1. "Thank the Maker!" /Lomax, Tara --2. Han Leia Shot First /Webster, Jeremy W. --3. From Sequel to Quasi-Novelization /Freeman, Matthew --4. Another Canon, Another Time /Parys, Thomas Van --5. Franchising Empire /Hall, Stefan --6. "You must feel the Force around you!" /Morton, Drew --Part II "Never Tell Me the Odds!": Expanding the Star Wars Universe --7. Transmedia Character Building /Geraghty, Lincoln --8. The Digitizing Force of Decipher's Star Wars Customizable Card Game /Lee, Jonathan Rey --9. Publishing the New Jedi Order /Guynes, Sean --10. How Star Wars Became Museological /Herrera, Beatriz Bartolomé / Keidl, Philipp Dominik --11. Adapting the Death Star into LEGO /Wolf, Mark J.P. --12. Invoking the Holy Trilogy /Butler, Andrew M. --13. Chasing Wild Space /Mejeur, Cody --Part III "More Powerful Than You Can Possibly Imagine": Consolidating the Star Wars Franchise --14. From Transmedia Storytelling to Transmedia Experience /Hills, Matt --15. Space Bitches, Witches, and Kick-Ass Princesses /Bruin-Molé, Megen de --16. Some People Call Him a Space Cowboy /Sweet, Derek R. --17. The Kiss Goodnight from a Galaxy Far, Far Away /Urbanski, Heather --18. Formatting Nostalgia /Whitney, Allison --19. Fandom Edits /Canavan, Gerry --Afterword: "You'll Find I'm Full of Surprises" /Brooker, Will / Hassler-Forest, Dan --Bibliography --About the Contributors --Index. Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise

     
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    Quelle: Verbundkataloge
    Beteiligt: Hassler-Forest, Daniel Alfred (HerausgeberIn); Guynes, Sean A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537433; 9048537436
    Weitere Identifier:
    9789462986213
    Übergeordneter Titel: Enthalten in: De Gruyter Open Books; De Gruyter
    Enthalten in: Books at JSTOR: Open Access; JSTOR
    Enthalten in: OAPEN (Open Access Publishing in European Networks); OAPEN
    Schriftenreihe: Transmedia ; 3
    Schlagworte: Star Wars films; Media studies; Society and culture: general; Society and social sciences Society and social sciences; PERFORMING ARTS ; Reference; SOCIAL SCIENCE ; General; Star Wars films; Erzählen; Intermedialität; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (PDF, 329 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 297-315) and index
  3. Star Wars and the history of transmedia storytelling
    Beteiligt: Hassler-Forest, Daniel Alfred (Hrsg.); Guynes, Sean A. (Hrsg.)
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

    Standort:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise

     
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  4. Star wars in the public square
    "the clone wars" as political dialogue
    Autor*in: Sweet, Derek R.
    Erschienen: 2016
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "As a pop culture text offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically... mehr

    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    KNRS1277
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As a pop culture text offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogs concerning human cloning, torture, just war theory, peace and drone warfare"...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780786477647
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 50
    Schlagworte: Star Wars films; Politics in motion pictures; Motion pictures; Pop-Kultur; Science-Fiction-Literatur; Kriegführung; Politik
    Umfang: 213 Seiten
  5. Star wars in the public square
    the clone wars as political dialogue
    Autor*in: Sweet, Derek R.
    Erschienen: 2016
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "As a pop culture text offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As a pop culture text offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogs concerning human cloning, torture, just war theory, peace and drone warfare"...

