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  1. Benjamin on fashion
    Autor*in: Ekardt, Philipp
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Reconstructing Benjamin's complex, fragmentary, yet influential ideas about fashion, this book defines Benjamin's fashion theory, beginning with Convolute B: Fashion in the German thinker's Arcades Project (1927-1940), tracing it through Theses on... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Reconstructing Benjamin's complex, fragmentary, yet influential ideas about fashion, this book defines Benjamin's fashion theory, beginning with Convolute B: Fashion in the German thinker's Arcades Project (1927-1940), tracing it through Theses on the Concept of History and beyond. Bringing Benjamin's work into discussion with a number of important but frequently overlooked sources, Philipp Ekardt shows the relevance of Georg Simmel's fashion sociology, art historian Henri Focillon's morphological theories of form, and the writings of German fashion critic Helen Grund, who introduced Benjamin to the fashion scene of his time. Systematically investigating fashion as the 'temporalized processing of difference', as emerging from a reading of Simmel's fashion sociology, Ekardt shows how this idea is modified in Benjamin's fashion-informed philosophies of history and the image, as well as considering how Benjamin's concept of materiality can be related to clothing, and in contrast to an aesthetic of elegance. He tackles the grounding of fashion in sex through morphological motifs in Benjamin's fashion theory, examining the shifts from the androgynous looks of 1920s, to the overtly gender-signposted silhouettes of the 1930s. Pointing to surprising parallels in the overall historical thrust of the Arcades Project - to work through the 19th century - and the fashionable resurgence of Belle Epoque styles while Benjamin was at work on his project, Ekardt also makes a case for understanding fashion as key to appreciating the historical significance and prescience of Benjamin's unfinished magnum opus

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350075993; 9781350262324
    RVK Klassifikation: CI 1397
    Schriftenreihe: Walter Benjamin studies
    Schlagworte: Mode <Motiv>; Mode; Kleidung <Motiv>; Ästhetik; Massenkultur
    Weitere Schlagworte: Benjamin, Walter (1892-1940); Fashion / Philosophy
    Umfang: xvi, 237 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  2. Philosophical perspectives on fashion
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, London

    "Philosophical Perspectives on Fashion places philosophical approaches at the heart of contemporary fashion studies. Considering the mutual relationships between aesthetics, modern society and culture, fashion and the fine arts, and the way these... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Philosophical Perspectives on Fashion places philosophical approaches at the heart of contemporary fashion studies. Considering the mutual relationships between aesthetics, modern society and culture, fashion and the fine arts, and the way these relationships have influenced and shaped our views on identity and taste, this ground-breaking book also explores the various intellectual and cultural movements that inform how people dress. The leading fashion and philosophy scholars contributing to this volume refer to and apply theories posed by key thinkers of the modern and contemporary age, from Darwin and Wittgenstein to Husserl and Goodman, in order to answer questions such as: What is the essence of fashion and the reasons behind its fascination? What is 'anti-fashion'? What or who do we imitate when we 'follow' fashion? What is fashion criticism and what should it be? Anyone studying or interested in fashion or philosophy will find this book a rich source of ideas, insight and information. Philosophical Perspectives on Fashion is a valuable contribution to contemporary fashion theory, one that revitalises the way we look at the form, purpose and meaning of fashion"...

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781474237468; 9781474237475
    Schlagworte: Gesellschaft; Philosophie; Ästhetik; Mode; Ästhetik; Soziologie
    Weitere Schlagworte: Fashion / Social aspects; Aesthetics / Social aspects; Fashion / Philosophy; Clothing and dress / Philosophy; DESIGN / Fashion
    Umfang: viii, 199 pages, illustrations, 24 cm
    Bemerkung(en):

