Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 25 von 30.

  1. Make it the same
    poetry in the age of global media
    Autor*in: Edmond, Jacob
    Erschienen: [2019]
    Verlag:  Columbia University Press, New York

    Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world literature : Yang Lian and John Cayley's networked collaboration -- Shibboleth : the border crossings of Caroline Bergvall, performance writing, and iterative poetics -- Copy rights : conceptual writing, the Mongrel Coalition, and the racial logic of digital media -- Chinese rooms : the work of poetry in the age of global languages, machine translation, and automatic estrangement -- Recapitulations : repetition and revolution in world poetry. "In Make It the Same, Jacob Edmond argues that literary change in our age of globalization and digital media is best understood as the process of reframing, remediating, and recontextualizing existing literary and artistic works as opposed to privileging "innovative" or "original" works. Edmond examines how writers over the past fifty years have employed appropriation and media technologies -- tape recorders and typewriters (carbon copies), the Internet and machine-based writing -- as a way to develop new modes of creation and distribution. In looking at examples from a wide range of literatures - Caribbean, Soviet, American, and Chinese - Edmond reveals how copying practices in contemporary poetry have drawn on existing material to challenge and undermine cultural authority by questioning the privileging of conventional understandings of originality. While recognizing the liberatory potential of these practices, Edmond also considers how, in recent years, these practices have been seen to reinforced certain social and racial hierarchies"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231190022
    Schriftenreihe: Literature now
    Schlagworte: Poetry, Modern; Literature and technology; Copying processes; Digital media
    Umfang: xiii, 346 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. The culture of the copy
    striking likenesses, unreasonable facsimiles
    Autor*in: Schwartz, Hillel
    Erschienen: 1996
    Verlag:  Zone Books, New York, NY

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0942299353
    RVK Klassifikation: MR 7100 ; NK 4930
    Schlagworte: Doppelgängers; Impostor phenomenon; Copying; Twins; Twins; Impersonation; Copying; Copying processes; Authenticity (Philosophy)
    Umfang: 565 S, Ill, 24 cm
    Bemerkung(en):

    Literaturverz. S. [383] - 534
  3. From digital to analog
    Agrippa and other hybrids in the beginnings of digital culture
    Autor*in: Berti, Agustín
    Erschienen: [2015]; © 2015
    Verlag:  Peter Lang, New York

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781433125058; 9781433125041; 1433125048
    RVK Klassifikation: AP 15840 ; AP 15950
    DDC Klassifikation: Sozialwissenschaften (300)
    Schriftenreihe: New literacies and digital epistemologies ; vol. 69
    Schlagworte: Digital preservation; Copying processes; Copyright and electronic data processing; Digital media; Literature and technology; Electronic publishing; Information technology; Digital media; Digital preservation; Copying processes; Copyright and electronic data processing; Literature and technology; Electronic publishing; Information technology; Digital preservation; Copying processes; Copyright and electronic data processing; Technological innovations; Digital media; Literature and technology; Philosophy; Electronic publishing; Information technology
    Weitere Schlagworte: Gibson, William (1948-): Agrippa; Gibson, William 1948-; Gibson, William; 1948-; Agrippa
    Umfang: xvi, 287 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 257-265

    Introduction : milestones between matter and digitsBit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books.
  4. Make It the Same
    Poetry in the Age of Global Media
    Autor*in: Edmond, Jacob
    Erschienen: [2019]; © 2019
    Verlag:  Columbia University Press, New York, NY

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry-an art form associated with the singular, inimitable utterance-is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition, as opposed to privileging "innovative" or "original" works. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures, languages, and places, reading across aesthetic, linguistic, geopolitical, and media divides. He illuminates the common form that unites a diverse range of writers from dub poets to conceptualists, samizdat wordsmiths to Twitter-trolling provocateurs, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Caroline Bergvall, Vanessa Place, Christian Bök, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation-as in Ezra Pound's slogan "make it new"-but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231548670
    Weitere Identifier:
    Schriftenreihe: Literature Now
    Schlagworte: LITERARY CRITICISM / Poetry; Copying processes; Digital media; Literature and technology; Poetry, Modern; Lyrik; Neue Medien
    Umfang: 1 online resource, 34 b&w illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2019)
  5. Make it the same
    poetry in the age of global media
    Autor*in: Edmond, Jacob
    Erschienen: [2019]
    Verlag:  Columbia University Press, New York