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780786477647
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 50
    Schlagworte: Film; Politik; Star Wars films; Politics in motion pictures; Motion pictures; Politik; Science-Fiction-Literatur; Popkultur; Kriegführung
    Umfang: 213 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  6. Star wars meets the eras of feminism
    weighing all the galaxy's women great and small
    Autor*in: Frankel, Valerie Estelle
    Erschienen: [2018]
    Verlag:  Lexington Books, Lanham

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498583862
    Schlagworte: Star Wars films; Feminism and motion pictures; Women in motion pictures; Women heroes in motion pictures; Science-Fiction; Gleichberechtigung; Geschlechterrolle <Motiv>; Feminismus
    Umfang: IX, 353 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  7. Von Star Wars, Ultima und Doom
    mythologisch verschleierte Gewaltmechanismen im kommerziellen Film und in Computerrollenspielen
    Autor*in: Wessely, Christian
    Erschienen: 1997
    Verlag:  Lang, Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 3631317360
    RVK Klassifikation: AP 47970 ; BE 2100
    Schriftenreihe: [Europäische Hochschulschriften / 23] ; 612
    Schlagworte: Christentum; Religion; Myth in motion pictures; Science fiction films; Star Wars films; Star wars: The roleplaying game (Game); Fundamentaltheologie; Gewaltdarstellung; Mythologie; Doom <Computerspiel>; Computerspiel; Kultfilm
    Umfang: 354 S., Ill., graph. Darst., Notenbeisp.
    Bemerkung(en):

    Zugl.: Graz, Univ., Diss., 1996
  8. Star Wars and the history of transmedia storytelling
    Beteiligt: Guynes, Sean A. (Hrsg.); Hassler-Forest, Dan (Hrsg.)
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise

     
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    Volltext (kostenfrei)
    Quelle: Verbundkataloge
    Beteiligt: Guynes, Sean A. (Hrsg.); Hassler-Forest, Dan (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9048537436; 9462986215; 9789048537433; 9789462986213
    Weitere Identifier:
    9789462986213
    Schriftenreihe: Transmedia ; 3
    Schlagworte: Erzählen; Intermedialität; Media studies; PERFORMING ARTS; SOCIAL SCIENCE; Society and culture: general; Society and social sciences Society and social sciences; Star Wars films; Star Wars films; Intermedialität; Erzählen
    Weitere Schlagworte: media franchising; popular culture; science fiction; star wars; transmedia; Electronic books; Electronic books; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (PDF, 329 Seiten), illustrations
    Bemerkung(en):

    Array: Array

    Array: Array
  9. Star Wars and the history of transmedia storytelling /
    Beteiligt: Hassler-Forest, Dan (Hrsg.); Guynes, Sean A. (Hrsg.)
    Erschienen: 2017.
    Verlag:  Amsterdam University Press,, Amsterdam :

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

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    Standort:
    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise.

     
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    Image (Thumbnail cover image)
    Image (Thumbnail cover image)
    Quelle: Verbundkataloge
    Beteiligt: Hassler-Forest, Dan (Hrsg.); Guynes, Sean A. (Hrsg.)
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537433; 9048537436; 9462986215; 9789462986213
    Weitere Identifier:
    9789462986213
    Übergeordneter Titel: De Gruyter Open Books.; De Gruyter
    Books at JSTOR: Open Access.; JSTOR
    OAPEN (Open Access Publishing in European Networks).; OAPEN
    Schriftenreihe: Transmedia ; ; 3
    Schlagworte: Star Wars films; Guerre des étoiles (Films); Media studies.; Society and culture: general.; Society and social sciences Society and social sciences.; PERFORMING ARTS; SOCIAL SCIENCE; Star Wars films.; Erzählen; Intermedialität
    Weitere Schlagworte: transmedia.; star wars.; popular culture.; science fiction.; media franchising.
    Umfang: 1 online resource (PDF, 329 pages) :, illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 297-315) and index.

    Array: Array
  10. Star wars meets the eras of feminism
    weighing all the galaxy's women great and small
    Autor*in: Frankel, Valerie Estelle
    Erschienen: [2018]
    Verlag:  Lexington Books, Lanham

    Standort:
    Universitätsbibliothek Dortmund
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781498583886; 9781498583862
    Schlagworte: Star Wars films; Feminism and motion pictures; Women in motion pictures; Women heroes in motion pictures
    Umfang: ix, 353 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  11. Ambiguity in "Star Wars" and "Harry Potter"
    A (Post)Structuralist Reading of Two Popular Myths
    Autor*in: Flotmann-Scholz, Christina
    Erschienen: 2013; ©2013
    Verlag:  transcript, Bielefeld

