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  1. Why/Why Not
    Autor*in: Ronk, Martha
    Erschienen: [2003]; ©2003
    Verlag:  University of California Press, Berkeley, CA

    Why/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or... mehr

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    Resolving-System (lizenzpflichtig)
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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
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    keine Fernleihe

     

    Why/Why Not presents a speaker caught in quandaries created by changing perspectives, fervors, and locales. Why do we act one way here and another there; why can't a mind stay made up; why do we hate and love at the same time; why does memory fade or insist; why does the ordinary seem so uncanny? These questions are captured in lines that collide and merge, in irreverent and offhand jibes, and in plaintive repetitions.Why/Why Not moves across a vivid terrain—the stage of Hamlet, Phillip Marlowe's Los Angeles, Prague, paintings and gardens—to push through a tangle of ways to make sense of the world. Martha Ronk's poetic language is that of the everyday slightly skewed, as if pieces of an ordinary sentence were missing. Ronk's poems use the repetitive and the banal to explore ways in which language is intertwined with thought and experience

     
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  2. Green is the Orator
    Autor*in: Gridley, Sarah
    Erschienen: [2010]; ©2010
    Verlag:  University of California Press, Berkeley, CA

    Green is the Orator follows on Sarah Gridley’s brilliant first collection, Weather Eye Open, in addressing the challenge of representing nature through language. Gridley’s deftly original syntax arises from direct experience of the natural world and... mehr

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    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    Green is the Orator follows on Sarah Gridley’s brilliant first collection, Weather Eye Open, in addressing the challenge of representing nature through language. Gridley’s deftly original syntax arises from direct experience of the natural world and from encounters with other texts, including the Egyptian "Book of the Dead" and the writings of Charles Darwin, Peter Mark Roget, William Morris, William James, and Henri Bergson. Gridley’s own idiom is compressed, original, and full of unexpected pleasures. This unusual book, at once austere and full of life, reflects a penetrating mind at work—one that is thinking through and re-presenting romantic and modernist traditions of nature

     
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  3. On Pain of Speech
    Fantasies of the First Order and the Literary Rant
    Autor*in: Al-Kassim, Dina
    Erschienen: [2010]; ©2010
    Verlag:  University of California Press, Berkeley, CA

    On Pain of Speech tracks the literary rant, an expression of provocation and resistance that imagines the power to speak in its own name where no such right is granted. Focusing on the "politics of address," Dina Al-Kassim views the rant through the... mehr

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    Resolving-System (lizenzpflichtig)
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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    On Pain of Speech tracks the literary rant, an expression of provocation and resistance that imagines the power to speak in its own name where no such right is granted. Focusing on the "politics of address," Dina Al-Kassim views the rant through the lens of Michel Foucault's notion of the biopolitical subject and finds that its abject address is an essential yet overlooked feature of modernism. Deftly approaching disparate fields—decadent modernism, queer studies, subjection, critical psychoanalysis, and postcolonial avant-garde—and encompassing both Euro-American and Francophone Arabic modernisms, she offers an ambitious theoretical perspective on the ongoing redefinition of modernism. She includes readings of Jane Bowles, Abdelwahab Meddeb, and Oscar Wilde, and invokes a wide range of ideas, including those of Theodor Adorno, Sigmund Freud, Jacques Lacan, Judith Butler, Jean Laplanche, and Eve Kosofsky Sedgwick

     
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  4. I Love Artists
    New and Selected Poems
    Autor*in: Berssenbrugge, Mei-mei
    Erschienen: [2006]; ©2006
    Verlag:  University of California Press, Berkeley, CA

    Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great... mehr

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    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    Drawing on four decades of work and including new poems published here for the first time, this selection of Mei-mei Berssenbrugge’s poetry displays the extraordinary luminosity characteristic of her style—its delicate, meticulous observation, great scenic imagination, and unusual degree of comfort with states of indetermination, contingency, and flux

     
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