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    keine Fernleihe

    Standort:
    Zentrale Hochschulbibliothek Flensburg
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Greifswald
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    HafenCity Universität Hamburg, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Fernleihe:
    keine Fernleihe
    Standort:
    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Universität Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Hildesheim
    Fernleihe:
    keine Fernleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    Signatur:
    eBook de Gruyter
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Mittweida (FH), Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
    Fernleihe:
    keine Fernleihe
    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
    Signatur:
    eBook de Gruyter
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Zittau / Görlitz, Hochschulbibliothek
    Fernleihe:
    keine Fernleihe

     

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry-an art form associated with the singular, inimitable utterance-is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition, as opposed to privileging "innovative" or "original" works. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures, languages, and places, reading across aesthetic, linguistic, geopolitical, and media divides. He illuminates the common form that unites a diverse range of writers from dub poets to conceptualists, samizdat wordsmiths to Twitter-trolling provocateurs, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Caroline Bergvall, Vanessa Place, Christian Bök, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation-as in Ezra Pound's slogan "make it new"-but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. POSTCOLONIAL MEDIA -- 2. THE ART OF SAMIZDAT -- 3. MAKING WAVES IN WORLD LITERATURE -- 4. SHIBBOLETH -- 5. COPY RIGHTS -- 6. CHINESE ROOMS -- RECAPITULATIONS -- NOTES -- BIBLIOGRAPHY -- INDEX

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231548670
    Weitere Identifier:
    Schriftenreihe: Literature now
    Schlagworte: Digital media; Literature and technology; Copying processes; Poetry, Modern; LITERARY CRITICISM / Poetry
    Umfang: 1 Online-Ressource (xiii, 346 Seiten), Illustrationen
    Bemerkung(en):

    restricted access online access with authorization star

    Includes bibliographical references and index
  6. From Digital to Analog
    "Agrippa" and Other Hybrids in the Beginnings of Digital Culture
    Autor*in: Berti, Agustín
    Erschienen: 2016, c2015
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Contents: Pirate Havens and Digital Coyotes – Milestones between matter and digits – Bit Rot – Crossing Borders. Pre-digital works in the Age of Digitization – Illegalized Aliens in the land of the copyrighted – The book of the dead and the death of... mehr

    Zugang:

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    Contents: Pirate Havens and Digital Coyotes – Milestones between matter and digits – Bit Rot – Crossing Borders. Pre-digital works in the Age of Digitization – Illegalized Aliens in the land of the copyrighted – The book of the dead and the death of the books – Epilogue: Hybrid genealogies in digital Genealogies in Digital Culture. From Digital to Analog delves into the origins of digitization and its effects on contemporary culture. The book challenges the «common sense» assertion that digitization is just another step in the evolution of the culture of the editorial, film and recorded music industries and their enforcement of copyright laws. Digital technologies in contemporary culture have paradoxically undermined and, at the same time, strengthened such practices, provoking an unprecedented quarrel over the possession of, and access to, cultural products. Agustín Berti uses the release of Agrippa (A Book of the Dead) in 1992 to study this paradox. The importance of Agrippa for digital culture studies is proven through the discussion of the frequently understated importance of the materiality of digital culture. The book develops a critique of digital technology and its alleged neutrality and transparency. Ultimately, it illustrates how Agrippa anticipated a number of contemporary phenomena such as piracy, leaks, remixes, memes, and more, forcing us to rethink the concept of digital content itself and thus the way in which culture is produced, received and preserved today. From Digital to Analog is ideal reading for a graduate student readership, especially Master candidates in the fields of Literature, Arts, Digital Humanities, Digital Culture and New Media Studies «From Digital to Analog engagingly reveals the hidden significance of anomalous, unusual digital objects such as the early electronic literary project, Agrippa (A Book of the Dead), and of diverse practices of piracy, hacking, bootlegging, remixing, e-poetry, digital memes, leaks, clones, and zombies to understanding the strange life of digital objects and the current cultural formations they unsettle, redouble, and preserve. Its roundabout, thick description of the backalleys of digital culture and critical pursuit of what may appear to be momentary aberrations to acceptable, standardized digital reproduction effectively mobilizes recent philosophy of technology to unpack a series of persistent, unavoidable questions digital objects pose today. The book sheds crucial light on seemingly contradictory traits, such as digital objects' notoriously immaterial materiality, and underscores the pressing at once technical, aesthetic, political, and economic – importance of confronting this unacknowledged, underexplored complexity. Recontextualizing and rejecting predominant ideologies of the digital as «pure content» by reading them through and against the oblique shadows, contours, and diffractions provided by stray digital literary experiments and other unexpected digital forays, From Digital to Analog reasserts and significantly expands the value of reading electronic literature, print and digital hybrids, and other variously experimental digital practices with full awareness of their critical contributions to digital cultures face to face with their technicity.» (Laura Shackelford, Associate Professor of English, Rochester Institute of Technology / Author of Tactics of the Human: Experimental Technics in American Fiction) «From Digital to Analog surpasses expectations as a critical reading device. Highly recommended for students, scholars, and anyone who wants to know more about certain compelling issues within our digital humanities multiverse.» Luis Correa-Diaz, University of Georgia, Academia Chilena de la Lengua

