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  1. Visual aggression
    images of martyrdom in late medieval Germany
    Autor*in: Pinḳus, Assaf
    Erschienen: [2021]
    Verlag:  The Pennsylvania State University Press, University Park, Pennsylvania

    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.) mehr

     

    Zusammenfassung: "Explores images of torment and martyrdom that appeared in the German-speaking world in the late medieval period, tying them to premodern conceptualizations of individuality and selfhood"--(Provided by publisher.)

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780271083797; 0271083794
    Schlagworte: Kunst; Märtyrer <Motiv>; Martyrium <Motiv>; Gewalt <Motiv>; Folter <Motiv>
    Weitere Schlagworte: (lcsh)Violence in art.; (lcsh)Martyrdom in art.; (lcsh)Art, Medieval--Germany.; (fast)Art, Medieval.; (fast)Martyrdom in art.; (fast)Violence in art.; (nli)Violence in art.; (nli)Martyrdom in art.; (nli)Art, Medieval--Germany.; (fast)Germany
    Umfang: xii, 178 Seiten, Illustrationen, 27 cm
    Bemerkung(en):

    Includes bibliographical references (pages 145-160) and index

  2. German-Jewish thought and its afterlife
    a tenuous legacy
    Autor*in: Liska, Vivian
    Erschienen: [2017]; © 2017
    Verlag:  Indiana University Press, Bloomington, Indiana

    Zusammenfassung: "The visions of modernity depicted in the writings of major Modernist German-Jewish writers and philosophers manifest, says Vivian Liska, the paradoxical dynamic that the break with tradition invokes figures of thought derived from... mehr

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    Zusammenfassung: "The visions of modernity depicted in the writings of major Modernist German-Jewish writers and philosophers manifest, says Vivian Liska, the paradoxical dynamic that the break with tradition invokes figures of thought derived from Jewish tradition. In German-Jewish Thought and Its Afterlife, Liska innovatively focuses on the changing form, fate and function of messianism, law, exile, election, remembrance, and the transmission of tradition itself in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism, and the current period. Highlighting these elements of the Jewish tradition in the works of Franz Kafka, Walter Benjamin, Gershom Scholem, Hannah Arendt, and Paul Celan, Liska reflects on dialogues and conversations between them and on the reception of their work. She shows how this Jewish dimension of their writings is transformed, but remains significant in the theories of Maurice Blanchot and Jacques Derrida and how it is appropriated, dismissed or denied by some of the most acclaimed thinkers at the turn of the twenty-first century such as Giorgio Agamben, Slavoj Žižek, and Alain Badiou."--(Provided by publisher.)

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780253024688; 0253024684; 9780253024855; 0253024854
    DDC Klassifikation: Philosophie und Psychologie (100); Andere Religionen (290); Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Jewish literature and culture
    Schlagworte: Moderne; Literatur; Denken; Juden; Kultur; Postmoderne; Geistesleben; Philosophie
    Weitere Schlagworte: (lcsh)Jews--Germany--Intellectual life; (lcsh)Jews--Germany--Civilization; (fast)Jews--Civilization; (fast)Jews--Intellectual life; (fast)Germany
    Umfang: xi, 203 Seiten, 24 cm
    Bemerkung(en):

    Tradition and transmission -- Law and narration -- Messianic language -- Exile, remembrance, exemplarity

  3. Bauhaus weaving theory
    from feminine craft to mode of design
    Autor*in: Smith, T'ai Lin
    Erschienen: [2014]; © 2014
    Verlag:  University of Minnesota Press, Minneapolis ; London

    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are... mehr

    Universitäts- und Landesbibliothek Düsseldorf
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    Zusammenfassung: "The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role of these women in debates about medium in the twentieth century and a nuanced history of the Bauhaus come to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts."--Publisher's description

