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  1. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Autor*in: Watt, James
    Erschienen: 1999
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between various writers or works. Central to Watt's argument about the writing and reception of these works is a nuanced understanding of their political import: he discusses Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics."--BOOK JACKET.

     
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  2. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Autor*in: Watt, James
    Erschienen: 1999
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TU Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "James Watt's historically grounded account of Gothic fiction takes issue with received accounts of the genre as a stable and continuous tradition. Charting its vicissitudes from Walpole's The Castle of Otranto to Scott's Waverley novels, Watt shows the Gothic to have been a heterogeneous body of fiction, characterised at times by antagonistic relations between various writers or works. Central to Watt's argument about the writing and reception of these works is a nuanced understanding of their political import: he discusses Walpole's attempt to forge an aristocratic identity, the loyalist affiliations of many neglected works of the 1790s, the subversive reputation of The Monk, and the ways in which Radcliffean romance proved congenial to conservative critics."--BOOK JACKET.

     
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      BibTeX-Format
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  3. Contesting the Gothic
    fiction, genre and cultural conflict, 1764 - 1832
    Autor*in: Watt, James
    Erschienen: 2006
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format