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  1. Coffee, rhum, sugar & gold
    a postcolonial paradox
    Beteiligt: Wimberly, Dexter (VeranstalterIn); Osse-Mensah, Larry (VeranstalterIn)
    Erschienen: [2019]
    Verlag:  Cameron + Company, Petaluma, CA

    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2020:798:
    Fernleihe:
    keine Fernleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and Firelei Baez. Their work is inspired by products that have historically been produced in and exported from the Caribbean. The book, published to accompany a traveling exhibition opening at San Francisco's Museum of the African Diaspora, explores the complexity of the "postcolonialism paradox"-in which colonizers often felt superior and productive as they claimed territory for themselves while subjugating indigenous people and exploiting their land. Whether connected to the Caribbean by birth or by choice, the artists use their work as a means of examining the relationships within the power structure.00Exhibition: Museum of the African Diaspora, San Francisco, USA (08.05.-11.08.2019)

     
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    Quelle: Verbundkataloge
    Beteiligt: Wimberly, Dexter (VeranstalterIn); Osse-Mensah, Larry (VeranstalterIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1944903763; 9781944903763
    RVK Klassifikation: LO 97100
    Schlagworte: Art; African diaspora in art; ART / General; African diaspora in art; Caribbean Area; Exhibition catalogs; Exhibition catalogs
    Umfang: 94 Seiten, 29 cm
    Bemerkung(en):

    Catalog of the exhibition Coffee, Rhum, Sugar & Gold: a postcolonial paradox was held on May 08, 2019-Aug 11, 2019 at the Museum of African Diaspora (MoAD)

    Includes bibliographical references
  2. The future is now
    a new look at African diaspora studies; [collection of essays at the conference 'Let spirit speak!' April 22 - 24, 2010 at The City College of New York]
    Erschienen: 2012
    Verlag:  Cambridge Scholars, Newcastle

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch; Französisch; Haitianisches Französisch Kreolisch; Spanisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781443836388; 1443836389
    RVK Klassifikation: HU 1728
    Auflage/Ausgabe: 1. publ.
    Schlagworte: African diaspora in literature; African diaspora in art
    Umfang: VIII, 223 S., Ill., 21 cm
    Bemerkung(en):

    Text in English, French, Haitian Creole and Spanish
  3. Immaterial archives
    an African diaspora poetics of loss
    Autor*in: Sharpe, Jenny
    Erschienen: 2020; © 2020
    Verlag:  Northwestern University Press, Evanston, Illinois

    Introduction: the shape of immateriality -- Silence: the archive and affective memory -- The invisible: Haitian art and a vodou archive of slavery -- Word holes: spirit voices in the recording machine -- Dreamstories: the virtuality of archival... mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2021/1831
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    EY/130/1940
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: the shape of immateriality -- Silence: the archive and affective memory -- The invisible: Haitian art and a vodou archive of slavery -- Word holes: spirit voices in the recording machine -- Dreamstories: the virtuality of archival recovery -- Afterlife. "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an alternative archive. The creative works of this study embrace silence, fragments, and the intangible phenomena of affects, spirits, and dreams for confronting loss with forms indebted to the inventiveness with which slaves remade their shattered world. Afro-Caribbean poets M. NourbeSe Philip and Kamau Brathwaite, artists Frantz Zéphirin and Edouard Duval-Carrié, and fiction writers Erna Brodber and George Lamming break the categories defining archival knowledge and their accompanying descriptions of "the human." "Immaterial" refers to the degraded status of black vernacular culture within colonial archives, as well as the diminished status of the humanities in today's information-based society. The term is also gendered as the book tracks a female gendering and re-gendering of the elusive, silent, and invisible spaces of immateriality. "Immaterial Archives: An African Diaspora Poetics of Loss" should be of interest to scholars and students of black cultural studies, Caribbean studies, feminist studies, postcolonial studies, and anyone who is interested in the transformative powers of the imagination"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810141575; 9780810141582; 9780810141599
    Schriftenreihe: Flashpoints ; 34
    Schlagworte: Caribbean literature (English); Arts, Caribbean; African diaspora in literature; African diaspora in art
    Umfang: xii, 199 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite 173-189
  4. When God lost her tongue
    historical consciousness and the black feminist imagination
    Autor*in: Hobson, Janell
    Erschienen: 2021
    Verlag:  Routledge, Abingdon, Oxon