    Biographical note: Christina Flotmann teaches English Literary and Cultural Studies at the University of Paderborn. Her research interests include contemporary popular culture and the Victorian era. The study combines theories of myth, popular... mehr

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    Standort:
    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    Standort:
    Staats- und Universitätsbibliothek Bremen
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    Standort:
    Staats- und Universitätsbibliothek Bremen
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    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Technik und Wirtschaft Dresden, Bibliothek
    Signatur:
    eBook de Gruyter
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    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Greifswald
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Hochschule für Bildende Künste, Bibliothek
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Hochschule für Musik und Theater 'Felix Mendelssohn Bartholdy' Leipzig, Bibliothek und Archiv
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    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Hochschule Merseburg, Bibliothek
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    Hochschule Merseburg, Bibliothek
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    Hochschule Mittweida (FH), Hochschulbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Biographical note: Christina Flotmann teaches English Literary and Cultural Studies at the University of Paderborn. Her research interests include contemporary popular culture and the Victorian era. The study combines theories of myth, popular culture, structuralism and poststructuralism to explain the enormous appeal of "Star Wars" and "Harry Potter". Although much research already exists on both stories individually, this book is the first to explicitly bring them together in order to explore their set-up and the ways in which their structures help produce ideologies on gender and ethnicity. Hereby, the comparison yields central insights into the workings of modern myth and uncovers structure as integral to the success of the popular genre. It addresses academic audiences and all those wishing to approach the tales from a fresh angle.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783839421482
    Weitere Identifier:
    RVK Klassifikation: AP 17420 ; HN 7625
    Schriftenreihe: Kultur- und Medientheorie
    Schlagworte: Star Wars films; Star Wars films.; Myth in literature.; Myth in motion pictures.; Öffentliche Darbietungen, Film, Rundfunk.; Popular culture and literature.; Potter, Harry (Fictitious character).; SOCIAL SCIENCE / Popular Culture; Myth, Popular Culture, Structuralism, Ideology, Star Wars, Harry Potter, Film, Literature, British Studies, American Studies, Cultural Studies
    Umfang: Online-Ressource (394 S.)
    Bemerkung(en):

    Description based upon print version of record

    Cover Ambiguity in »Star Wars« and »Harry Potter«; Contents; Acknowledgements; 1. Introduction: Structural Ambiguity; 2. Myth: Its Functions, Structure, and Workings in Society and (Contemporary Popular) Culture; 2.1 Functions of Myth; 2.2 The Structure of Myth (As a Reflection of Human Consciousness); 2.3 The Limitations of Structures and Mythical Ambiguity; 2.4 Myth as Ideology; 2.5 Myth and Popular Culture; 3. The Superstructures of Star Wars and Harry Potter; 3.1 A Structural 'Star Wars'; 3.2 Dichotomised Frames: Harry Potter; 4. The Mythical Ambiguity of Star Wars and Harry Potter

    Darth Vader; 6.2 Villain-Type and Silent Hero: Severus Snape; 7. Ideal Individuals; 7.1 Unity in Duality / Duality in Unity: Harry Potter; 7.2 Type and Individual: Luke Skywalker; 8. Imperfect Ideals: The Women's Question; 8.1 Ambiguous Developments: Female Characters in Star Wars; 8.2 Stasis and Play: Women in Harry Potter: 4.1 Star Wars's Equivocal Messages4.2 Harry Potter's Ambiguous Intent; 5. Evil Deconstruction; 5.1 Questioning Dichotomies: The Emperor; 5.2 'Play With Security': Voldemort; 6. Villainous Heroes and Heroic Villains; 6.1 'Star-Cross'd' Choice-Maker: Anakin Skywalker

