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  1. Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy
    Autor*in: Mayer, Vicki
    Erschienen: 2017
    Verlag:  University of California Press, Oakland, California

    Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and... mehr

     

    Early in the twenty-first century, Louisiana, one of the poorest states in the United States, redirected millions in tax dollars from the public coffers in an effort to become the top location site globally for the production of Hollywood films and television series. Why would lawmakers support such a policy? Why would citizens accept the policyâ s uncomfortable effects on their economy and culture? Almost Hollywood, Nearly New Orleans addresses these questions through a study of the local and everyday experiences of the film economy in New Orleans, Louisianaâ a city that has twice taken the mantle of becoming a movie production capital. From the silent era to todayâ s Hollywood South, Vicki Mayer explains that the aura of a film economy is inseparable from a prevailing sense of home, even as it changes that place irrevocably.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520967175
    Weitere Identifier:
    Schlagworte: Film, TV & radio; History
    Weitere Schlagworte: new orleans; louisiana; runaway film; film industries; hollywood south; film economy; creative economy; tax incentives; hollywood; Treme (TV series)
    Umfang: 1 electronic resource (162 p.)
  2. Networks of knowledge and support
    mapping relations between public, private and not for profit sector in the creative economy
    Erschienen: 2010
    Verlag:  European Regional Science Association, [Louvain-la-Neuve]

    A large part of the recent research and theoretical debate in economic geography underlines the central role of networks and relational perspectives. Although networks and their social dimension are recognised as central to the regional economic... mehr

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    A large part of the recent research and theoretical debate in economic geography underlines the central role of networks and relational perspectives. Although networks and their social dimension are recognised as central to the regional economic development, often the focus of research is in the economy transaction and supply-chain arguments. In particular, in the context of creativity and cultural industries, there has been a growing interest in the way the social and cultural dimensions are intertwined with the sites of exchange and consumptions but also the value of productions systems and supply-chains. From the economic geography framework, we moved on to social network analysis, as a new approach able to put together actors and institutions and to present all possible relationships and connecting structures, while focusing on the interconnection between public, private and not for profit sectors. The paper presents an empirical case study of the North-East region of England highlighting the importance of networks in the regional cultural economy. It draws on the data collected through social network analysis questionnaires and qualitative interviews to make the case for a better understanding of support, knowledge exchange and sociality. Social network analysis is used to show and highlight the role of the public sector and not for profit sector in the cultural economy but also the role of formal and informal network structure which supports the sector. Alongside, the SNA data qualitative interviews are used to better understand the issue surrounding the networks. The dynamics emerging from the social network analysis needs to be better understood and put into context. In particular, it addresses some of the dimensions emerging from the networks mapping: What is the role networks and what are they importance assets and impacts? In particular how relevant is the formal and informal dimension of them? Which role do networks play in terms of support and knowledge infrastructure? What is the role of the public sector in this networks and in this interaction? The conclusions drawn helps to better understand what role the interconnection between private, public and not for profit plays in the creative economy.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    hdl: 10419/118833
    Schriftenreihe: Sustainable regional growth and development in the creative knowledge economy : 50th ERSA Congress : 19 - 23 August 2010, Jönköping, Sweden / European Regional Science Association
    Schlagworte: creative economy; creative industries; social network analysis; relational turn,knowledge networks; ego-centric networks
    Umfang: 1 Online-Ressource (circa 43 Seiten), Illustrationen
  3. Creative India
    tapping the full potential
    Erschienen: December 2022
    Verlag:  ICRIER, [New Delhi]

    India's creative economy is large, but its untapped potential is even larger. This study provides the first reliable measure on the size of India's creative economy, explores the many challenges faced by the creative industries, and provides... mehr

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    India's creative economy is large, but its untapped potential is even larger. This study provides the first reliable measure on the size of India's creative economy, explores the many challenges faced by the creative industries, and provides recommendations to make India one of the most creative societies in the world. India's creative economy-measured by the number of people working in various creative occupations-is estimated to contribute nearly 8% of the country's employment, much higher than the corresponding share in Turkey (1%), Mexico (1.5%), South Korea (1.9%) and even Australia (2.1%). Creative occupations also pay reasonably well-88% higher than the non-creative ones and contribute about 20% to nation's overall GVA. Out of the top ten creative districts in India, six are non-metros-Badgam (J&K), Panipat (Haryana), Imphal (Manipur), Sant Ravi Das Nagar (Uttar Pradesh), Thane (Maharashtra), and Tirupur (Tamil Nadu)- indicating the diversity and depth of creativity across India. Yet, according to United Nations Conference on Trade and Development, India's creative exports are only one-tenth of those of the People's Republic of China. To develop the creative economy to realize its full potential, Indian policymakers would like to: (i) increase the recognition of Indian culture globally; (ii) facilitate human capital development among its youth; (iii) address the bottlenecks in the Intellectual Property (IP) framework; (iv) improve access to finance; and (v) streamline the process of policymaking by establishing one intermediary organization. India must also leverage its G20 Presidency to put creative economy concretely on the global agenda.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    hdl: 10419/296922
    Schriftenreihe: Working paper / ICRIER ; 413
    Schlagworte: creative economy; culture; employment; output; intellectual property; G20
    Umfang: 1 Online-Ressource (circa 45 Seiten), Illustrationen
  4. Creative India
    tapping the full potential
    Erschienen: [2022]
    Verlag:  Asian Development Bank Institute, Tokyo, Japan