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453916674
    Weitere Identifier:
    RVK Klassifikation: AP 15840 ; AP 15950
    Schriftenreihe: New Literacies and Digital Epistemologies ; 69
    Schlagworte: Digital preservation; Copying processes; Copyright and electronic data processing; Technological innovations; Digital media; Literature and technology; Philosophy; Electronic publishing; Information technology
    Weitere Schlagworte: Gibson, William; 1948-; Agrippa
    Umfang: 1 Online-Ressource (xvi, 287 Seiten)
  7. Make it the same
    poetry in the age of global media
    Autor*in: Edmond, Jacob
    Erschienen: [2019]
    Verlag:  Columbia University Press, New York

    Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 93376
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world literature : Yang Lian and John Cayley's networked collaboration -- Shibboleth : the border crossings of Caroline Bergvall, performance writing, and iterative poetics -- Copy rights : conceptual writing, the Mongrel Coalition, and the racial logic of digital media -- Chinese rooms : the work of poetry in the age of global languages, machine translation, and automatic estrangement -- Recapitulations : repetition and revolution in world poetry. "In Make It the Same, Jacob Edmond argues that literary change in our age of globalization and digital media is best understood as the process of reframing, remediating, and recontextualizing existing literary and artistic works as opposed to privileging "innovative" or "original" works. Edmond examines how writers over the past fifty years have employed appropriation and media technologies -- tape recorders and typewriters (carbon copies), the Internet and machine-based writing -- as a way to develop new modes of creation and distribution. In looking at examples from a wide range of literatures - Caribbean, Soviet, American, and Chinese - Edmond reveals how copying practices in contemporary poetry have drawn on existing material to challenge and undermine cultural authority by questioning the privileging of conventional understandings of originality. While recognizing the liberatory potential of these practices, Edmond also considers how, in recent years, these practices have been seen to reinforced certain social and racial hierarchies"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231190022
    Schriftenreihe: Literature now
    Schlagworte: Poetry, Modern; Literature and technology; Copying processes; Digital media
    Umfang: xiii, 346 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  8. From digital to analog
    Agrippa and other hybrids in the beginnings of digital culture
    Autor*in: Berti, Agustín
    Erschienen: [2015]; © 2015
    Verlag:  Peter Lang, New York

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 954166
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2017/3940
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bx 2043
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Technik, Wirtschaft und Kultur Leipzig, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Rostock
    Signatur:
    AP 15950 B543
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    Lc 8400/33
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781433125058; 9781433125041; 1433125048
    RVK Klassifikation: AP 15840 ; AP 15950
    DDC Klassifikation: Sozialwissenschaften (300)
    Schriftenreihe: New literacies and digital epistemologies ; vol. 69
    Schlagworte: Digital preservation; Copying processes; Copyright and electronic data processing; Digital media; Literature and technology; Electronic publishing; Information technology; Digital media; Digital preservation; Copying processes; Copyright and electronic data processing; Literature and technology; Electronic publishing; Information technology; Digital preservation; Copying processes; Copyright and electronic data processing; Technological innovations; Digital media; Literature and technology; Philosophy; Electronic publishing; Information technology
    Weitere Schlagworte: Gibson, William (1948-): Agrippa; Gibson, William 1948-; Gibson, William; 1948-; Agrippa
    Umfang: xvi, 287 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 257-265

    Introduction : milestones between matter and digitsBit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books.
  9. The culture of the copy
    striking likenesses, unreasonable facsimiles
    Autor*in: Schwartz, Hillel
    Erschienen: 2014
    Verlag:  Zone Books, New York

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781935408451; 1935408453
    RVK Klassifikation: LC 12000 ; LC 10000
    Auflage/Ausgabe: 2., rev. and updated ed
    Schlagworte: Doppelgängers; Impostor phenomenon; Copying; Twins; Twins; Impersonation; Copying; Copying processes; Authenticity (Philosophy)
    Umfang: 470 S, Ill, 23 cm
    Bemerkung(en):

    Literaturangaben
  10. From digital to analog
    Agrippa and other hybrids in the beginnings of digital culture
    Autor*in: Berti, Agustín
    Erschienen: [2015]
    Verlag:  Peter Lang, New York ; Bern ; Frankfurt ; Berlin ; Brussels ; Vienna ; Oxford ; Warsaw

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books mehr

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    EA/nh766
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781433125041; 9781433125058; 9781453916674
    RVK Klassifikation: AP 15950 ; AP 15840
    Schriftenreihe: New literacies and digital epistemologies ; vol. 69
    Schlagworte: Massenkultur; Digital Humanities; Digitalisierung
    Weitere Schlagworte: Gibson, William (1948-); Gibson, William 1948-; Copying processes; Technological innovations; Copyright and electronic data processing; Digital media; Philosophy; Digital preservation; Electronic publishing; Information technology; Social aspects; Literature and technology; Gibson, William / 1948- / Agrippa; Digital preservation; Copying processes / Technological innovations; Copyright and electronic data processing; Digital media / Philosophy; Literature and technology; Electronic publishing; Information technology / Social aspects
    Umfang: xvi, 287 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 257-265

    Introduction : milestones between matter and digitsBit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books..
  11. Virginia Woolf in the age of mechanical reproduction
    Erschienen: 2000
    Verlag:  Garland, New York [u.a.]

    Standort:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0815327617
    Weitere Identifier:
    199-050393
    RVK Klassifikation: HM 4815
    Schriftenreihe: Garland reference library of the humanities ; 2045
    Border crossings ; 6
    Schlagworte: Literature and technology; Copying processes; Modernism (Literature)
    Weitere Schlagworte: Woolf, Virginia (1882-1941)
    Umfang: XXXVI, 310 S, Ill, 22 cm
    Bemerkung(en):

    Literaturangaben
  12. From digital to analog
    Agrippa and other hybrids in the beginnings of digital culture
    Autor*in: Berti, Agustín
    Erschienen: [2015]; © 2015
    Verlag:  Peter Lang, New York

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 954166
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2017/3940
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Bx 2043
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Rostock
    Signatur:
    AP 15950 B543
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    UB Weimar
    Signatur:
    Lc 8400/33
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781433125041; 9781433125058
    RVK Klassifikation: AP 15840 ; AP 15950
    DDC Klassifikation: Sozialwissenschaften (300)
    Schriftenreihe: New literacies and digital epistemologies ; vol. 69
    Schlagworte: Digital preservation; Copying processes; Copyright and electronic data processing; Digital media; Literature and technology; Electronic publishing; Information technology; Digital preservation; Copying processes; Copyright and electronic data processing; Technological innovations; Digital media; Literature and technology; Philosophy; Electronic publishing; Information technology
    Weitere Schlagworte: Gibson, William (1948-): Agrippa; Gibson, William; 1948-; Agrippa
    Umfang: xvi, 287 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 257-265

    Introduction : milestones between matter and digitsBit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books.
  13. Virginia Woolf in the age of mechanical reproduction
    Erschienen: 2015
    Verlag:  Routledge, London

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780815327615; 9781138986770
    RVK Klassifikation: HM 4815
    Auflage/Ausgabe: First issued in paperback
    Schriftenreihe: Garland reference library of the humanities ; Array
    Garland reference library of the humanities ; 2045
    Schlagworte: Littérature et technologie - Grande-Bretagne - Histoire - 20e siècle; Modernisme (Littérature) - Angleterre; Reprographie - Histoire - 20e siècle; Geschichte; Copying processes; Literature and technology; Modernism (Literature); Reproduktion; Technik
    Weitere Schlagworte: Woolf, Virginia <1882-1941> - Critique et interprétation; Woolf, Virginia <1882-1941> - Et la technologie; Woolf, Virginia <1882-1941>; Woolf, Virginia (1882-1941)
    Umfang: xxxvi, 310 Seiten, Illustrationen
  14. Make It the Same
    Poetry in the Age of Global Media
    Autor*in: Edmond, Jacob
    Erschienen: [2019]; © 2019
    Verlag:  Columbia University Press, New York, NY

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry-an art form associated with the singular, inimitable utterance-is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition, as opposed to privileging "innovative" or "original" works. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures, languages, and places, reading across aesthetic, linguistic, geopolitical, and media divides. He illuminates the common form that unites a diverse range of writers from dub poets to conceptualists, samizdat wordsmiths to Twitter-trolling provocateurs, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Caroline Bergvall, Vanessa Place, Christian Bök, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation-as in Ezra Pound's slogan "make it new"-but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231548670
    Weitere Identifier:
    RVK Klassifikation: EC 4360
    Schriftenreihe: Literature Now
    Schlagworte: LITERARY CRITICISM / Poetry; Copying processes; Digital media; Literature and technology; Poetry, Modern; Lyrik; Neue Medien; Kopie; Zitat; Collage
    Umfang: 1 online resource, Illustrationen
  15. The culture of the copy
    striking likenesses, unreasonable facsimiles
    Autor*in: Schwartz, Hillel
    Erschienen: 2014
    Verlag:  Zone Books, New York

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781935408451; 9781935408512
    Auflage/Ausgabe: Revised and updated edition
    Schlagworte: Geschichte; Psychologie; Doppelgängers; Impostor phenomenon; Copying; Twins; Twins; Impersonation; Copying; Copying processes; Authenticity (Philosophy); Doppelgänger; Kultur; Literatur; Doppelbildnis; Selbstbildnis; Zwilling <Motiv>; Kopie
    Umfang: 1 online resource (473 pages), illustrations
    Bemerkung(en):

    Description based on online resource; title from PDF title page (ebrary, viewed February 21, 2014)
  16. Virginia Woolf in the age of mechanical reproduction
    Erschienen: 2000
    Verlag:  Garland Publ., New York [u.a.]

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0815327617; 9781138986770
    RVK Klassifikation: HM 4815
    Schriftenreihe: Garland reference library of the humanities : Border crossings ; 6
    Garland reference library of the humanities ; 2045
    Schlagworte: Littérature et technologie - Grande-Bretagne - Histoire - 20e siècle; Modernisme (Littérature) - Angleterre; Reprographie - Histoire - 20e siècle; Geschichte; Copying processes; Literature and technology; Modernism (Literature); Reproduktion; Technik
    Weitere Schlagworte: Woolf, Virginia <1882-1941> - Critique et interprétation; Woolf, Virginia <1882-1941> - Et la technologie; Woolf, Virginia <1882-1941>; Woolf, Virginia (1882-1941)
    Umfang: XXXVI, 310 S., Ill.
  17. Virginia Woolf in the age of mechanical reproduction
    Beteiligt: Caughie, Pamela L. (Hrsg.)
    Erschienen: 2000
    Verlag:  Garland Publ., New York, NY [u.a.]

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Caughie, Pamela L. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0815327617
    RVK Klassifikation: HM 4815
    Schriftenreihe: Garland reference library of the humanities ; 2045 : Border crossings ; 6
    Schlagworte: Literature and technology; Copying processes; Modernism (Literature)
    Weitere Schlagworte: Woolf 1882-1941; Woolf 1882-1941
    Umfang: XXXVI, 310 S., Ill., 23 cm
    Bemerkung(en):

    Literaturverz. S. 267 - 287
  18. Make it the same
    poetry in the age of global media
    Autor*in: Edmond, Jacob
    Erschienen: [2019]
    Verlag:  Columbia University Press, New York

    "In Make It the Same, Jacob Edmond argues that literary change in our age of globalization and digital media is best understood as the process of reframing, remediating, and recontextualizing existing literary and artistic works as opposed to... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    "In Make It the Same, Jacob Edmond argues that literary change in our age of globalization and digital media is best understood as the process of reframing, remediating, and recontextualizing existing literary and artistic works as opposed to privileging "innovative" or "original" works. Edmond examines how writers over the past fifty years have employed appropriation and media technologies -- tape recorders and typewriters (carbon copies), the Internet and machine-based writing -- as a way to develop new modes of creation and distribution. In looking at examples from a wide range of literatures - Caribbean, Soviet, American, and Chinese - Edmond reveals how copying practices in contemporary poetry have drawn on existing material to challenge and undermine cultural authority by questioning the privileging of conventional understandings of originality. While recognizing the liberatory potential of these practices, Edmond also considers how, in recent years, these practices have been seen to reinforced certain social and racial hierarchies"-- Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world literature : Yang Lian and John Cayley's networked collaboration -- Shibboleth : the border crossings of Caroline Bergvall, performance writing, and iterative poetics -- Copy rights : conceptual writing, the Mongrel Coalition, and the racial logic of digital media -- Chinese rooms : the work of poetry in the age of global languages, machine translation, and automatic estrangement -- Recapitulations : repetition and revolution in world poetry.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  19. From Digital to Analog
    "Agrippa" and Other Hybrids in the Beginnings of Digital Culture
    Autor*in: Berti, Agustín
    Erschienen: 2016, c2015
    Verlag:  Peter Lang Inc., International Academic Publishers, New York

    Contents: Pirate Havens and Digital Coyotes – Milestones between matter and digits – Bit Rot – Crossing Borders. Pre-digital works in the Age of Digitization – Illegalized Aliens in the land of the copyrighted – The book of the dead and the death of... mehr

    Zugang:

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Contents: Pirate Havens and Digital Coyotes – Milestones between matter and digits – Bit Rot – Crossing Borders. Pre-digital works in the Age of Digitization – Illegalized Aliens in the land of the copyrighted – The book of the dead and the death of the books – Epilogue: Hybrid genealogies in digital Genealogies in Digital Culture. From Digital to Analog delves into the origins of digitization and its effects on contemporary culture. The book challenges the «common sense» assertion that digitization is just another step in the evolution of the culture of the editorial, film and recorded music industries and their enforcement of copyright laws. Digital technologies in contemporary culture have paradoxically undermined and, at the same time, strengthened such practices, provoking an unprecedented quarrel over the possession of, and access to, cultural products. Agustín Berti uses the release of Agrippa (A Book of the Dead) in 1992 to study this paradox. The importance of Agrippa for digital culture studies is proven through the discussion of the frequently understated importance of the materiality of digital culture. The book develops a critique of digital technology and its alleged neutrality and transparency. Ultimately, it illustrates how Agrippa anticipated a number of contemporary phenomena such as piracy, leaks, remixes, memes, and more, forcing us to rethink the concept of digital content itself and thus the way in which culture is produced, received and preserved today. From Digital to Analog is ideal reading for a graduate student readership, especially Master candidates in the fields of Literature, Arts, Digital Humanities, Digital Culture and New Media Studies «From Digital to Analog engagingly reveals the hidden significance of anomalous, unusual digital objects such as the early electronic literary project, Agrippa (A Book of the Dead), and of diverse practices of piracy, hacking, bootlegging, remixing, e-poetry, digital memes, leaks, clones, and zombies to understanding the strange life of digital objects and the current cultural formations they unsettle, redouble, and preserve. Its roundabout, thick description of the backalleys of digital culture and critical pursuit of what may appear to be momentary aberrations to acceptable, standardized digital reproduction effectively mobilizes recent philosophy of technology to unpack a series of persistent, unavoidable questions digital objects pose today. The book sheds crucial light on seemingly contradictory traits, such as digital objects' notoriously immaterial materiality, and underscores the pressing at once technical, aesthetic, political, and economic – importance of confronting this unacknowledged, underexplored complexity. Recontextualizing and rejecting predominant ideologies of the digital as «pure content» by reading them through and against the oblique shadows, contours, and diffractions provided by stray digital literary experiments and other unexpected digital forays, From Digital to Analog reasserts and significantly expands the value of reading electronic literature, print and digital hybrids, and other variously experimental digital practices with full awareness of their critical contributions to digital cultures face to face with their technicity.» (Laura Shackelford, Associate Professor of English, Rochester Institute of Technology / Author of Tactics of the Human: Experimental Technics in American Fiction) «From Digital to Analog surpasses expectations as a critical reading device. Highly recommended for students, scholars, and anyone who wants to know more about certain compelling issues within our digital humanities multiverse.» Luis Correa-Diaz, University of Georgia, Academia Chilena de la Lengua

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781453916674
    Weitere Identifier:
    RVK Klassifikation: AP 15840 ; AP 15950
    Schriftenreihe: New Literacies and Digital Epistemologies ; 69
    Schlagworte: Digital preservation; Copying processes; Copyright and electronic data processing; Technological innovations; Digital media; Literature and technology; Philosophy; Electronic publishing; Information technology
    Weitere Schlagworte: Gibson, William; 1948-; Agrippa
    Umfang: 1 Online-Ressource (xvi, 287 Seiten)
  20. Make it the same
    poetry in the age of global media
    Autor*in: Edmond, Jacob
    Erschienen: [2019]
    Verlag:  Columbia University Press, New York

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Our world is full of copies. This proliferation includes not just the copying that occurs online and the cultural copying of globalization but the works of avant-garde writers challenging cultural and political authority. In Make It the Same, Jacob Edmond examines the turn toward repetition in poetry, using the explosion of copying to offer a deeply inventive account of modern and contemporary literature.Make It the Same explores how poetry-an art form associated with the singular, inimitable utterance-is increasingly made from other texts through sampling, appropriation, translation, remediation, performance, and other forms of repetition, as opposed to privileging "innovative" or "original" works. Edmond tracks the rise of copy poetry across media from the tape recorder to the computer and through various cultures, languages, and places, reading across aesthetic, linguistic, geopolitical, and media divides. He illuminates the common form that unites a diverse range of writers from dub poets to conceptualists, samizdat wordsmiths to Twitter-trolling provocateurs, analyzing the works of such writers as Kamau Brathwaite, Dmitri Prigov, Caroline Bergvall, Vanessa Place, Christian Bök, Hsia Yü, and Tan Lin. Edmond develops an alternative account of modernist and contemporary literature as defined not by innovation-as in Ezra Pound's slogan "make it new"-but by a system of continuous copying. Make It the Same transforms global literary history, showing how the old hierarchies of original and derivative, center and periphery are overturned when we recognize copying as the engine of literary change Frontmatter -- CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION -- 1. POSTCOLONIAL MEDIA -- 2. THE ART OF SAMIZDAT -- 3. MAKING WAVES IN WORLD LITERATURE -- 4. SHIBBOLETH -- 5. COPY RIGHTS -- 6. CHINESE ROOMS -- RECAPITULATIONS -- NOTES -- BIBLIOGRAPHY -- INDEX

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780231548670
    Weitere Identifier:
    Schriftenreihe: Literature now
    Schlagworte: Digital media; Literature and technology; Copying processes; Poetry, Modern; LITERARY CRITICISM / Poetry
    Umfang: 1 Online-Ressource (xiii, 346 Seiten), Illustrationen
    Bemerkung(en):

    restricted access online access with authorization star

    Includes bibliographical references and index
  21. <<The>> culture of the copy
    striking likenesses, unreasonable facsimiles
    Autor*in: Schwartz, Hillel
    Erschienen: 1996
    Verlag:  Zone Books, New York, NY

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0942299353
    RVK Klassifikation: EC 5410 ; NK 4930 ; CC 8200 ; CC 6600 ; CR 9500
    Schlagworte: Doppelgängers; Impostor phenomenon; Array; Array; Array; Impersonation; Array; Array; Authenticity (Philosophy)
    Umfang: 565 S., Ill., 23 cm
    Bemerkung(en):

    Literaturangaben
  22. Perfect copies
    reproduction and the contemporary comic
    Autor*in: Kwa, Shiamin
    Erschienen: [2023]
    Verlag:  Rutgers University Press, New Brunswick