    9. Individuals, Helpers, and Structural Necessities9.1 Good Nature Versus Evil Technology: Humanoid Characters in Star Wars; 9.2 Structures and Formulas Promoting Social Equality (?): Humanoids in Harry Potter; 10. Structural Displacement: Ethnic Diversity in Star Wars and Harry Potter; 10.1 Token-Blacks and Evil Aliens: Star Wars; 10.2 19th-Century Conflicts and Social Awareness: Ambiguous Otherness in Harry Potter; 11. The End(ings): Conclusion; 12. Works Cited; Primary Sources; Secondary Sources; Internet Sources; 13. Appendices; Appendix 1; Appendix 2; Appendix 3; Appendix 4
  12. Star Wars and the history of transmedia storytelling
    Beteiligt: Hassler-Forest, Daniel Alfred (HerausgeberIn); Guynes, Sean A. (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

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    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hassler-Forest, Daniel Alfred (HerausgeberIn); Guynes, Sean A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537433; 9048537436; 9789462986213; 9462986215
    Schriftenreihe: Transmedia ; 3
    Schlagworte: Star Wars films; Star wars; PERFORMING ARTS ; Reference; Media studies; Society and culture: general; Society and social sciences Society and social sciences; Star Wars films; Erzählen; Intermedialität; SOCIAL SCIENCE / General; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (PDF, 329 pages), illustrations
  13. Star Wars and the History of Transmedia Storytelling
    Beteiligt: Hassler-Forest, Dan (HerausgeberIn); Guynes, Sean (HerausgeberIn)
    Erschienen: [2018]
    Verlag:  Amsterdam University Press, Amsterdam

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. 'Star Wars and the History of Transmedia Storytelling' offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, 'Star Wars and the History of Transmedia Storytelling' demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building.

     
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    Quelle: Verbundkataloge
    Beteiligt: Hassler-Forest, Dan (HerausgeberIn); Guynes, Sean (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537433; 9048537436
    Schriftenreihe: Transmedia: Participatory Culture and Media Convergence ; 3
    Schlagworte: Star Wars films; Star Wars films ; History and criticism; Intermedialität ; gnd; Erzählen ; gnd; Star wars ; gnd; SOCIAL SCIENCE ; General; PERFORMING ARTS ; Reference; Society and social sciences Society and social sciences; Society and culture: general; Media studies; Guerre des etoiles (Films) ; Histoire et critique; Erzählen; Star Wars films; Star wars; Intermedialität; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (1 electronic resource 328 pages )
    Bemerkung(en):

    Includes bibliographical references (pages 297-315) and index. - Description based on print version record
  14. Star Wars and the history of transmedia storytelling
    Beteiligt: Guynes, Sean A. (Hrsg.); Hassler-Forest, Dan (Hrsg.)
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

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    Hochschule der Polizei des Landes Brandenburg, Hochschulbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise

     
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    Image (Thumbnail cover image)
    Image (Thumbnail cover image)
    Quelle: Verbundkataloge
    Beteiligt: Guynes, Sean A. (Hrsg.); Hassler-Forest, Dan (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9048537436; 9462986215; 9789048537433; 9789462986213
    Weitere Identifier:
    9789462986213
    Schriftenreihe: Transmedia ; 3
    Schlagworte: Erzählen; Intermedialität; Media studies; PERFORMING ARTS; SOCIAL SCIENCE; Society and culture: general; Society and social sciences Society and social sciences; Star Wars films; Star Wars films; Intermedialität; Erzählen
    Weitere Schlagworte: media franchising; popular culture; science fiction; star wars; transmedia; Electronic books; Electronic books; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (PDF, 329 Seiten), illustrations
    Bemerkung(en):

    Array: Array

    Array: Array
  15. Star Wars and the history of transmedia storytelling
    Beteiligt: Hassler-Forest, Daniel Alfred (HerausgeberIn); Guynes, Sean A. (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hassler-Forest, Daniel Alfred (HerausgeberIn); Guynes, Sean A. (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537433; 9048537436; 9789462986213; 9462986215
    Schriftenreihe: Transmedia ; 3
    Schlagworte: Star Wars films; Star wars; PERFORMING ARTS ; Reference; Media studies; Society and culture: general; Society and social sciences Society and social sciences; Star Wars films; Erzählen; Intermedialität; SOCIAL SCIENCE / General; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (PDF, 329 pages), illustrations
  16. Von Star Wars, Ultima und Doom
    mythologisch verschleierte Gewaltmechanismen im kommerziellen Film und in Computerrollenspielen
    Autor*in: Wessely, Christian
    Erschienen: 1997
    Verlag:  Lang, Frankfurt am Main ; Berlin ; Bern ; New York ; Paris ; Wien