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816687237; 9780816687244
    Schlagworte: Ästhetik; Bauhaus; Webarbeit; Textilkünstlerin
    Weitere Schlagworte: (lcsh)Bauhaus; Bauhaus; Bauhaus Dessau, 1925 - 1932; Staatliches Bauhaus Weimar; (fast)Bauhaus; (fast)1900-1999; (lcsh)Textile design--Germany--History--20th century; (lcsh)Weaving--Germany--History--20th century; (lcsh)Women textile designers--Germany; (lcsh)Modernism (Art); (lcsh)Art and craft debate; (bisacsh)ART--History--General; (bisacsh)DESIGN--History & Criticism; (bisacsh)SOCIAL SCIENCE--Women's Studies; (fast)Art and craft debate; (fast)Modernism (Art); (fast)Textile design; (fast)Weaving; (fast)Women textile designers; (fast)Germany; (fast)History
    Umfang: xxxiv, 229 Seiten, 8 ungezählte Seiten Bildtafeln, Illustrationen
    Bemerkung(en):

    Includes bibliographical references (pages 175-219) and index

    Introduction: textiles, text, and a medium-specific craft -- Pictures made of wool: weaving labor in the workshop -- Toward a modernist theory of weaving: the use of textiles in architectural space -- The haptics of optics: weaving and photography -- Weaving as invention: patenting authorship -- Conclusion: on weaving, on writing.

  4. Ḥalifat mikhtavim
    1933-1940
  5. The autobiographical turn in Germanophone documentary and experimental film
    Beteiligt: Curtis, Robin (Herausgeber)
    Erschienen: 2014
    Verlag:  Camden House, Rochester, NY

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    Quelle: Verbundkataloge
    Beteiligt: Curtis, Robin (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781571139177; 1571139176
    Weitere Identifier:
    40024266421
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Screen cultures: German film and the visual
    Schlagworte: Dokumentarfilm; Experimentalfilm; Das Autobiografische; Selbst <Motiv>
    Weitere Schlagworte: (lcsh)Biographical films--Germany--History and criticism; (lcsh)Documentary films--Germany--History and criticism; (lcsh)Self in motion pictures; (gnd)Dokumentarfil; (gnd)Experimentalfilm; (gnd)Biographischer Film; (gnd)Das Autobiographische; (gnd)Selbstdarstellung; (fast)Biographical films; (fast)Documentary films; (fast)Self in motion pictures; (gnd)Deutsches Sprachgebiet; (fast)Germany; (fast)Criticism, interpretation, etc
    Umfang: VIII, 342 S., 24 cm
    Bemerkung(en):

    Literaturangaben

  6. Light in Germany
    scenes from an unknown enlightenment
    Autor*in: Reed, T. J.
    Erschienen: 2015
    Verlag:  University of Chicago Press, Chicago

    In this book, T. J. Reed clears the dust away from eighteenth-century Germany, bringing the likes of Kant, Goethe, Friedrich Schiller, and Gotthold Lessing into a coherent and focused beam that shines within European intellectual history and... mehr

     

    In this book, T. J. Reed clears the dust away from eighteenth-century Germany, bringing the likes of Kant, Goethe, Friedrich Schiller, and Gotthold Lessing into a coherent and focused beam that shines within European intellectual history and reasserts the important role of Germany's Enlightenment.--Provided by publisher

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780226205106; 022620510X
    Weitere Identifier:
    40024617838
    Schlagworte: Aufklärung
    Weitere Schlagworte: (fast)1700 - 1799; (lcsh)Enlightenment--Germany; (bisacsh)HISTORY / Europe / Germany; (fast)Enlightenment; (fast)Intellectual life; (gtt)Verlichting (cultuurgeschiedenis); (lcsh)Germany--Intellectual life--18th century; (fast)Germany; (gtt)Duitsland
    Umfang: xiii, 284 Seiten, 24 cm
  7. A pedagogy of observation
    nineteenth-century panoramas, German literature, and reading culture
    Autor*in: Byrd, Vance
    Erschienen: [2017]
    Verlag:  Bucknell University Press, Lewisburg

  8. Performing unification
    history and nation in German theater after 1989
  9. Weltschmerz
    pessimism in German philosophy, 1860-1900
    Erschienen: ©2016; [2016]
    Verlag:  Oxford University Press, Oxford

