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  1. Canones: The Art of Harmony
    the Canon Tables of the Four Gospels
    Erschienen: [2020]
    Verlag:  De Gruyter, Berlin

    Frontmatter --Contents --Canones: The Art of Harmony --Carl Nordenfalk --Do the Eusebian Canon Tables Represent the Closure or the Opening of the Biblical Text? Considering the Case of Codex Fuldensis --Transmission and Transformation of the Eusebian... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Frontmatter --Contents --Canones: The Art of Harmony --Carl Nordenfalk --Do the Eusebian Canon Tables Represent the Closure or the Opening of the Biblical Text? Considering the Case of Codex Fuldensis --Transmission and Transformation of the Eusebian Gospel Apparatus in Greek Medieval Manuscripts --The Eusebian Apparatus in Irish Pocket Gospel Books: Absence, Presence and Addition --An Ethiopian Miniature of the Tempietto in the Metropolitan Museum of Art: Its Relatives and Symbolism --Beyond Eusebius: Prefatory Images and the Early Book --Eusebian Reading and Early Medieval Gospel Illumination --A Tale of Two Tables: Echoes of the Past in the Canons of the Sainte-Croix Gospels --Saxum vivum and lapides viventes: Animated Stone in Medieval Book Illumination --Shifting Frames: The Mutable Iconography of Canon Tables --List of Contributors --Index of Manuscripts The so-called 'Canon Tables' of the Christian Gospels are an absolutely remarkable feature of the early, late antique, and medieval Christian manuscript cultures of East and West, the invention of which is commonly attributed to Eusebius and dated to first decades of the fourth century AD. Intended to host a technical device for structuring, organizing, and navigating the Four Gospels united in a single codex - and, in doing so, building upon and bringing to completion previous endeavours - the Canon Tables were apparently from the beginning a highly complex combination of text, numbers and images, that became an integral and fixed part of all the manuscripts containing the Four Gospels as Sacred Scripture of the Christians and can be seen as exemplary for the formation, development and spreading of a specific Christian manuscript culture across East and West AD 300 and 800. In the footsteps of Carl Nordenfalk's masterly publication of 1938 and few following contributions, this book offers an updated overview on the topic of 'Canon Tables' in a comparative perspective and with a precise look at their context of origin, their visual appearance, their meaning, function and their usage in different times, domains, and cultures

     

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    Quelle: Verbundkataloge
    Beteiligt: Alessandro, Bausi (Hrsg.); Bausi, Alessandro (HerausgeberIn); Beatrice, Kitzinger (Hrsg.); Bruno, Reudenbach (Hrsg.); Elizabeth, Mullins (Hrsg.); Ewa, Balicka-Witakowska (Hrsg.); Hanna, Wimmer (Hrsg.); Jacopo, Gnisci (Hrsg.); Jaś, Elsner (Hrsg.); Jeremiah, Coogan (Hrsg.); Lynley Anne, Herbert (Hrsg.); Matthew R., Crawford (Hrsg.); Reudenbach, Bruno (HerausgeberIn); Stefan, Trinks (Hrsg.); Susanne, Wittekind (Hrsg.); Wimmer, Hanna (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110625844
    Schriftenreihe: Studies in Manuscript Cultures ; 18
    Schlagworte: Illumination of books and manuscripts, Early Christian; LITERARY CRITICISM ; Asian ; General; Illumination of books and manuscripts, Early Christian
    Weitere Schlagworte: Eusebius of Caesarea, Bishop of Caesarea (approximately 260-approximately 340): Eusebian canons
    Umfang: 1 Online-Ressource (XI, 258 pages)
  2. Eusebius the evangelist
    rewriting the fourfold gospel in late antiquity
    Erschienen: [2023]; © 2023
    Verlag:  Oxford University Press, New York, NY, United States of America

    "In Eusebius the Evangelist, Jeremiah Coogan analyzes Eusebius of Caesarea's fourth-century reconfiguration of the Gospels as a window into broader questions of technology and textuality in the ancient Mediterranean. Eusebius' editorial intervention... mehr

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    "In Eusebius the Evangelist, Jeremiah Coogan analyzes Eusebius of Caesarea's fourth-century reconfiguration of the Gospels as a window into broader questions of technology and textuality in the ancient Mediterranean. Eusebius' editorial intervention -- involving tables, sectioning, and tables of contents -- intertwines inextricably with a broader late ancient transformation in reading. To illuminate Eusebius' innovative use of textual technologies, the study juxta-poses diverse ancient disciplines-including chronography, astronomy, geography, medi-cine, philosophy, and textual criticism-with a wide range of early Christian sources, at-tending particularly to neglected evidence from material texts and technical literature. These varied phenomena reveal how Eusebius' fourfold Gospel worked in the hands of readers. The four Gospels of the New Testament (Matthew, Mark, Luke, John) share language, narratives, and ideas, yet they also differ in structure and detail. The sophisticated system through which Eusebius organized this intricate web of textual relationships is known as the Eusebian apparatus. Eusebius' creative juxtapositions of Gospel material had an enduring impact on Gospel reading. Not only did Eusebius continue earlier trajectories of Gospel writing, but his apparatus continued to generate new possibilities in the hands of readers. For more than a millennium, in more than a dozen languages and in thousands of manuscripts, Eusebius' fourth-century invention transformed readers' en-counters with Gospel text on the page. By employing emerging textual technologies, Eu-sebius created new possibilities of reading, rewriting the fourfold Gospel in a significant and durable way"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780197580042
    Schriftenreihe: Cultures of reading in the ancient Mediterranean
    Schlagworte: Eusebius; Redaktion; Edition; Bibel
    Weitere Schlagworte: Eusebius of Caesarea, Bishop of Caesarea (approximately 260-approximately 340): Eusebian canons
    Umfang: xvi, 234 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index