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  1. The Wayland Rudd collection
    exploring racial imaginaries in Soviet visual culture
    Beteiligt: Fiks, Yevgeniy (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Erschienen: [2021]
    Verlag:  Ugly Duckling Presse, Brooklyn, NY

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fiks, Yevgeniy (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781946433275; 1946433276
    RVK Klassifikation: LH 29912 ; LO 75030
    Auflage/Ausgabe: First edition
    Schlagworte: Art; Mass media; Black people in art; Black people in mass media; Black people; Art - URSS; Médias - URSS; Personnes noires dans l'art; Personnes noires dans les médias; Noirs - URSS; Art; Mass media; Race relations
    Weitere Schlagworte: Rudd, Wayland
    Umfang: 215 Seiten, Illustrationen
  2. Blk art
    the audacious legacy of Black artists and models in Western art
    Autor*in: Ware, Zaria
    Erschienen: 2023
    Verlag:  Harper Design, New York, NY

    "A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    "A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It's clear that modern day museums can no longer exist without change--and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris--this is Black history like never seen before."--

     
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  3. Kara Walker - white shadows in blackface
    Autor*in: Hobbs, Robert Carleton
    Erschienen: [2023]
    Verlag:  Karma, New York

    In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover.... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Erziehungswissenschaftliche Zweigbibliothek Nürnberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume. Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva's concept of abjection, Stone Mountain's racist tourist attraction and the minstrel tradition

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781949172737
    Schlagworte: Scherenschnitt; Schwarze <Motiv>
    Weitere Schlagworte: Walker, Kara (1969-); Walker, Kara Elizabeth / Criticism and interpretation; Walker, Kara Elizabeth / Themes, motives; African Americans in art; Black people in art; Slavery in art; Race in art; Noirs américains dans l'art; Personnes noires dans l'art; Race dans l'art; Walker, Kara Elizabeth; Themes, motives; Criticism, interpretation, etc
    Umfang: 174 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Edition of 6000

    Introduction -- Kara Walker's Slavery! Slavery! -- White Shadows in Blackface
  4. Blk art
    the audacious legacy of Black artists and models in Western art
    Autor*in: Ware, Zaria
    Erschienen: 2023
    Verlag:  Harper Design, New York, NY

    "A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending... mehr

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "A fun and fact-filled introduction to the dismissed Black art masters and models who shook up the world. Elegant. Refined. Exclusionary. Interrupted. The foundations of the fine art world are shaking. Beyoncé and Jay-Z break the internet by blending modern Black culture with fine art in their iconic music video filmed in the Louvre. Kehinde Wiley powerfully subverts European masterworks. Calls resonate for diversity in museums and the resignations of leaders of the old guard. It's clear that modern day museums can no longer exist without change--and without recognizing that Black people have been a part of the Western art world since its beginnings. Quietly held within museum and private collections around the world are hundreds of faces of Black men and women, many of their stories unknown. From paintings of majestic kings to a portrait of a young girl named Isabella in Amsterdam, these models lived diverse lives while helping shape the art world along the way. Then, after hundreds of years of Black faces cast as only the subject of the white gaze, a small group of trailblazing Black American painters and sculptors reached national and international fame, setting the stage for the flourishing of Black art in the 1920s and beyond. Captivating and informative, BLK ART is an essential work that elevates a globally dismissed legacy to its proper place in the mainstream art canon. From the hushed corridors of royal palaces to the bustling streets of 1920s Paris--this is Black history like never seen before."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
  5. The Wayland Rudd collection
    exploring racial imaginaries in Soviet visual culture
    Beteiligt: Fiks, Yevgeniy (HerausgeberIn); Milstein, Denise (HerausgeberIn); Yankelevich, Matvei (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Erschienen: 2021
    Verlag:  Ugly Duckling Presse, Brooklyn, NY

    "The Wayland Rudd Collection" presents artist Yevgeniy Fiks’s archive of Soviet media images of Africans and African Americans – from propaganda posters to postage stamps – mainly related to African liberation movements and civil rights struggles.... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2023:145:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    KGS-Ost 207,80
    Fernleihe:
    keine Fernleihe

    Standort:
    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
    Signatur:
    ZZF 41062
    Fernleihe:
    keine Fernleihe

     

    "The Wayland Rudd Collection" presents artist Yevgeniy Fiks’s archive of Soviet media images of Africans and African Americans – from propaganda posters to postage stamps – mainly related to African liberation movements and civil rights struggles. Meditations, reflections, and research-based essays by scholars, poets, and artists address the complicated intersection of race and Communist internationalism, with particular focus on the Soviet Union’s critique of systemic racism in the US. The project is named after Wayland Rudd (1900-1952), a Black American actor who moved to the Soviet Union in 1932 and appeared in many Soviet films and theatrical performances. The stories of Rudd and other expat African Americans in the Soviet Union are given special attention in the book. Bringing together post-colonial and post-Soviet perspectives, the book maps the complicated and often contradictory intersection of race and Communism in the Soviet context, exposing the interweaving of internationalism, solidarity, humanism, and Communist ideals with practices of othering and exoticization.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Fiks, Yevgeniy (HerausgeberIn); Milstein, Denise (HerausgeberIn); Yankelevich, Matvei (HerausgeberIn); Rudd, Wayland (SammlerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781946433275; 1946433276
    RVK Klassifikation: LH 29912 ; LO 75030
    Auflage/Ausgabe: First edition
    Schlagworte: Art; Mass media; Black people in art; Black people in mass media; Black people; Art - URSS; Médias - URSS; Personnes noires dans l'art; Personnes noires dans les médias; Noirs - URSS; Art; Mass media; Race relations
    Weitere Schlagworte: Rudd, Wayland
    Umfang: 215 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 161-163
  6. Kara Walker - white shadows in blackface
    Autor*in: Hobbs, Robert Carleton
    Erschienen: [2023]
    Verlag:  Karma, New York

    In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover.... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In 2002, Kara Walker was selected to represent the United States at the prestigious São Paulo Art Biennial. Curator Robert Hobbs wrote extended essays on her work for this exhibition, and also for her show later that year at the Kunstverein Hannover. Because these essays have not been distributed in the US and remain among the most in-depth and essential investigations of her work, Karma is now republishing them in this new clothbound volume. Among the most celebrated artists of the past three decades, with over 93 solo exhibitions to her credit, including a major survey at the Whitney Museum of American Art, Walker is known for her tough, critical, provocative and highly imaginative representations of African Americans and whites reaching back to antebellum times. In his analysis, Hobbs looks at the five main sources of her art: blackface Americana, Harlequin romances, Julia Kristeva's concept of abjection, Stone Mountain's racist tourist attraction and the minstrel tradition

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Walker, Kara (IllustratorIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1949172732; 9781949172737
    RVK Klassifikation: LI 99999
    Schlagworte: African Americans in art; Black people in art; Slavery in art; Race in art; Noirs américains dans l'art; Personnes noires dans l'art; Race dans l'art; African Americans in art; Black people in art; Race in art; Slavery in art; Themes, motives; Criticism, interpretation, etc
    Weitere Schlagworte: Walker, Kara Elizabeth; Walker, Kara Elizabeth; Walker, Kara Elizabeth
    Umfang: 174 pages, Illustrationen
    Bemerkung(en):

    Introduction -- Kara Walker's Slavery! Slavery! -- White Shadows in Blackface.