    Weltschmerz' is a study of the pessimism that dominated German philosophy in the second half of the nineteenth century. Pessimism was essentially the theory that life is not worth living. This theory was introduced into German philosophy by... mehr

     

    Weltschmerz' is a study of the pessimism that dominated German philosophy in the second half of the nineteenth century. Pessimism was essentially the theory that life is not worth living. This theory was introduced into German philosophy by Schopenhauer, whose philosophy became very fashionable in the 1860s. Frederick C. Beiser examines the intense and long controversy that arose from Schopenhauer's pessimism, which changed the agenda of philosophy in Germany away from the logic of the sciences and toward an examination of the value of life. He examines the major defenders of pessimism (Philipp Mainlander, Eduard von Hartmann and Julius Bahnsen) and its chief critics, especially Eugen Duhring and the neo-Kantians. The pessimism dispute of the second half of the century has been largely ignored in secondary literature and this book is a first attempt since the 1880s to re-examine it and to analyze the important philosophical issues raised by it. The dispute concerned the most fundamental philosophical issue of them all: whether life is worth living

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198768715; 0198768710
    Auflage/Ausgabe: First edition
    Schlagworte: Philosophie; Weltschmerz; Pessimismus
    Weitere Schlagworte: (fast)1800-1899; (sao)1800-talet; (lcsh)Pessimism--Germany--History--19th century; (lcsh)Philosophy, German--19th century; (fast)Pessimism; (fast)Philosophy, German; (sao)Filosofi--historia; (sao)Pessimism--historia; (fast)Germany; Tyskland; (fast)History
    Umfang: ix, 301 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 285-296) and index

    Machine generated contents note: 1. Pessimism as Zeitgeist -- 2. Intellectual Background -- 3. Philosophy and the Meaning of Life -- 4. Pessimism in the History of Philosophy -- 1. The Schopenhauer Legacy -- 1. Schopenhauer's Influence -- 2. The Puzzle of Existence -- 3. Schopenhauer and the Identity Crisis of Philosophy -- 2. Reconstructing Schopenhauer's Metaphysics -- 1. The Problem of Metaphysics -- 2. The Rehabilitation of Metaphysics -- 3. Self-Knowledge of the Will -- 4. Metaphysics of the Will -- 5. Transcendental Idealism? -- 3. Schopenhauer's Pessimism -- 1. The Dangers of Pessimism -- 2. The Modern Silenus -- 3. Arguments for Pessimism -- 4. Life as Suffering -- 4. The Illusion of Redemption -- 1. The False Promise of Deliverance -- 2. Affirming and Denying the Will -- 3. Practical Reason and Redemption -- 4. Paths to Redemption -- 5. Protestantism without Theism -- 5. Julius Frauenstadt: Apostle and Critic -- 1. An Independent Disciple -- 2. Conversion to Schopenhauer -- 3. Schopenhauer and the Materialism Controversy -- 4. Doubts about Pessimism -- 5. Revisions and Corrections -- 6. The Optimism of Eugen Duhring -- 1. A Positivist and Optimist -- 2. Logical Foundations -- 3. Logic of the Question -- 4. Theory of Value -- 5. Reckoning with Schopenhauer -- 6. Death -- 7. The Political and Economic Dimension -- 8. A System of Philosophy -- 9. Replacing Religion -- 7. The Optimistic Pessimism of Eduard von Hartmann -- 1. A Fashionable Pessimist -- 2. The Unconscious -- 3. A New Religion -- 4. First Principles -- 5. Settling Accounts with Hegel -- 6. Foundations of Realism -- 7. Eudemonistic Pessimism -- 8. Evolutionary Optimism -- 8. The Pessimism Controversy, 1870 -- 1890 -- 1. The Eye of the Storm -- 2. Two Classic Objections -- 3. Hartmann versus the Neo-Kantians and Duhring -- 4. Two Female Allies -- 5. The Whip of Cords -- 6. A Hyperontology? -- 7. The Nature of Pleasure -- 8. A Pessimist Counterattack -- 9. The Value of Work -- 10. Aesthetic Redemption -- 11. Love -- 9. Mainlanders Philosophy of Redemption -- 1. The Heroic Pessimist -- 2. Life and Philosophical Education -- 3. The Gospel of Redemption -- 4. Mainlander and the Young Hegelian Tradition -- 5. Philosophical Foundations -- 6. The Death of God -- 7. Ethics -- 8. Theory of the State -- 9. Communism, Patriotism and Free Love -- 10. The Pessimistic Worldview of Julius Bahnsen -- 1. An Original and Powerful Worldview -- 2. The Making of a Pessimist -- 3. The Disciple of Schopenhauer -- 4. Literary Debut -- 5. Foundations of Pessimism -- 6. Hartmann's Review of Bahnsen -- 7. In Defence of Realism -- 8. Philosophy of History -- 9. Hartmann's Offensive Against Bahnsen -- 10. A Tragic Worldview -- 11. Prayers of a Pessimist -- 12. Real Dialectic -- 13. Ethics and Politics -- 14. The Pessimist as Tragic Hero