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Buch (Monographie)
    ISBN: 3631317360
    RVK Klassifikation: AP 47970 ; BE 2100
    Schriftenreihe: [Europäische Hochschulschriften / 23] ; 612
    Schlagworte: Christentum; Religion; Myth in motion pictures; Science fiction films; Star Wars films; Star wars: The roleplaying game (Game); Fundamentaltheologie; Gewaltdarstellung; Mythologie; Doom <Computerspiel>; Computerspiel; Kultfilm
    Umfang: 354 S., Ill., graph. Darst., Notenbeisp.
    Bemerkung(en):

    Zugl.: Graz, Univ., Diss., 1996
  17. Star Wars and the history of transmedia storytelling
    Beteiligt: Hassler-Forest, Dan; Guynes, Sean A.
    Erschienen: 2017
    Verlag:  Amsterdam University Press, Amsterdam ; JSTOR, New York

    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been... mehr

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    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. Star Wars and the History of Transmedia Storytelling offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, Star Wars and the History of Transmedia Storytelling demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. As such, this collection grapples with the historical, cultural, aesthetic, and political-economic implications of the relationship between media franchising and transmedia storytelling as they are seen at work in the world's most profitable transmedia franchise.

     
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    Quelle: Verbundkataloge
    Beteiligt: Hassler-Forest, Dan; Guynes, Sean A.
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789048537433; 9048537436
    RVK Klassifikation: AP 46600 ; EC 6745 ; AP 59800
    Schriftenreihe: Transmedia ; ; 3
    Schlagworte: Intermedialität; Erzählen; Star Wars films; PERFORMING ARTS; Media studies; Society and culture: general; Society and social sciences Society and social sciences; SOCIAL SCIENCE; Star Wars films; Erzählen; Intermedialität
    Umfang: 1 Online-Ressource (PDF, 329 Seiten), Illustrations
  18. The force doth awaken
    Autor*in: Doescher, Ian
    Erschienen: [2017]; © 2017
    Verlag:  Quirk Books, Philadelphia

    A retelling of The Force awakens in iambic pentameter, the style of Shakespeare. To BB-8 or not to BB-8? That is the question! Star-crossed lovers reunite, a lost knight is found, and tragedy befalls the house of Solo mehr

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A retelling of The Force awakens in iambic pentameter, the style of Shakespeare. To BB-8 or not to BB-8? That is the question! Star-crossed lovers reunite, a lost knight is found, and tragedy befalls the house of Solo

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781594749858
    RVK Klassifikation: AP 59800
    Schriftenreihe: William Shakespeare´s Star Wars ; part 7th
    Schlagworte: Star Wars films; Star Wars fiction; Star Wars fiction; Star Wars films
    Weitere Schlagworte: Lucas, George 1944-; Shakespeare, William 1564-1616
    Umfang: 165 Seiten, Illustrationen, 22 cm
  19. The phantom of menace
    Autor*in: Doescher, Ian
    Erschienen: [2015]; © 2015
    Verlag:  Quirk Books, Philadelphia

    A retelling of The phantom menace in the style of Shakespeare, featuring a disguised queen, a young hero, and two fearless knights facing a hidden, vengeful enemy mehr

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A retelling of The phantom menace in the style of Shakespeare, featuring a disguised queen, a young hero, and two fearless knights facing a hidden, vengeful enemy

