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Nationalism and the color line in George W. Cable, Mark Twain, and William Faulkner
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James Baldwin
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To kill a mockingbird
threatening boundaries -
The development of literary blackness in the Dominican Republic
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Race riots
comedy and ethnicity in modern British fiction -
Joyce, race and 'Finnegans wake'
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Australian literature
postcolonialism, racism, transnationalism -
Everybody's America
Thomas Pynchon, race, and the cultures of postmodernism -
Strangers in the land
Blacks, Jews, Post-Holocaust America -
Race and racism in literature
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Racism, misogyny, and the Othello myth
inter-racial couples from Shakespeare to Spike Lee -
Eurocentrism, racism, colonialism in the Victorian and Edwardian age
changing images of Africa(ns) in scientific and literary texts -
The other reconstruction
where violence and womanhood meet in the writings of Wells-Barnet, Grimké, and Larsen -
Writing prejudices
the psychoanalysis and pedagogy of discrimination from Shakespeare to Toni Morrison -
Once you go black
choice, desire, and the black American intellectual -
Rhythm and Race in Modernist Poetry and Science
Pound, Yeats, Williams, and Modern Sciences of Rhythm -
Taming Cannibals
Race and the Victorians -
LatinAsian Cartographies
History, Writing, and the National Imaginary -
The other side of terror
Black women and the culture of US empire -
Shadowing the White Man’s Burden
U.S. Imperialism and the Problem of the Color Line -
Racial Innocence
Performing American Childhood from Slavery to Civil Rights -
Mixed bloods and other crosses
rethinking American literature from the Revolution to the culture wars -
National abjection
the Asian American body on stage -
Racism in Harper Lee's To Kill a Mockingbird
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Racism in Maya Angelou's I know why the caged bird sings