  10. The empire at the end of time
    identity and reform in late medieval German prophecy
    Erschienen: [2016]
    Verlag:  Oxford University Press, New York

  11. No Hamlets
    German Shakespeare from Nietzsche to Carl Schmitt
    Erschienen: 2016
    Verlag:  Oxford University Press, Oxford

    No Hamlets' is the first critical account of the role of Shakespeare in the intellectual tradition of the political right in Germany from the founding of the Empire in 1871 to the 'Bonn Republic' of the Cold War era. In this sustained study, Andreas... mehr

     

    No Hamlets' is the first critical account of the role of Shakespeare in the intellectual tradition of the political right in Germany from the founding of the Empire in 1871 to the 'Bonn Republic' of the Cold War era. In this sustained study, Andreas Höfele begins with Friedrich Nietzsche and follows the rightist engagement with Shakespeare to the poet Stefan George and his circle, including Ernst Kantorowicz, and the literary efforts of the young Joseph Goebbels during the Weimar Republic, continuing with the Shakespeare debate in the Third Reich and its aftermath in the controversy over 'inner emigration' and concluding with Carl Schmitt's Shakespeare writings of the 1950s. Central to this enquiry is the identification of Germany and, more specifically, German intellectuals with Hamlet. The special relationship of Germany with Shakespeare found highly personal and at the same time highly political expression in this recurring identification, and in its denial. But Hamlet is not the only Shakespearean character with strong appeal: Carl Schmitt's largely still unpublished diaries of the 1920s reveal an obsessive engagement with Othello which has never before been examined. Interest in German philosophy and political thought has increased in recent Shakespeare studies. 'No Hamlets' brings historical depth to this international discussion. Illuminating the constellations that shaped and were shaped by specific appropriations of Shakespeare, Höfele shows how individual engagements with Shakespeare and a whole strand of Shakespeare reception were embedded in German history from the 1870s to the 1950s and eventually 1989, the year of German reunification.

     

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  12. Tragedy's endurance
    performances of Greek tragedies and cultural identity in Germany since 1800
    Erschienen: [2017]
    Verlag:  Oxford University Press, Oxford, United Kingdom

    This volume sets out a novel approach to theatre historiography, presenting the history of performances of Greek tragedies in Germany since 1800 as the history of the evolving cultural identity of the educated middle class throughout that period.... mehr

     

    This volume sets out a novel approach to theatre historiography, presenting the history of performances of Greek tragedies in Germany since 1800 as the history of the evolving cultural identity of the educated middle class throughout that period. Philhellenism and theatromania took hold in this milieu amidst attempts to banish the heavily French-influenced German court culture of the mid-eighteenth century, and by 1800 their fusion in performances of Greek tragedies served as the German answer to the French Revolution.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780199651634; 0199651639
    RVK Klassifikation: FE 4451 ; FB 1915
    Auflage/Ausgabe: First Edition, impression: 1
    Schriftenreihe: Classical presences
    Schlagworte: Griechisch; Tragödie; Rezeption; Aufführung; Aufführung; Griechisch; Rezeption; Tragödie; Deutschland
    Weitere Schlagworte: Geschichte 1800-2017; (lcsh)Greek drama (Tragedy)--History and criticism; (lcsh)Greek drama (Tragedy)--Appreciation--Germany; (lcsh)Theater--Germany--History; (fast)Civilization--Greek influences; (fast)Greek drama (Tragedy); (fast)Greek drama (Tragedy)--Appreciation; (fast)Theater; (lcsh)Germany--Civilization--Greek influences; (fast)Germany; (fast)Criticism, interpretation, etc.; (fast)History
    Umfang: xix, 398 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 365-390) and index