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781594748066
    RVK Klassifikation: AP 59800
    Schriftenreihe: William Shakespeare´s Star Wars ; part 1st
    Schlagworte: Star Wars films; Star Wars films; Star wars, episode I, the phantom menace (Motion picture); Star wars, episode I, the phantom menace (Motion picture); Star Wars films; Star Wars films
    Weitere Schlagworte: Shakespeare, William 1564-1616
    Umfang: 173 Seiten, Illustrationen, 22 cm
  20. Star wars in the public square
    "the clone wars" as political dialogue
    Autor*in: Sweet, Derek R
    Erschienen: 2016
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "As a pop culture text offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically... mehr

    Standort:
    Universitätsbibliothek Wuppertal
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As a pop culture text offers critical commentary on contemporary issues, marking a moment of interplay whereby author and audience come together in what Russian philosopher Mikhail Bakhtin called collaborative meaning making. This book critically examines the series as a voice in the political dialogs concerning human cloning, torture, just war theory, peace and drone warfare"..

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780786477647
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 50
    Schlagworte: Star Wars films; Politics in motion pictures; Motion pictures
    Umfang: 213 Seiten
  21. Wizards, wardrobes and wookiees
    navigating good and evil in Harry Potter, Narnia and Star Wars
    Autor*in: Neal, Connie W.
    Erschienen: c2007
    Verlag:  IVP Books, Downers Grove, Ill

    Introduction: The hero's journey, mythic archetypes and biblical insights -- "The hero" and would-be heroes among us -- The call to join the battle against evil -- Crossing the threshold into the extraordinary -- Meeting with the mentor -- Sorting... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2008 A 9201
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Index theologicus der Universitätsbibliothek Tübingen
    Fernleihe:
    keine Fernleihe

     

    Introduction: The hero's journey, mythic archetypes and biblical insights -- "The hero" and would-be heroes among us -- The call to join the battle against evil -- Crossing the threshold into the extraordinary -- Meeting with the mentor -- Sorting out allies from enemies -- Preparing for the ordeal in our battle against evil -- Tests, trials, tricksters and threshold guardians -- Knowing the villain and the nature of evil -- Unveiling shapeshifters in our fight against evil -- Fighting the ultimate battles -- Combating the shadow of our own dark nature -- Facing death, the final enemy -- Grand rescues, resurrection and redemption -- Beyond the bounds of time and power of prophecy -- Rewards and just deserts -- Epilogue: Return with the elixir

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780830833665
    Schlagworte: Heroes; Spiritual warfare; Good and evil; Star Wars films
    Weitere Schlagworte: Potter, Harry (Fictitious character); Lewis, C. S (1898-1963): Chronicles of Narnia
    Umfang: 229 p, 21 cm
    Bemerkung(en):

    Includes bibliographical references (p. [228]-229)

    Introduction: The hero's journey, mythic archetypes and biblical insights"The hero" and would-be heroes among us -- The call to join the battle against evil -- Crossing the threshold into the extraordinary -- Meeting with the mentor -- Sorting out allies from enemies -- Preparing for the ordeal in our battle against evil -- Tests, trials, tricksters and threshold guardians -- Knowing the villain and the nature of evil -- Unveiling shapeshifters in our fight against evil -- Fighting the ultimate battles -- Combating the shadow of our own dark nature -- Facing death, the final enemy -- Grand rescues, resurrection and redemption -- Beyond the bounds of time and power of prophecy -- Rewards and just deserts -- Epilogue: Return with the elixir.

    Introduction: The hero's journey, mythic archetypes and biblical insights -- "The hero" and would-be heroes among us -- The call to join the battle against evil -- Crossing the threshold into the extraordinary -- Meeting with the mentor -- Sorting out allies from enemies -- Preparing for the ordeal in our battle against evil -- Tests, trials, tricksters and threshold guardians -- Knowing the villain and the nature of evil -- Unveiling shapeshifters in our fight against evil -- Fighting the ultimate battles -- Combating the shadow of our own dark nature -- Facing death, the final enemy -- Grand rescues, resurrection and redemption -- Beyond the bounds of time and power of prophecy -- Rewards and just deserts -- Epilogue: Return with the elixir
  22. Star Wars
    Beteiligt: Elovaara, Mika (HerausgeberIn)
    Erschienen: [2013]; © 2013
    Verlag:  Intellect Books, Bristol, UK