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess. "When God Lost Her Tongue seeks to... mehr

    Standort:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signatur:
    CR/950/936
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess. "When God Lost Her Tongue seeks to explore historical consciousness as captured through the Black feminist imagination that re-centers the perspectives of Black women in the African Diaspora, and revisits how Black women's transatlantic histories are re-imagined and politicized in our contemporary moment. Connecting select historical case studies - from the Caribbean and Latin America, the African continent, North America, and Europe - while also examining the retelling of these histories in the work of present-day writers and artists, Janell Hobson utilizes a Black feminist lens to rescue the narratives of African-descended women, which have either been marginalized, erased, forgotten, and/or mis-remembered. They are often invoked, but sometimes we forget their names. African goddesses crossing the Atlantic with captive Africans. Women leaders igniting the Haitian revolution. Unnamed Black women in European paintings. African women on different sides of the "door of no return" during the era of the transatlantic slave trade. Even ubiquitous "Black queens" heralded and signified in a Beyoncé music video or a Janelle Monáe lyric. And then there are those whose names we will never forget, like the iconic Harriet Tubman. This critical interdisciplinary intervention will be key reading for students and researchers studying African American Women, Black Feminisms, Feminist Methodologies, Africana Studies, Women and Gender Studies"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780367198329; 9780367198343
    Schlagworte: Women, Black; Women, Black, in art; Women, Black, in literature; Women, Black, in popular culture; African diaspora; African diaspora in art; African diaspora in literature; Feminist theory
    Umfang: xiii, 202 pages
    Bemerkung(en):

    Includes bibliographical references and index
  5. Africa and trans-Atlantic memories
    literary and aesthetic manifestations of diaspora and history
    Beteiligt: Opoku-Agyemang, Naana (Hrsg.)
    Erschienen: 2008
    Verlag:  Africa World press, Trenton, NJ [u.a.]

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    WU828 A2T7M
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    BEY 381
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3K 21112
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Opoku-Agyemang, Naana (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 1592216323; 1592216331
    Weitere Identifier:
    9781592216338
    Auflage/Ausgabe: 1. print.
    Schlagworte: African literature (English); Caribbean literature (English); American literature; African diaspora in literature; African diaspora in art; Slavery in literature; Slavery in art; Slave trade in literature; Sklavenhandel <Motiv>; Literatur; Schwarze; Sklavenhandel
    Umfang: VII, 477 S., Ill.
    Bemerkung(en):

    "This book arises from a conference on the "Literary Manifestations of the African Diaspora" that was held at the University of Cape Coast in Ghana in 2003." - S. 1
  6. Autochthonomies
    transnationalism, testimony, and transmission in the African Diaspora
    Autor*in: Chancy, Myriam J. A.
    Erschienen: 2020
    Verlag:  University of Illinois Press, Urbana

    "In this book of textual and cultural studies, Myriam J. A. Chancy focuses on the tropes of transnationalism, testimony and transmission within African diasporic texts. Not a work simply concerned with 'racial rehabilitation' or 'inclusion' within... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this book of textual and cultural studies, Myriam J. A. Chancy focuses on the tropes of transnationalism, testimony and transmission within African diasporic texts. Not a work simply concerned with 'racial rehabilitation' or 'inclusion' within the dominant discourses of North America and Western Europe, it intends to serve as an intervention in race, Caribbean, African diasporic, and cultural studies by providing a radically new model for a culturally imbedded reading practice of contemporary works by African and African diasporic artists. Its purpose is to reveal the contributions to ontology that such artists deploy. In developing this approach, Chancy revisits the concept of 'interpretive communities' from a distinctively African diasporic point of view. She uses concepts derived from contemporary philosophical approaches to subjectivity that revise-and mostly discard Hegelian principles in order to assert less Eurocentric approaches. Building from these, she develops her neologism autochthonomy (aw-tok-ton-nuh-mee), which describes a practice of subjectivity and agency employed by African diasporic artists. Those artists chosen for this study bring together the experiences, movements, and knowledge of populations of African descent both on the continent and dispersed throughout Europe and the Americans in order to emphasize transnational interactions between African cultural producers and sites." --

