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  1. Rock star - movie star
    power and performance in cinematic rock stardom
    Autor*in: Palmer, Landon
    Erschienen: [2020]
    Verlag:  Oxford University Press, New York

    "During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Such... mehr

     

    "During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Such stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. This book examines the casting rock stars in films from Elvis Presley to Madonna. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book shows how stars have operated as both an organizational center for media production as well as social actors who have taken on a decisive role in the purposes to which their images are used"

     

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  2. Rock star - movie star
    power and performance in cinematic rock stardom
    Autor*in: Palmer, Landon
    Erschienen: 2020
    Verlag:  Oxford University Press, New York

    "During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Such... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "During the mid-1950s, when Hollywood found itself struggling to compete within an expanding entertainment media landscape, certain producers and studios saw an opportunity in making films that showcased performances by rock 'n' roll stars. Such stars eventually found cinema to be a useful space to extend their creative practices, and the motion picture and recording industries increasingly saw cinematic rock stardom as a profitable means to connect multiple media properties. Indeed, casting rock stars for film provided a tool for bridging new relationships across media industries and practices. This book examines the casting rock stars in films from Elvis Presley to Madonna. In so doing, Rock Star/Movie Star offers a new perspective on the role of stardom within the convergence of media industries. While hardly the first popular music culture to see its stars making the transition to screen, the timing of rock's emergence and its staying power within popular culture proved fortuitous for a motion picture business searching for its place in the face of continuous technological and cultural change. At the same time, a post-star-system film industry provided a welcoming context for rock stars who have valued authenticity, creative autonomy, and personal expression. This book uses illuminating archival resources to demonstrate how rock stars have often proven themselves to be prominent film workers exploring this terrain of platforms old and new - ideal media laborers whose power lies in the fact that they are rarely recognized as such. Combining star studies with media industry studies, this book shows how stars have operated as both an organizational center for media production as well as social actors who have taken on a decisive role in the purposes to which their images are used"

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190888411; 9780190888404
    Schriftenreihe: Oxford music/media series
    Schlagworte: Rockmusiker <Motiv>; Film
    Weitere Schlagworte: Rock musicians in motion pictures; Rock musicians as actors / United States; Motion picture industry / United States / History / 20th century; Music trade / United States / History / 20th century; Motion picture industry; Music trade; Rock musicians as actors; Rock musicians in motion pictures; United States; 1900-1999; History
    Umfang: xiii, 274 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

  3. White balance
    how Hollywood shaped colorblind ideology and undermined civil rights
    Autor*in: Gomer, Justin
    Erschienen: [2020]
    Verlag:  University of North Carolina Press, Chapel Hill

    Universitätsbibliothek Eichstätt-Ingolstadt
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule für Fernsehen und Film, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469655802; 1469655802; 9781469655796; 1469655799
    RVK Klassifikation: HD 472
    Schriftenreihe: Studies in United States culture
    Schlagworte: Film; Rassismus; Ethnische Beziehungen <Motiv>; Filmwirtschaft
    Weitere Schlagworte: Post-racialism / United States; Racism in popular culture / United States; Motion picture industry / United States / History / 20th century; Stereotypes (Social psychology) in motion pictures; United States / Race relations / History / 20th century
    Umfang: xiii, 252 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 229-242