    Introduction : philhellenism and theatromania -- 1. Only with beauty man shall play : Goethe's production of Ion in Weimer (1802) -- 2. After the institionalization of bildung : the potsdam Antigone of 1841 -- 3. Wagner's gesamtkunstwerk and Nietzsche's vision of ancient Greek theatre -- 4. A culture in crisis : Max Reinhardt's productions of Greek tragedies (1903-1919) -- 5. Hailing a racial kinship : performances of Greek tragedies during the Third Reich -- 6. Of guilt and archetypes : post-war productions of Greek tragedies in the 1940s and 1950s -- 7. Inventing new forms of political theatre -- 8. On the origins of theatre and its link to the past : the Schaubühne's antiquity projects of 1974 and 1980 -- 9. Choric theatre : between tragic experience and participatory democracy

  13. Figures of natality
    reading the political in the age of Goethe
    Erschienen: [2017]
    Verlag:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York

    Zusammenfassung: "Figures of Natality reads metaphors and narratives of birth in the age of Goethe (1770-1832) as indicators of the new, the unexpected, and the revolutionary. Using Hannah Arendt's concept of natality, Joseph O'Neil argues that... mehr

     

    Zusammenfassung: "Figures of Natality reads metaphors and narratives of birth in the age of Goethe (1770-1832) as indicators of the new, the unexpected, and the revolutionary. Using Hannah Arendt's concept of natality, Joseph O'Neil argues that Goethe, Schiller, and Kleist see birth as challenging paradigms of Romanticism as well as of Enlightenment, resisting the assimilation of the political to economics, science, or morality. They choose instead to preserve the conflicts and tensions at the heart of social, political, and poetic revolutions. In a historical reading, these tensions evolve from the idea of revolution as Arendt reads it in British North America to the social and economic questions that shape the French Revolution and from there to the question of the German nation. Alongside this geopolitical evolution, the ways of representing the political change, too, moving from the new as revolutionary eruption to economic metaphors of birth. More pressing still is the question of revolutionary subjectivity and political agency, and Goethe, Kleist, and Schiller have an answer that is remarkably close to that of Walter Benjamin, as that "secret index" through which each past age is "pointed toward redemption." Figures of Natality uncovers this index at the heart of scenes and products of birth in the age of Goethe."--(Provided by publisher.) Zusammenfassung: "Examines the work of Goethe, Kleist, and Schiller in the light of Hannah Arendt's concept of natality"--(Provided by publisher.)

     

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  14. The forces of form in German modernism
    Erschienen: [2018]
    Verlag:  Northwestern University Press, Evanston, Illinois

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780810137707; 0810137704; 9780810137691; 0810137690
    Schlagworte: Moderne; Formalismus <Kunst>; Formalismus <Literatur>
    Weitere Schlagworte: (fast)1900-1999; (lcsh)Modernism (Art)--Germany.; (lcsh)Art, German--20th century.; (fast)Art, German.; (fast)Modernism (Art); (fast)Germany
    Umfang: xi, 223 Seiten, Illustrationen, 24 cm
  15. Reluctant skeptic
    Siegfried Kracauer and the crises of Weimar culture
    Erschienen: 2017
    Verlag:  Berghahn, New York

    Zusammenfassung: "The journalist and critic Siegfried Kracauer is best remembered today for his investigations of film and other popular media, and for his seminal influence on Frankfurt School thinkers like Theodor Adorno. Less well known is his... mehr

     

    Zusammenfassung: "The journalist and critic Siegfried Kracauer is best remembered today for his investigations of film and other popular media, and for his seminal influence on Frankfurt School thinkers like Theodor Adorno. Less well known is his earlier work, which offered a seismographic reading of cultural fault lines in Weimar-era Germany, with an eye to the confrontation between religious revival and secular modernity. In this discerning study, historian Harry T. Craver reconstructs and richly contextualizes Kracauer's early output, showing how he embodied the contradictions of modernity and identified the quasi-theological impulses underlying the cultural ferment on the 1920s."--(Provided by publisher.)