     
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    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780252084911; 9780252043048
    RVK Klassifikation: EC 5250
    Schriftenreihe: The new Black studies series
    Schlagworte: Afrikaner; Soziale Situation <Motiv>; Afrikabild; Kunst
    Weitere Schlagworte: Africa / Civilization; African diaspora / History; African diaspora in art; African diaspora in literature; Blacks / History; Africa; African diaspora; African diaspora in art; African diaspora in literature; Blacks; Civilization; History
    Umfang: viii, 231 Seiten, 23 cm
    Bemerkung(en):

    (Re)Presenting Racial Permeability, (Dis)Ability, and Racial (Dis)Affiliations -- Autochthonomous Transfigurations of Race and Gender in Twenty-First-Century Transnational Genocide Testimonial Narratives -- Subjectivity in Motion: Caribbean Women's (Dis)Articulations of Being -- Autochthonomous Ambiguities: Travel, Memoir, and Transnational African Diasporic Subjects in (Post)colonial Contexts
  7. Immaterial archives
    an African diaspora poetics of loss
    Autor*in: Sharpe, Jenny
    Erschienen: 2020
    Verlag:  Northwestern University Press, Evanston, Illinois

    "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an alternative archive. The creative works of this study embrace silence, fragments, and the intangible phenomena of affects, spirits, and dreams for confronting loss with forms indebted to the inventiveness with which slaves remade their shattered world. Afro-Caribbean poets M. NourbeSe Philip and Kamau Brathwaite, artists Frantz Zéphirin and Edouard Duval-Carrié, and fiction writers Erna Brodber and George Lamming break the categories defining archival knowledge and their accompanying descriptions of "the human." "Immaterial" refers to the degraded status of black vernacular culture within colonial archives, as well as the diminished status of the humanities in today's information-based society. The term is also gendered as the book tracks a female gendering and re-gendering of the elusive, silent, and invisible spaces of immateriality. "Immaterial Archives: An African Diaspora Poetics of Loss" should be of interest to scholars and students of black cultural studies, Caribbean studies, feminist studies, postcolonial studies, and anyone who is interested in the transformative powers of the imagination"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810141575; 9780810141582
    RVK Klassifikation: HQ 7026
    Schriftenreihe: Flashpoints ; 34
    Schlagworte: Schwarze; Diaspora <Sozialwissenschaften>; Kollektives Gedächtnis; Literatur; Kunst
    Weitere Schlagworte: Caribbean literature (English) / Black authors / History and criticism; Arts, Caribbean; African diaspora in literature; African diaspora in art; African diaspora in art; African diaspora in literature; Arts, Caribbean; Criticism, interpretation, etc
    Umfang: xii, 199 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes index

    Introduction: the shape of immateriality -- Silence: the archive and affective memory -- The invisible: Haitian art and a vodou archive of slavery -- Word holes: spirit voices in the recording machine -- Dreamstories: the virtuality of archival recovery -- Afterlife
  8. When God lost her tongue
    historical consciousness and the black feminist imagination
    Autor*in: Hobson, Janell
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Franci Group, London

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess. mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess.