    India's creative economy is large, but its untapped potential is even larger. This study provides the first reliable measure on the size of India's creative economy, explores the many challenges faced by the creative industries, and provides... mehr

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    India's creative economy is large, but its untapped potential is even larger. This study provides the first reliable measure on the size of India's creative economy, explores the many challenges faced by the creative industries, and provides recommendations to make India one of the most creative societies in the world. India's creative economy-measured by the number of people working in various creative occupations-is estimated to contribute nearly 8% of the country's employment, much higher than the corresponding share in Turkey (1%), Mexico (1.5%), the Republic of Korea (1.9%), and even Australia (2.1%). Creative occupations also pay reasonably well-88% higher than the non-creative ones and contribute about 20% to nation's overall GVA. Out of the top ten creative districts in India, six are non-metros-Badgam (J&K), Panipat (Haryana), Imphal (Manipur), Sant Ravi Das Nagar (Uttar Pradesh), Thane (Maharashtra), and Tirupur (Tamil Nadu)-indicating the diversity and depth of creativity across India. Yet, according to United Nations Conference on Trade and Development, India's creative exports are only one-tenth of those of the People's Republic of China. To develop the creative economy to realize its full potential, Indian policymakers would like to: (i) increase the recognition of Indian culture globally; (ii) facilitate human capital development among its youth; (iii) address the bottlenecks in the Intellectual Property (IP) framework; (iv) improve access to finance; and (v) streamline the process of policymaking by establishing one intermediary organization. India must also leverage its G20 Presidency to put creative economy concretely on the global agenda.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    hdl: 10419/272895
    Schriftenreihe: ADBI working paper series ; no. 1352 (December 2022)
    Schlagworte: creative economy; culture; employment; output; intellectual property; G20
    Umfang: 1 Online-Ressource (circa 49 Seiten), Illustrationen
  5. Marshallian and Jacobian externalities in creative industries
    Autor*in: Goya, Daniel
    Erschienen: Febnuary 2022
    Verlag:  Inter-American Development Bank, Institutions for Development Sector, [Washington, DC]

    Does the growth of creative industries within a city yield both agglomeration effects (Marshallian externalities) as well as spillovers to the rest of the economy (Jacobian externalities, related to the novel combinations that can occur in cities... mehr

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    Does the growth of creative industries within a city yield both agglomeration effects (Marshallian externalities) as well as spillovers to the rest of the economy (Jacobian externalities, related to the novel combinations that can occur in cities with diversifted economic activities)? Most of the quantitative literature on creative industries investigates one or the other of these effects. Exploring both under a common framework, I ftnd signiftcant evidence of Marshallian but not of Jacobian effects. This calls for caution in the elaboration of policies meant to encourage the growth of the creative sector. The degree of specialisation in creative sectors is associated with higher sales and a higher number of ftrms in those sectors, albeit at a decreasing rate. A similar relationship is found for specialisation in creative occupations and the incomes of those workers. Though there is no evidence of spillovers from creative industries in general to the rest of the economy, analyses at a more disaggregated level could produce different results and useful insights for policy.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    hdl: 10419/290078
    Schriftenreihe: IDB working paper series ; no IDB-WP-1263
    Schlagworte: Creative industries; creative economy; Marshallian externalities; agglomeration effects; Jacobian externalities
    Umfang: 1 Online-Ressource (circa 55 Seiten), Illustrationen
  6. Creative occupations and subjective wellbeing
    Erschienen: 2015
    Verlag:  NESTA, London

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: Nesta working paper series ; 15,09
    Schlagworte: Wellbeing; creativity; labour; creative economy; future of work; happiness; Annual Population Survey
    Umfang: Online-Ressource (28 S.), graph. Darst.