     

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  16. The life of August Wilhelm Schlegel
    cosmopolitan of art and poetry
  17. Peripheral desires
    the German discovery of sex
    Erschienen: 2015
    Verlag:  University of Pennsylvania Press, Philadelphia

    Zusammenfassung: In Peripheral Desires, Robert Deam Tobin charts the emergence, from the 1830s through the early twentieth century, of a new vocabulary and science of human sexuality in the writings of literary authors, politicians, and members of... mehr

     

    Zusammenfassung: In Peripheral Desires, Robert Deam Tobin charts the emergence, from the 1830s through the early twentieth century, of a new vocabulary and science of human sexuality in the writings of literary authors, politicians, and members of the medical establishment in German-speaking central Europe{u2014}and observes how consistently these writers, thinkers, and scientists associated the new nonnormative sexualities with places away from the German metropoles of Berlin and Vienna. In the writings of Aimée Duc and Lou Andreas-Salomé, Switzerland figured as a place for women in particular to escape the sexual confines of Germany. The sexual ethnologies of Ferdinand Karsch-Haack and the popular novels of Karl May linked nonnormative sexualities with the colonies and, in particular, with German Samoa. Same-sex desire was perhaps the most centrifugal sexuality of all, as so-called Greek love migrated to numerous places and peoples: a curious connection between homosexuality and Hungarian nationalism emerged in the writings of Adalbert Stifter and Karl Maria Kerbeny; Arnold Zweig built on a long and extremely well-developed gradation of associating homosexuality with Jewishness, projecting the entire question of same-sex desire onto the physical territory of Palestine; and Thomas Mann, of course, famously associated male-male desire with the fantastically liminal city of Venice, lying between land and sea, Europe and the Orient. As Germany{u2014}and German-speaking Europe{u2014}became a fertile ground for homosexual subcultures in the nineteenth and early twentieth centuries, what factors helped construct the sexuality that emerged? Peripheral Desires examines how and why the political, scientific and literary culture of the region produced the modern vocabulary of sexuality

     

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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780812247428; 0812247426
    Schriftenreihe: Haney Foundation series
    Schlagworte: Deutsch; Literatur; Homosexualität <Motiv>; Geistesleben; Kultur; Homosexualität; Deutsch; Literatur; Homosexualität, Motiv; Geistesleben; Kultur; Homosexualität; Deutsches Sprachgebiet
    Weitere Schlagworte: (fast)1800-1999; (sao)1800-talet; (sao)1900-talet; (lcsh)German literature--19th century--History and criticism; (lcsh)German literature--20th century--History and criticism; (lcsh)Homosexuality in literature; (lcsh)Homosexuality and literature; (lcsh)Homosexuality--Germany--History--19th century; (lcsh)Homosexuality--Germany--History--20th century; (fast)German literature; (fast)Homosexuality; (fast)Homosexuality and literature; (fast)Homosexuality in literature; (sao)Tysk litteratur--historia; (sao)Homosexualitet i litteraturen; (sao)Homosexualitet--historia; (nbc)71.25 sexuality (sociology); (fast)Germany; (fast)Criticism, interpretation, etc; (fast)History
    Umfang: xix, 306 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Preface: Peripheral desires -- Introduction: 1869 : urnings, homosexuals, and inverts -- Chapter 1. Swiss eros : Hössli and Zschokke, legacies and contexts -- Chapter 2. The Greek model and its masculinist appropriation -- Chapter 3. Jews and homosexuals -- Chapter 4. "Homosexuality" and the politics of the nation in Austria, Hungary, and Austria-Hungary -- Chapter 5. Colonialism and sexuality : German perspectives on Samoa -- Chapter 6. Swiss universities : emancipated women and the third sex -- Chapter 7. Thomas Mann's erotic irony : the dialectics of sexuality in Venice -- Chapter 8. Pederasty in Palestine : sexuality and nationality in Arnold Zweig's De Vriendt kehrt heim -- Conclusion: American legacies of the German discovery of sex

  18. China in the German enlightenment
    Beteiligt: Purdy, Daniel L. (Herausgeber); Brandt, Bettina (Herausgeber)
    Erschienen: [2016]
    Verlag:  University of Toronto Press, Toronto

    "Over the course of the eighteenth century, European intellectuals shifted from admiring China as a utopian place of wonder to despising it as a backwards and despotic state. That transformation had little to do with changes in China itself, and... mehr

     

    "Over the course of the eighteenth century, European intellectuals shifted from admiring China as a utopian place of wonder to despising it as a backwards and despotic state. That transformation had little to do with changes in China itself, and everything to do with Enlightenment conceptions of political identity and Europe's own burgeoning global power. China in the German Enlightenment considers the place of German philosophy, particularly the work of Leibniz, Goethe, Herder, and Hegel, in this development. Beginning with the first English translation of Walter Demel's classic essay "How the Chinese Became Yellow," the collection's essays examine the connections between eighteenth-century philosophy, German Orientalism, and the origins of modern race theory."--(Provided by publisher.)

     

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  19. The curious humanist
    Siegfried Kracauer in America
    Erschienen: ©2016; [2016]
    Verlag:  University of California Press, Oakland, California

    Zusammenfassung: "Siegfried Kracauer is today considered one of the key thinkers of the twentieth century. During the Weimar Republic, he established himself as a trenchant theorist of film, culture, and modernity, now often ranked alongside his... mehr

     

    Zusammenfassung: "Siegfried Kracauer is today considered one of the key thinkers of the twentieth century. During the Weimar Republic, he established himself as a trenchant theorist of film, culture, and modernity, now often ranked alongside his friends Walter Benjamin and Theodor W. Adorno. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. In this study, Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer's seminal contributions to film studies and shows how Kracauer's American writings helped shape the emergent discipline in turn. Through archival sources and detailed readings of Kracauer's work, von Moltke reconstructs what it means to consider Siegfried Kracauer as the New York Intellectual he became when he settled in Manhattan for the last quarter century of his life. Here, he found an institutional home at the MoMA film library, contributed to communications and propaganda research under the aegis of the Rockefeller Foundation, and published in the influential "little magazines" of the New York Intellectuals. Adopting a transatlantic perspective on Kracauer's work, von Moltke demonstrates how he pursued questions that animated contemporary critics from Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality, about high and low culture, about liberalism, democracy, and what it means to be human. From these wide-flung conversations and debates, Kracauer's own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema."--Provided by publisher

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780520290938; 0520290933; 9780520290945; 0520290941
    Schlagworte: Filmtheorie; Philosophie; Filmtheorie; Philosophie
    Weitere Schlagworte: Kracauer, Siegfried (1889-1966); Kracauer, Siegfried (1889-1966); (lcsh)Kracauer, Siegfried, 1889-1966--Criticism and interpretation; (fast)Kracauer, Siegfried, 1889-1966; (lcsh)Film critics--Germany--Biography; (lcsh)Motion pictures--Political aspects; (lcsh)Motion pictures--History; (lcsh)Motion pictures--Germany--History; (fast)Film critics; (fast)Motion pictures; (fast)Motion pictures--Political aspects; (fast)Germany; (fast)Biography; (fast)Criticism, interpretation, etc; (fast)History
    Umfang: xi, 317 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (pages 221-302) and index

    Introduction: Siegfried Kracauer and the politics of film theory -- Metropolitan contact zones: Kracauer in New York -- Totalitarian propaganda -- Nazi cinema -- Freedom from fear? -- From Hitler to Caligari: spaces of Weimar cinema -- Authoritarian, totalitarian -- Reframing Caligari: the politics of cinema -- Theory of film and the subject of experience -- The curious humanist -- History and humanist subjectivity -- Epilogue: Siegfried Kracauer and the emergence of film studies.