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429520136; 9780429243554; 9780429513275; 9780429516702
    Weitere Identifier:
    Schlagworte: Women, Black; Women, Black, in art; Women, Black, in literature; Women, Black, in popular culture; African diaspora; African diaspora in art; African diaspora in literature; Feminist theory; Electronic books; SOCIAL SCIENCE / Gender Studies
    Umfang: 1 Online-Ressource (xiii, 202 Seiten), Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  9. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Erschienen: [2016]
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1781382670; 9781781382677
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool Studies in International Slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black
    Umfang: xvi, 291 Seiten, 8 ungezählte Blätter, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  10. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781781382677
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; Sklaverei <Motiv>; Künste
    Umfang: xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  11. Coffee, rhum, sugar & gold
    a postcolonial paradox
    Beteiligt: Wimberly, Dexter; Ossei-Mensah, Larry
    Erschienen: [2019]
    Verlag:  Cameron + Company, Petaluma, California

    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    The legacy of European colonialism in the Caribbean is explored through the work of 10 contemporary artists: Angel Otero, Adler Guerrier, Phillip Thomas, Leonardo Benzant, Lucia Hierro, Lavar Munroe, Andrea Chung, Ebony Patterson, Didier William, and Firelei Baez. Their work is inspired by products that have historically been produced in and exported from the Caribbean. The book, published to accompany a traveling exhibition opening at San Francisco's Museum of the African Diaspora, explores the complexity of the "postcolonialism paradox"-in which colonizers often felt superior and productive as they claimed territory for themselves while subjugating indigenous people and exploiting their land. Whether connected to the Caribbean by birth or by choice, the artists use their work as a means of examining the relationships within the power structure.00Exhibition: Museum of the African Diaspora, San Francisco, USA (08.05.-11.08.2019)

     
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    Quelle: Verbundkataloge
    Beteiligt: Wimberly, Dexter; Ossei-Mensah, Larry
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781944903763; 1944903763
    RVK Klassifikation: LO 97100
    Schlagworte: Postkolonialismus; Kunst; Schwarze
    Weitere Schlagworte: Art / Caribbean Area / 21st century / Colonial influence; ART / General; African diaspora in art; Caribbean Area; Exhibition catalogs; Caribbean Area / Social life and customs / Colonial influence; Caribbean Area / Civilization / Colonial influence
    Umfang: 94 Seiten, 29 cm
    Bemerkung(en):

    Diese Publikation erscheint anlässlich der Ausstellung "Coffee, Rhum, Sugar & Gold: a postcolonial paradox" im Museum of African Diaspora (MoAD) vom 08.05.2019-11.08.2019
  12. Autochthonomies
    transnationalism, testimony, and transmission in the African Diaspora
    Autor*in: Chancy, Myriam J. A.
    Erschienen: 2020
    Verlag:  University of Illinois Press, Urbana

    "In this book of textual and cultural studies, Myriam J. A. Chancy focuses on the tropes of transnationalism, testimony and transmission within African diasporic texts. Not a work simply concerned with 'racial rehabilitation' or 'inclusion' within... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In this book of textual and cultural studies, Myriam J. A. Chancy focuses on the tropes of transnationalism, testimony and transmission within African diasporic texts. Not a work simply concerned with 'racial rehabilitation' or 'inclusion' within the dominant discourses of North America and Western Europe, it intends to serve as an intervention in race, Caribbean, African diasporic, and cultural studies by providing a radically new model for a culturally imbedded reading practice of contemporary works by African and African diasporic artists. Its purpose is to reveal the contributions to ontology that such artists deploy. In developing this approach, Chancy revisits the concept of 'interpretive communities' from a distinctively African diasporic point of view. She uses concepts derived from contemporary philosophical approaches to subjectivity that revise-and mostly discard Hegelian principles in order to assert less Eurocentric approaches. Building from these, she develops her neologism autochthonomy (aw-tok-ton-nuh-mee), which describes a practice of subjectivity and agency employed by African diasporic artists. Those artists chosen for this study bring together the experiences, movements, and knowledge of populations of African descent both on the continent and dispersed throughout Europe and the Americans in order to emphasize transnational interactions between African cultural producers and sites." --

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780252084911; 9780252043048
    RVK Klassifikation: EC 5250
    Schriftenreihe: The new Black studies series
    Schlagworte: Afrikaner; Soziale Situation <Motiv>; Afrikabild; Kunst
    Weitere Schlagworte: Africa / Civilization; African diaspora / History; African diaspora in art; African diaspora in literature; Blacks / History; Africa; African diaspora; African diaspora in art; African diaspora in literature; Blacks; Civilization; History
    Umfang: viii, 231 Seiten, 23 cm
    Bemerkung(en):