    Annotation, In October 2012, the Walt Disney Company paid more than $4 billion to acquire Lucasfilms, the film and production company responsible for Howard the Duck. But Disney, despite its history and success with duck characters, wasn't after... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2017 A 6727
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Annotation, In October 2012, the Walt Disney Company paid more than $4 billion to acquire Lucasfilms, the film and production company responsible for Howard the Duck. But Disney, despite its history and success with duck characters, wasn't after Howard; in buying Lucasfilms, it also bought the rights to the Star Wars franchise. Soon after the purchase, Disney announced a new Star Wars film was in the works and would be released in 2015, nearly four decades after the first movie hit big screens around the world and changed popular culture forever. The continued relevance of Star Wars owes much to the passion of its fans. For millions of people around the world, the films are more than diversions--they are a way of life. Through costumed role-playing, incessant quoting, Yoda-like grammatical inversions, and scholarly debates about the Force, fans keep the films alive in a variety of ways, and in so doing, add to the saga's cultural relevance. The first book to address the films holistically and from a variety of cultural perspectives, Fan Phenomena: Star Wars explores numerous aspects of Star Wars fandom, from its characters to its philosophy. As one contributor notes, "the saga that George Lucas created affects our lives almost daily, whether we ourselves are fans of the saga or not." Anyone who is struggling to forget Jar Jar Binks can certainly agree to that. Academically informed but written for a general audience, this book will appeal to every fan and critic of the films. That is, all of us Stars wars as a character-oriented franchise / Jason Scott -- Fashion from a galaxy far, far away / Jonathan DeRosa -- Fans, fics & films ... 'Thank the maker(s)!' / Marc Joly-Corcoran and Sarah Ludlow -- Immersive and interactive adaptations and extensions of Star Wars / Jason Scott -- From bikinis to blasters : the role of gender in the Star Wars community / Erika Travis -- Jediism as religion? : the Force as old/new religious philosophy / Zachary Ingle -- Greater than the sume of its parts : the singular emergent language of the Star Wars universe / Kris Jacobs -- Star Wars generations : a saga for the ages, for all ages / Brendan Cook -- The marketing of the Force : fans, media and the economics of Star Wars / Neil Matthiessen -- The influence of the Force / Jason Davis and Larry Pakowski

     
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    Quelle: Verbundkataloge
    Beteiligt: Elovaara, Mika (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1783200227; 9781783200221
    RVK Klassifikation: AP 59800
    Schriftenreihe: Fan phenomena
    Schlagworte: Star Wars films; Fans (Persons); Science fiction films
    Umfang: 112 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Includes bibliographical references
  23. William Shakespeare's The empire striketh back
    Star Wars part the fifth
    Autor*in: Doescher, Ian
    Erschienen: [2014]; © 2014
    Verlag:  Quirk Books, Philadelphia ; Lucas Books, [San Francisco?]

    A retelling of The Empire strikes back in iambic pentameter, the style of Shakespeare. Many a fortnight have passed since the destruction of the Death Star, and the evil Darth Vader has hatched a plan to capture the rebels. Will Lord Vader learn how... mehr

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bw 6228
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A retelling of The Empire strikes back in iambic pentameter, the style of Shakespeare. Many a fortnight have passed since the destruction of the Death Star, and the evil Darth Vader has hatched a plan to capture the rebels. Will Lord Vader learn how sharper than a tauntaun's tooth it is to have a Jedi child?

     
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    Quelle: Verbundkataloge
    Beteiligt: Delort, Nicolas (IllustratorIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1594747156; 9781594747151
    RVK Klassifikation: AP 59800
    Schlagworte: Star Wars films; Science fiction; Star Wars fiction
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 172 Seiten, Illustrationen, 21 cm
    Bemerkung(en):

    Teil der "Originalen Trilogie": Fortsetzung von " William Shakespeare's Star Wars, Verily, a new hope"; fortgesetzt von "William Shakespeare’s The Jedi doth return"