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  1. Romantic aversions
    aftermaths of Classicism in Wordsworth and Coleridge
    Erschienen: 1999
    Verlag:  McGill-Queen's University Press, Montreal [Que.]

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0773518045; 0773567569; 9780773518049; 9780773567566
    Schlagworte: Romanticism / England / History and criticism; Klassizismus; POETRY / English, Irish, Scottish, Welsh; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Classicism; English poetry; English poetry / Classical influences; Romanticism; Geschichte; English poetry; Classicism; English poetry; Romanticism; Klassizismus
    Weitere Schlagworte: Wordsworth, William / 1770-1850; Coleridge, Samuel Taylor / 1772-1834; Coleridge, Samuel Taylor / 1772-1834 / Critique et interprétation; Wordsworth, William / 1770-1850 / Critique et interprétation; Wordsworth, William / Schriftsteller; Coleridge, Samuel Taylor; Coleridge, Samuel Taylor / 1772-1834; Wordsworth, William / 1770-1850; Coleridge, Samuel Taylor (1772-1834); Wordsworth, William (1770-1850); Wordsworth, William (1770-1850); Coleridge, Samuel Taylor (1772-1834)
    Umfang: 1 Online-Ressource (xii, 227 p.)
    Bemerkung(en):

    Includes bibliographical references and index

    "Often Regarded as a turning point in literary history, Romanticism is the period when writers such as Wordsworth and Coleridge renounced the common legacy of poets and sought to create a new literature. Despite their emphasis on originality, genius, and spontaneity, the first-generation Romantics manifested a highly intertextual style that, while repressing certain classical and neoclassical literary conventions, revealed a deep dependence on those same rhetorical practices. Combining original and close readings of the texts with a larger sweep of genre studies, Douglas Kneale brings to light new and unexpected convergences in the Romantic tradition."--BOOK JACKET.