    (Re)Presenting Racial Permeability, (Dis)Ability, and Racial (Dis)Affiliations -- Autochthonomous Transfigurations of Race and Gender in Twenty-First-Century Transnational Genocide Testimonial Narratives -- Subjectivity in Motion: Caribbean Women's (Dis)Articulations of Being -- Autochthonomous Ambiguities: Travel, Memoir, and Transnational African Diasporic Subjects in (Post)colonial Contexts
  13. Africamericanos
    Beteiligt: Tyrallová, Lea (Hrsg.); Pérez Zamudio, Alejandra (Hrsg.); Carreras, Claudi; Ortiz Nahón, Abraham; Rey, Germán; Walker, Sheila
    Erschienen: [2019]
    Verlag:  Editorial RM, S.A. de C.V., Mexico City ; RM Verlag, S.L., Barcelona

    "A visual exploration of Afro-Latino identity and the African diaspora in Latin America as seen in the work of 34 contemporary photographers surveying photography from all over Latin America, and based on extensive research, The Africamericanos gives... mehr

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "A visual exploration of Afro-Latino identity and the African diaspora in Latin America as seen in the work of 34 contemporary photographers surveying photography from all over Latin America, and based on extensive research, The Africamericanos gives special consideration to those from countries with the highest populations of Afro-Latino citizens and whose people have suffered the most systematic erasure of Afrolatino identity"--

     
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    Quelle: Verbundkataloge
    Beteiligt: Tyrallová, Lea (Hrsg.); Pérez Zamudio, Alejandra (Hrsg.); Carreras, Claudi; Ortiz Nahón, Abraham; Rey, Germán; Walker, Sheila
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9788417047962; 8417047964
    Schlagworte: Schwarze <Motiv>; Fotografie
    Weitere Schlagworte: African diaspora in art; Blacks / Race identity / Latin America; Photography / Latin America / 20th century; Photography / Latin America / 21st century; Photography; Latin America; 1900-2099; Exhibition catalogs
    Umfang: 231 Seiten, 35 cm
    Bemerkung(en):

    Published in conjunction with the exhibition held at the Centro de la Imagen (Mexico City) August 16 - November 11, 2018 and at the Museo Amparo August 30 - January 13, 2020. - Featuring works from: Pierre Verger, Mara Sánchez-Renero, Maya Goded, Koral Carballo, Luján Agusti, Hugo Arellanes, Yael Martínez, Yomer Montejo, Josué Azor, Marton Robinson, Sandra Eleta, Nicola Lo Calzo, Nelson Garrido, Carolina Navas, Pablo Chaco, Liliana Angulo, Jorge Panchoaga, Fondo Documental Afro-Andino, Juan García Salazar. Universidad Andina Simón Bolívar, Karina Aguilera Skvirsky, Isadora Romero, Archivo Fotográfico Courret. Biblioteca Nacional del Perú, Leslie Searles, Lorry Salcedo, Acervo Instituto Moreira Salles, Rosana Paulino, Eustáquio Neves, José Medeiros, Luisa Dörr, Maureen Bisilliat, Jonathas de Andrade, Angélica Dass, Archivo Familiar Victoria Santa Cruz, Nicolás Janowski, Fondo Consejo Mexicano de Fotografía / Acervo Centro de la Imagen, Cristina de Middel / Bruno Morais
  14. Immaterial archives
    an African diaspora poetics of loss
    Autor*in: Sharpe, Jenny
    Erschienen: 2020
    Verlag:  Northwestern University Press, Evanston, Illinois

    "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
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    "'Immaterial Archives' addresses the absence of documentary evidence concerning the lives of black people who were immaterial to the archiving process. Unlike other literary studies, it does not present black Atlantic art and literature as an alternative archive. The creative works of this study embrace silence, fragments, and the intangible phenomena of affects, spirits, and dreams for confronting loss with forms indebted to the inventiveness with which slaves remade their shattered world. Afro-Caribbean poets M. NourbeSe Philip and Kamau Brathwaite, artists Frantz Zéphirin and Edouard Duval-Carrié, and fiction writers Erna Brodber and George Lamming break the categories defining archival knowledge and their accompanying descriptions of "the human." "Immaterial" refers to the degraded status of black vernacular culture within colonial archives, as well as the diminished status of the humanities in today's information-based society. The term is also gendered as the book tracks a female gendering and re-gendering of the elusive, silent, and invisible spaces of immateriality. "Immaterial Archives: An African Diaspora Poetics of Loss" should be of interest to scholars and students of black cultural studies, Caribbean studies, feminist studies, postcolonial studies, and anyone who is interested in the transformative powers of the imagination"--Provided by publisher

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780810141575; 9780810141582
    RVK Klassifikation: HQ 7026
    Schriftenreihe: Flashpoints ; 34
    Schlagworte: Schwarze; Diaspora <Sozialwissenschaften>; Kollektives Gedächtnis; Literatur; Kunst
    Weitere Schlagworte: Caribbean literature (English) / Black authors / History and criticism; Arts, Caribbean; African diaspora in literature; African diaspora in art; African diaspora in art; African diaspora in literature; Arts, Caribbean; Criticism, interpretation, etc
    Umfang: xii, 199 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes index

    Introduction: the shape of immateriality -- Silence: the archive and affective memory -- The invisible: Haitian art and a vodou archive of slavery -- Word holes: spirit voices in the recording machine -- Dreamstories: the virtuality of archival recovery -- Afterlife
  15. Migrating the black body
    the African diaspora and visual culture
    Beteiligt: Raiford, Leigh (Hrsg.); Raphael-Hernandez, Heike (Hrsg.)
    Erschienen: [2017]
    Verlag:  University of Washington Press, Seattle ; London

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Raiford, Leigh (Hrsg.); Raphael-Hernandez, Heike (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780295999562; 9780295999579
    RVK Klassifikation: HD 474
    Schlagworte: Kunst; Schwarze <Motiv>; Visuelle Medien
    Weitere Schlagworte: African diaspora in art; Art; Blacks in mass media
    Umfang: x, 365 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 26 cm
    Bemerkung(en):

    Array: Array

    Array: Array
  16. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384299
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black / Great Britain; Sklaverei <Motiv>; Künste
    Umfang: 1 online resource (xvi, 291 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  17. Création plastique, traites et esclavages
    Erschienen: 2009
    Verlag:  Anneaux de la Mémoire, Nantes

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Cahiers des anneaux de la mémoire ; 12
    Schlagworte: History of art / Slavery / Africa / West Indies; Sklaverei; African diaspora in art; Slavery in art; Sklaverei <Motiv>; Kunst
    Umfang: 206 S., Ill.
  18. Out of the sun
    on race and storytelling
    Autor*in: Edugyan, Esi
    Erschienen: 2022
    Verlag:  Anansi, [Toronto, Ontario]

    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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  19. Black bodies, white gold
    art, cotton, and commerce in the atlantic world
    Autor*in: Arabindan-Kesson, Anna
    Erschienen: [2021]; © 2021
    Verlag:  Duke University Press, Durham ; London

    In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
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    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
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    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
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    Standort:
    Universitätsbibliothek Bayreuth
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    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
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    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
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    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
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    Standort:
    Universität der Bundeswehr München, Universitätsbibliothek
    Fernleihe:
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    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    In Black Bodies, White Gold Anna Arabindan-Kesson uses cotton, a commodity central to the slave trade and colonialism, as a focus for new interpretations of the way art, commerce, and colonialism were intertwined in the nineteenth-century Atlantic world. In doing so, Arabindan-Kesson models an art historical approach that makes the histories of the Black diaspora central to nineteenth-century cultural production. She traces the emergence of a speculative vision that informs perceptions of Blackness in which artistic renderings of cotton-as both commodity and material-became inexorably tied to the monetary value of Black bodies. From the production and representation of "negro cloth"-the textile worn by enslaved plantation workers-to depictions of Black sharecroppers in photographs and paintings, Arabindan-Kesson demonstrates that visuality was the mechanism through which Blackness and cotton became equated as resources for extraction. In addition to interrogating the work of nineteenth-century artists, she engages with contemporary artists such as Hank Willis Thomas, Lubaina Himid, and Yinka Shonibare CBE RA, who contend with the commercial and imperial processes shaping constructions of Blackness and meanings of labor

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781478021377
    Weitere Identifier:
    RVK Klassifikation: LH 65810 ; LO 91990 ; LO 94020
    Schlagworte: SOCIAL SCIENCE / Black Studies (Global); African diaspora in art; Cotton growing; Cotton in art; Cotton trade; Slavery in art; Slavery; Baumwollplantage; Fotografie; Sklave <Motiv>; Schwarze <Motiv>; Baumwollanbau; Sklaverei; Kolonialismus; Malerei; Baumwollgewebe; Sklave
    Umfang: 1 Online-Ressource (xviii, 300 Seiten), Illustrationen
  20. When God lost her tongue
    historical consciousness and the Black feminist imagination
    Autor*in: Hobson, Janell
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "When God Lost Her Tongue seeks to explore historical consciousness as captured through the Black feminist imagination that re-centers the perspectives of Black women in the African Diaspora, and revisits how Black women's transatlantic histories are... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "When God Lost Her Tongue seeks to explore historical consciousness as captured through the Black feminist imagination that re-centers the perspectives of Black women in the African Diaspora, and revisits how Black women's transatlantic histories are re-imagined and politicized in our contemporary moment. Connecting select historical case studies - from the Caribbean and Latin America, the African continent, North America, and Europe - while also examining the retelling of these histories in the work of present-day writers and artists, Janell Hobson utilizes a Black feminist lens to rescue the narratives of African-descended women, which have either been marginalized, erased, forgotten, and/or mis-remembered. They are often invoked, but sometimes we forget their names. African goddesses crossing the Atlantic with captive Africans. Women leaders igniting the Haitian revolution. Unnamed Black women in European paintings. African women on different sides of the "door of no return" during the era of the transatlantic slave trade. Even ubiquitous "Black queens" heralded and signified in a Beyoncé music video or a Janelle Monáe lyric. And then there are those whose names we will never forget, like the iconic Harriet Tubman. This critical interdisciplinary intervention will be key reading for students and researchers studying African American Women, Black Feminisms, Feminist Methodologies, Africana Studies, Women and Gender Studies"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367198343; 9780367198329
    Schlagworte: Literatur; Kunst; Feminismus; Schwarze Frau
    Weitere Schlagworte: Women, Black / Historiography; Women, Black, in art; Women, Black, in literature; Women, Black, in popular culture; African diaspora / Historiography; African diaspora in art; African diaspora in literature; Feminist theory; African diaspora in art; African diaspora in literature; Feminist theory; Women, Black, in art; Women, Black, in literature; Women, Black, in popular culture
    Umfang: xiii, 202 Seiten, Illustrationen, Karte
    Bemerkung(en):

    A meditation on black feminist divinity -- Reframing portraits of black womanhood -- Revolving doors of no return -- Cultural currency and the value of Harriet Tubman -- To play the queen, to embody the goddess
  21. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Erschienen: 2021
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Hrsg.); Durkin, Hannah (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781800349216
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; Sklaverei <Motiv>; Künste
    Umfang: xvi, 291 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  22. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (Herausgeber); Durkin, Hannah (Herausgeber)
    Erschienen: 2021
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    BEY 331
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

     

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists' vast bodies of work testify, theirs is an ongoing fight for the right to art for art's sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-a-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Bernier, Celeste-Marie (Herausgeber); Durkin, Hannah (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781781382677; 9781800349216
    RVK Klassifikation: LO 94030 ; LO 94030
    Auflage/Ausgabe: Paperback edition
    Körperschaften/Kongresse:
    visualising slavery (Verfasser)
    Schriftenreihe: Liverpool studies in international slavery ; 9
    Schlagworte: Sklaverei <Motiv>; Sklavenhandel <Motiv>; Diaspora <Religion>
    Weitere Schlagworte: Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black / Great Britain
    Umfang: xvi, 291 Seiten, 16 ungezählte Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    "Visualising Slavery: Art Across the African Diaspora is the result of an international symposium generously funded by the Terra Foundation for American Art and held at the University of Oxford in 2013." - Seite xv.
  23. Africa and trans-Atlantic memories
    literary and aesthetic manifestations of diaspora and history
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Erschienen: 2008
    Verlag:  Africa World Press, Trenton, NJ [u.a.]

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    Quelle: Verbundkataloge
    Beteiligt: Opoku-Agyemang, Naana Jane (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1592216323; 1592216331
    RVK Klassifikation: HR 1728
    Auflage/Ausgabe: 1. print.
    Schlagworte: African literature (English); Caribbean literature (English); American literature; African diaspora in literature; African diaspora in art; Slavery in literature; Slavery in art; Slave trade in literature
    Umfang: VII, 477 S., Ill., 23cm
    Bemerkung(en):

    Literaturverz. S. [443] - 468
  24. Visualising slavery
    art across the African diaspora
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Erschienen: 2016
    Verlag:  Liverpool University Press, Liverpool

    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The purpose of this book is to excavate and recover a wealth of under-examined artworks and research materials directly to interrogate, debate and analyse the tangled skeins undergirding visual representations of transatlantic slavery across the Black diaspora. Living and working on both sides of the Atlantic, as these scholars, curators and practitioners demonstrate, African diasporic artists adopt radical and revisionist practices by which to confront the difficult aesthetic and political realities surrounding the social and cultural legacies let alone national and mythical memories of Transatlantic Slavery and the international Slave Trade. Adopting a comparative perspective, this book investigates the diverse body of works produced by black artists as these contributors come to grips with the ways in which their neglected and repeatedly unexamined similarities and differences bear witness to the existence of an African diasporic visual arts tradition. As in-depth investigations into the diverse resistance strategies at work within these artists’ vast bodies of work testify, theirs is an ongoing fight for the right to art for art’s sake as they challenge mainstream tendencies towards examining their works solely for their sociological and political dimensions. This book adopts a cross- cultural perspective to draw together artists, curators, academics, and public researchers in order to provide an interdisciplinary examination into the eclectic and experimental oeuvre produced by black artists working within the United States, the United Kingdom and across the African diaspora. The overall aim of this book is to re-examine complex yet under-researched theoretical paradigms vis-à-vis the patterns of influence and cross-cultural exchange across both America and a black diasporic visual arts tradition, a vastly neglected field of study.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Bernier, Celeste-Marie (HerausgeberIn); Durkin, Hannah (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781781384299
    RVK Klassifikation: LO 94030
    Schriftenreihe: Liverpool Studies in International Slavery ; 9
    Schlagworte: Art, Black; Slavery in art.; Slave trade in art.; African diaspora in art.; African American art.; Art, Caribbean.; Art, African.; Art, Caribbean; Art, African; Slave trade in art; African American art; African diaspora in art; Slavery in art; Art, Black; Slavery in art; Slave trade in art; African diaspora in art; African American art; Art, Caribbean; Art, African; Art, Black ; Great Britain
    Umfang: 1 Online-Ressource (xvi, 291 Seiten)
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    Title from publisher's bibliographic system (viewed on 11 Aug 2017)
  25. Création plastique, traites et esclavages
    Erschienen: 2009
    Verlag:  Anneaux de la Mémoire, Nantes

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Cahiers des anneaux de la mémoire ; 12
    Schlagworte: History of art / Slavery / Africa / West Indies; Sklaverei; African diaspora in art; Slavery in art; Sklaverei <Motiv>; Kunst
    Umfang: 206 S., Ill.