    Array: Array
  3. Fashion sense
    on philosophy and fashion
    Autor*in: Grewal, Gwenda-lin
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    "Fashion Sense is designed to explode "fashion," and with it, the stigma in philosophy against fashion's superficiality. Fashion appears to be altogether differently occupied, disingenuous and insubstantial, even sophistic in its pretense to peddle... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Fashion Sense is designed to explode "fashion," and with it, the stigma in philosophy against fashion's superficiality. Fashion appears to be altogether differently occupied, disingenuous and insubstantial, even sophistic in its pretense to peddle surfaces as if they were something deep. But is fashion's apparent beguilement more philosophical than it seems? And is philosophy's longing for exposed depth concealing fashion in its anti-fashion stance? Using primarily ancient Greek texts, peppered with allusions to their echoes across the history of philosophy and contemporary fashion and pop culture, Gwenda-lin Grewal not only examines the rift between fashion and philosophy, but also challenges the claim that fashion is modern. Indeed, fashion's quarrel with philosophy may be at least as ancient as that infamous quarrel between philosophy and poetry alluded to in Plato's Republic. And the quest for fashion's origins, as if a quest for a neutrally-outfitted self, stripped of the self-awareness that comes with thinking, prompts questions about human agency and our immersion in time. The touch of reality's fabric bristles in our relationship to our looks, not simply through the structure of clothes but in the plot of our wearing them. Meanwhile, the fashion of our words sharpens our meaning like a cutting silhouette. Grewal's own writing is playfully and daringly self-conscious, aware of its style and the entrapment it arouses from the very first line. The reactions provoked by fashion's flair, not only among the philosophical set but also among those who would never deck themselves out in the title, "philosopher," show it forth as perhaps philosophy's most important and underestimated doppelgänger"--

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350201460; 9781350201453
    Schlagworte: Ästhetik; Mode
    Weitere Schlagworte: Fashion / Philosophy; Philosophy, Ancient; Clothing and dress / History; Fashion in literature; Philosophie ancienne; Clothing and dress; Philosophy, Ancient; History
    Umfang: xxiv, 223 Seiten
  4. A philosophy of fashion through film
    on the body, style, and identity
    Autor*in: Di Summa-Knoop, Laura T.
    Erschienen: 2022
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350157002
    Schlagworte: Ästhetik; Spielfilm; Kostüm; Mode
    Weitere Schlagworte: Fashion in motion pictures / Philosophy; Clothing and dress in motion pictures / Philosophy; Fashion / Philosophy; Fashion in motion pictures
    Umfang: viii, 164 Seiten, 22 cm
  5. Benjamin on fashion
    Autor*in: Ekardt, Philipp
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London ; New York ; Oxford ; New Delhi ; Sydney

    Reconstructing Benjamin's complex, fragmentary, yet influential ideas about fashion, this book defines Benjamin's fashion theory, beginning with Convolute B: Fashion in the German thinker's Arcades Project (1927-1940), tracing it through Theses on... mehr

    Standort:
    Archiv der Akademie der Künste, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Reconstructing Benjamin's complex, fragmentary, yet influential ideas about fashion, this book defines Benjamin's fashion theory, beginning with Convolute B: Fashion in the German thinker's Arcades Project (1927-1940), tracing it through Theses on the Concept of History and beyond. Bringing Benjamin's work into discussion with a number of important but frequently overlooked sources, Philipp Ekardt shows the relevance of Georg Simmel's fashion sociology, art historian Henri Focillon's morphological theories of form, and the writings of German fashion critic Helen Grund, who introduced Benjamin to the fashion scene of his time. Systematically investigating fashion as the 'temporalized processing of difference', as emerging from a reading of Simmel's fashion sociology, Ekardt shows how this idea is modified in Benjamin's fashion-informed philosophies of history and the image, as well as considering how Benjamin's concept of materiality can be related to clothing, and in contrast to an aesthetic of elegance. He tackles the grounding of fashion in sex through morphological motifs in Benjamin's fashion theory, examining the shifts from the androgynous looks of 1920s, to the overtly gender-signposted silhouettes of the 1930s. Pointing to surprising parallels in the overall historical thrust of the Arcades Project - to work through the 19th century - and the fashionable resurgence of Belle Epoque styles while Benjamin was at work on his project, Ekardt also makes a case for understanding fashion as key to appreciating the historical significance and prescience of Benjamin's unfinished magnum opus

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781350075993; 9781350262324
    RVK Klassifikation: CI 1397
    Schriftenreihe: Walter Benjamin studies
    Schlagworte: Mode <Motiv>; Mode; Kleidung <Motiv>; Ästhetik; Massenkultur
    Weitere Schlagworte: Benjamin, Walter (1892-1940); Fashion / Philosophy
    Umfang: xvi, 237 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke