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  1. For want of a nail
    Erschienen: [2019]
    Verlag:  no place press, New York ; San Francisco

    "For Want of a Nail takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "For Want of a Nail takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the wall upon which he could hang his hat. The persistence and specificity of the request for this nail inspired the international art collective Futurefarmers to create, by hand (and after more than a half-century delay), three nails for the theoretical physicist: one forged from a meteorite, one cast using 1943 steel pennies, and a third made by re-fusing Trinitite, a material formed by residue from the Trinity nuclear bomb test. Growing out of a site-specific contribution to an exhibition in Santa Fe, New Mexico, this book engages the region's complex nuclear history as it relates to land use, resource extraction, and the far-reaching decisions that were made within the Manhattan Project. Throughout this multidisciplinary project, Futurefarmers constructs a narrative that runs parallel, and in some cases counter to, the conventional accounts of the Manhattan Project and Oppenheimer, its chief architect. Through video stills, production shots, essays, and interviews-presented in a book with uncut, unopened pages that the reader may cut to access more images-'For Want of a Nail' not only opens new ways to think about the region's particular atomic history, but also prompts more general reflections on how knowledge and narrative are embedded and communicated in material objects, both ephemeral and ancient." -- MIT Press website

     

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    Quelle: Verbundkataloge
    Beteiligt: Franceschini, Amy; Swaine, Michael; Churner, Rachel (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781949484045; 1949484041
    RVK Klassifikation: LI 99900
    Auflage/Ausgabe: First edition
    Körperschaften/Kongresse:
    Futurefarmers (Verfasser)
    Schlagworte: Installation <Kunst>; Performance <Künste>; Rezeption; Nagel <Technik, Motiv>; Manhattan-Projekt
    Weitere Schlagworte: Swaine, Michael (195X-); Franceschini, Amy (1970-); Oppenheimer, J. Robert (1904-1967); Oppenheimer, J. Robert / 1904-1967; Manhattan Project (U.S.); Artists' books / Specimens
    Umfang: 141 Seiten, Illustrationen, 21 cm
  2. No haga caso de malos mexicanos, 2014-2015
    me gusta, responder, hace un momento
    Autor*in: Huízar, Carmen
    Erschienen: 2017
    Verlag:  Gato Negro Ediciones, [Cuauhtémoc, Mexico]

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Spanisch
    Medientyp: Buch (Monographie)
    Auflage/Ausgabe: Primera edición
    Schlagworte: Risographie; Motiv; Propaganda; Social Media
    Weitere Schlagworte: Peña Nieto, Enrique (1966-); Huízar, Carmen (1995-); Peña Nieto, Enrique / 1966- / Political and social views; Huizar, Carmen / 1995-; Facebook (Electronic resource) / Pictorial works; Peña Nieto, Enrique / 1966-; Facebook (Electronic resource); Propaganda, Mexican; Social media in art; Artists' books / Specimens; Artists' books; Political and social views; Propaganda, Mexican; Social media in art; Photobook; Artists' books; Pictorial works; Specimens
    Umfang: 92 ungezählte Seiten, 17 cm
    Bemerkung(en):

    Printing method: Risograph

    Cover title

    Saludos y felicitaciones -- El presidente más guapo de la historia -- Dios lo bendiga -- Un país muy bonito y muy mexicano -- El maravilloso e invencible PRI -- Una petición muy especial

  3. Nochixtlán
    Manual de técnicas para el uso de la fuerza = Manual of techniques for the use of violence
    Erschienen: 2018
    Verlag:  Gato Negro Ediciones, [Cuauhtémoc, Mexico] ; Chaco, [Madrid]

    On June 19th 2016 in the Nochixtlán community in Oaxaca, Mexico, a confrontation happened between the federal police and a group of people protesting against the educational reform deployed by the government of Enrique Peña Nieto. This confrontation... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    On June 19th 2016 in the Nochixtlán community in Oaxaca, Mexico, a confrontation happened between the federal police and a group of people protesting against the educational reform deployed by the government of Enrique Peña Nieto. This confrontation left 8 people dead and over 108 people injured. Specialists concluded in their opinion that most of these deaths were caused by firearms.--Chaco website (viewed 8/29/18) Here, Rigoberto Díaz Julián has juxtaposed two texts: written instructions for police for the use of force and images from a 2016 confrontation between police and protesters in Oaxaca, Mexico. The protesters were blocking a highway, demonstrating against President Nieto's educational reforms, and by the end of the protest 8 people would be killed by firearms. Throughout Nochixtlán, the instructional text moves through different levels of force used by police: verbal deterrence, physical restraint, use of non-lethal weapons, and use of lethal weapons. The calm and corporate tone of the instructions contrasts with the chaos of the images of protest, revealing the ease at which police violence occurs, and is excused.--Printed Matter website (viewed 8/29/18)

     

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  4. Rock of eye
    Troy Montes-Michie
    Erschienen: 2021
    Verlag:  Siglio, Catskill, New York ; Rivers Institute for Contemporary Art & Thought, [New Orleans] ; California African American Museum, Los Angeles

    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw... mehr

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    The alchemy of the border: Troy Montes-Michie in conversation with Brent Hayes Edwards -- Troy Montes-Michie: Fashion notes / Andrea Andersson -- Troy Montes-Michie: Visioning Black study / Tina Campt -- After words on new beginnings / Cameron Shaw To tailor a garment by "rock of eye" is to rely on the drape on experience over mathematical measurement in the fitting process. It is a kind of drawing in space--a freehand, an intuition, a trust of materials. Rock of Eye, published on the occasion of Troy Montes-Michie's (born 1985) solo exhibition at the California African American Museum, is a collection of the artist's collages, drawings, and found and woven images sourced from vintage erotic magazines, French tailoring magazines, found photographs, and other materials. These materials are familiar from Montes-Michie's recent large-scale paintings and collages that center on the Black male body and his series that traces the social history and form of the zoot suit. Troy Montes-Michie was born in El Paso and his practice reflects his experience growing up along the US/Mexico border. This book is a study in ambiguity between portraiture and landscape; his are the cuts and folds of patterning and mapping. In Rock of Eye, Montes-Michie's stitches suture histories and geographies; they establish thresholds for crossing; his needle hits rock

     

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    Quelle: Verbundkataloge
    Beteiligt: Montes-Michie, Troy; Edwards, Brent Hayes; Andersson, Andrea; Campt, Tina
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781938221323; 193822132X
    RVK Klassifikation: LI 99999
    Auflage/Ausgabe: First edition
    Schlagworte: Homosexualität <Motiv>; Mann <Motiv>; Assemblage
    Weitere Schlagworte: Montes-Michie, Troy (1985-); Montes-Michie, Troy / Exhibitions; Montes-Michie, Troy / Interviews; Artists' books / Specimens; African American men in art / Exhibitions; Gay men in art / Exhibitions; Male nude in art / Exhibitions; ART / General; African American men in art; Artists' books; Gay men in art; Male nude in art; Exhibition catalogs; Interviews; Photomontages; Specimens; Photomontages
    Umfang: 107 Seiten, 30 cm
    Bemerkung(en):

    Rückseite Titelblatt: This book is occasioned by the eponymous exhibition "Troy Montes-Michie: Rock of Eye" ... runs February 16 - September 4, 2022 at the California African American Museum in Los Angeles

    Includes bibliographical references

  5. Philatelic items
    Beteiligt: Batty, Lolly
    Erschienen: 2022
    Verlag:  The Everyday Press, London

    "Batty’s work playfully explores a geometric and systemic logic through the colour and value of the stamps used and their positioning on the envelope. Bearing traces of their passage through the world and the postal system each is also a... mehr

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "Batty’s work playfully explores a geometric and systemic logic through the colour and value of the stamps used and their positioning on the envelope. Bearing traces of their passage through the world and the postal system each is also a collaboration with the anonymous hand that franks or cancels the stamps. Some of these collaborators have taken a clear pleasure in adding to the harmony of the composition, others have chosen to aggressively negate it."--Printed Matter website

     

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    Quelle: Verbundkataloge
    Beteiligt: Batty, Lolly
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781912458158; 1912458152
    RVK Klassifikation: LI 99999
    Schlagworte: Briefmarke <Motiv>
    Weitere Schlagworte: Batty, Lolly (1956-); Postage stamps; Stamp collecting; Artists' books / Specimens; Artists' books; Postage stamps; Stamp collecting; Artists' books; Specimens; Artists' books
    Umfang: 64 ungezählte Seiten, 30 cm
    Bemerkung(en):

    Umschlagtitel

    Edition of 1,000 copies