  20. Mad Mädchen
    feminism and generational conflict in recent German literature and film
  21. The anxiety of autonomy and the aesthetics of German orientalism
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    Zusammenfassung: "German orientalism has been understood, variously, as a form of latent colonialism, as a quest for academic hegemony in Europe, and as an effort to diagnose and treat the ills of modern Western culture. Nicholas Germana identifies a... mehr

     

    Zusammenfassung: "German orientalism has been understood, variously, as a form of latent colonialism, as a quest for academic hegemony in Europe, and as an effort to diagnose and treat the ills of modern Western culture. Nicholas Germana identifies a different impetus for orientalism in German thought, seeing it as an effort to come to grips with the Other within German society at the turn of the nineteenth century and within the dynamics of subjectivity itself. Drawing largely on work by feminist scholars, the book uncovers an anxiety at the core of Kantian and post-Kantian thought, thus shedding light on its derogation (or elevation) of Oriental cultures. Kant's philosophy of freedom is a construction of modern, Western masculinity. Reason, which alone can make freedom possible, subverts and orders chaotic nature and protects the rational subject from the enervating influences of the senses and the imagination. The feminized, sexually-charged Orient is a threat to the historical achievement of Western male rationality. Germana's book emphasizes aesthetics in the German orientalist discourse, a subject that has received little attention to date. In this tradition of German thought, aesthetics became a form of spiritual anthropology, ordering and classifying societies, races, and genders in terms of their ability to master the senses and the imagination, forces that undermine rational autonomy, the very source of human (i.e. masculine) dignity."--Provided by publisher

     

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  22. Politics and culture in Germany and Austria today
    Beteiligt: Matthes, Frauke (Herausgeber); Osborne, Dora (Hrsg.); Krylova, Katya (Hrsg.); Aspioti, Myrto (Hrsg.)
    Erschienen: 2021
    Verlag:  Camden House, Rochester, New York

    As debates about Europe, migration, resurgent nationalism, and neoliberalism intensify in Germany and Austria, politics has gained particular prominence in cultural production and cultural institutions. How does this development affect German Studies... mehr

     

    As debates about Europe, migration, resurgent nationalism, and neoliberalism intensify in Germany and Austria, politics has gained particular prominence in cultural production and cultural institutions. How does this development affect German Studies as a discipline and a practice? Volume 14 of Edinburgh German Yearbook examines political or politicized aspects of contemporary life that have become increasingly significant for culture today. The contributions gathered here offer engaging readings of contemporary literary texts (including work by Sasa Stanisic, Anke Stelling, and Timur Vermes), films (by Fatih Akin, Ruth Beckermann, and Andreas Dresen), and other forms of cultural intervention (the polemics of Max Czollek and Oliver Polak, and the activism of the left-feminist group Burschenschaft Hysteria). These encourage us to consider how communities are being (re)shaped by current political and social crises, antagonisms around memory cultures, questions of European identity, as well as challenges to the status of an assumed Leitkultur and the discourse of integration.

     

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  23. Improvisation as art
    conceptual challenges, historical perspectives
    Autor*in: Landgraf, Edgar
    Erschienen: 2014
    Verlag:  Bloomsbury, New York

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781628929577
    Auflage/Ausgabe: First published in paperback
    Schriftenreihe: New directions in German studies ; vol. 1
    Schlagworte: Künste; Improvisation; Ästhetik; Künste; Romantik; Ästhetik
    Weitere Schlagworte: (fast)1700-1899; (lcsh)Improvisation in art; (lcsh)Aesthetics, Modern--18th century; (lcsh)Aesthetics, Modern--19th century; (lcsh)Romanticism--Germany; (lcsh)Art, Modern--18th century; (lcsh)Art, Modern--19th century; (fast)Aesthetics, Modern; (fast)Art, Modern; (fast)Improvisation in art; (fast)Romanticism; (fast)Germany
    Umfang: X, 165 Seiten, 22 cm
  24. The German pícaro and modernity
    between underdog and shape-shifter
  25. Archaeologies of modernity
    avant-garde Bildung