    "Analyzing the way that recent works of graphic narrative use the comics form to engage with the "problem" of reproduction, Shiamin Kwa's Perfect Copies reminds us that the mode of production and the manner in which we perceive comics are often quite... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Analyzing the way that recent works of graphic narrative use the comics form to engage with the "problem" of reproduction, Shiamin Kwa's Perfect Copies reminds us that the mode of production and the manner in which we perceive comics are often quite similar to the stories they tell. Perfect Copies considers the dual notions of reproduction, mechanical as well as biological, and explores how comics are works of reproduction that embed questions about the nature of reproduction itself. Through close readings of the comics My Favorite Thing Is Monsters by Emil Ferris, The Black Project by Gareth Brookes, The Generous Bosom series by Conor Stechschulte, Sabrina by Nick Drnaso, and Panther by Brecht Evens, Perfect Copies shows how these comics makers push the limits of different ideas of "reproduction" in strikingly different ways. Kwa suggests that reading and thinking about books like these, that push us to engage with these complicated questions teaches us how to become better readers"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781978826533; 9781978826571
    RVK Klassifikation: AP 88916
    Schlagworte: Comic books, strips, etc; Comic books, strips, etc; Graphic novels; Repetition (Aesthetics); Repetition in literature; Copying processes; Discourse analysis, Narrative
    Umfang: vii, 183 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 173-178) and index
  23. Make it the same
    poetry in the age of global media
    Autor*in: Edmond, Jacob
    Erschienen: 2022
    Verlag:  Columbia University Press, New York

    Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world... mehr

    Standort:
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Signatur:
    Ld 0113
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : the copy as global master trope -- Postcolonial media : Kamau Brathwaite's reel revolution -- The art of Samizdat : Dmitri Prigov, Moscow concpetualism, and the carbon-copy origins of new media poetics -- Making waves in world literature : Yang Lian and John Cayley's networked collaboration -- Shibboleth : the border crossings of Caroline Bergvall, performance writing, and iterative poetics -- Copy rights : conceptual writing, the Mongrel Coalition, and the racial logic of digital media -- Chinese rooms : the work of poetry in the age of global languages, machine translation, and automatic estrangement -- Recapitulations : repetition and revolution in world poetry. "In Make It the Same, Jacob Edmond argues that literary change in our age of globalization and digital media is best understood as the process of reframing, remediating, and recontextualizing existing literary and artistic works as opposed to privileging "innovative" or "original" works. Edmond examines how writers over the past fifty years have employed appropriation and media technologies -- tape recorders and typewriters (carbon copies), the Internet and machine-based writing -- as a way to develop new modes of creation and distribution. In looking at examples from a wide range of literatures - Caribbean, Soviet, American, and Chinese - Edmond reveals how copying practices in contemporary poetry have drawn on existing material to challenge and undermine cultural authority by questioning the privileging of conventional understandings of originality. While recognizing the liberatory potential of these practices, Edmond also considers how, in recent years, these practices have been seen to reinforced certain social and racial hierarchies"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231190039
    Schriftenreihe: Literature now
    Schlagworte: Poetry, Modern; Literature and technology; Copying processes; Digital media
    Umfang: xiii, 346 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  24. Perfect Copies
    Reproduction and the Contemporary Comic
    Autor*in: Kwa, Shiamin
    Erschienen: 2023; ©2023
    Verlag:  Rutgers University Press, Chicago

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

    Standort:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781978826564
    RVK Klassifikation: AP 88916
    Schlagworte: Repetition in literature; Repetition (Aesthetics); Discourse analysis, Narrative; Copying processes; Electronic books
    Umfang: 1 online resource (186 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  25. From digital to analog
    Agrippa and other hybrids in the beginnings of digital culture
    Autor*in: Berti, Agustín
    Erschienen: [2015]
    Verlag:  Peter Lang, Frankfurt

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books mehr

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction : milestones between matter and digits -- Bit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781433125041; 9781433125058; 9781453916674
    RVK Klassifikation: AP 15840 ; AP 15950
    Schriftenreihe: New literacies and digital epistemologies ; vol. 69
    Schlagworte: Digital preservation; Copying processes / Technological innovations; Copyright and electronic data processing; Digital media / Philosophy; Literature and technology; Electronic publishing; Information technology / Social aspects
    Weitere Schlagworte: Gibson, William / 1948- / Agrippa; Gibson, William 1948-; Copying processes; Technological innovations; Copyright and electronic data processing; Digital media; Philosophy; Digital preservation; Electronic publishing; Information technology; Social aspects; Literature and technology
    Umfang: xvi, 287 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 257-265

    Introduction : milestones between matter and digitsBit rot -- Crossing borders -- Illegalized aliens in the land of the copyrighted -- The book of the dead and the death of books.