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  1. Crossing the stage
    controversies on cross-dressing
    Erschienen: 1993
    Verlag:  Routledge, London u.a.

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Würzburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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  2. Crossing the stage
    controversies on cross-dressing
  3. Shakespeare without women
    representing gender and race on the Renaissance stage
    Erschienen: 2000
    Verlag:  Routledge, London

    "Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays. In this book, Callaghan argues that all Shakespeare's actors were, of historical... mehr

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    "Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays. In this book, Callaghan argues that all Shakespeare's actors were, of historical necessity, (white) males which meant that the portayal of women and racial others posed unique problems for his theatre. What is important, Shakespeare Without Women claims, is not to bemoan the absence of women, Africans, or the Irish, but to determine what such absences meant in their historical context and why they matter today."--Jacket Introduction: Cleopatra had a way with her -- "And all is semblative a woman's part": body politics and Twelfth Night -- The castrator's song: Female impersonation on the early modern stage -- "Othello was a white man": properties of race on Shakespeare's stage -- Irish memories in The Tempest -- What is an audience?

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780415202312; 0415202310; 9780415202329; 0415202329; 0203457722; 9780203457726
    Schriftenreihe: Accents on Shakespeare
    Schlagworte: Theater; Theater; Feminism and theater; Female impersonators; Theater and society; Théâtre; Théâtre; Féminisme et théâtre; Acteurs travestis; Théâtre et société; Africains dans la littérature; Noirs dans la littérature; Femmes dans la littérature; Theater; Theater; Feminism and theater; Female impersonators; Theater and society; Africans in literature; Blacks in literature; Women in literature; Africans in literature; Blacks in literature; Women in literature; Theater; Feminism and theater; Female impersonators; Theater and society; Theater; Electronic books; LITERARY CRITICISM ; Shakespeare; DRAMA ; Shakespeare; Africans in literature; Blacks in literature; Female impersonators; Feminism and theater; Political and social views; Race; Theater and society; Theater ; Casting; Women in literature; Drama; Frau; Geschlechterrolle; Rasse; Rolle; Schwarze; Theater; Geschlechterforschung; Rassismus; Dramengestalt; Frau; Rasse; Schwarze; Vrouwen; Sekseverschillen; Rassenverhoudingen; Toneelstukken; Engels; History
    Weitere Schlagworte: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William; Shakespeare, William; Drama; Rolle; Shakespeare, William
    Umfang: Online Ressource (xiii, 219 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [187]-209) and index. - Description based on print version record

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