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  1. Mimesis in contemporary theory
    an interdisciplinary approach. Volume 2, Mimesis, semiosis and power
    Erschienen: 1991
    Verlag:  J. Benjamins Pub. Co., Philadelphia

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1556191502; 9027242259; 9789027242259; 9789027277855
    Schriftenreihe: Cultura ludens ; 1:2
    Schlagworte: Mimesis in literature
    Umfang: 210 p., [4] p. of plates
    Bemerkung(en):

    Includes bibliographical references and index
  2. Mimesis in contemporary theory
    an interdisciplinary approach. Volume 2, Mimesis, semiosis and power
    Erschienen: 1991
    Verlag:  J. Benjamins Pub. Co., Philadelphia

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1556191502; 9027242259; 9027277850; 9789027242259; 9789027277855
    Schriftenreihe: Cultura ludens ; 1:2
    Schlagworte: BIOGRAPHY & AUTOBIOGRAPHY / Literary; Mimesis in literature; Mimesis in literature
    Umfang: 1 Online-Ressource (210 p., [4] p. of plates)
    Bemerkung(en):

    Includes bibliographical references and index
  3. Mimesis in Contemporary Theory
    Mimesis in Contemporary Theory - An Interdisciplinary Approach
    Autor*in: Bogue, Ronald
    Erschienen: 1991
    Verlag:  John Benjamins Publishing Company, Amsterdam

    The essays collected in this volume focus on the interrelated themes of mimesis, semiosis and power, each study exploring some facet of the problem of representation and its relation to strategies of power in the use of verbal and visual signs.... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    The essays collected in this volume focus on the interrelated themes of mimesis, semiosis and power, each study exploring some facet of the problem of representation and its relation to strategies of power in the use of verbal and visual signs. Topics discussed include mimesis and power in Plato's Ion, rhetoric and erotics in Petrarch's thought; the limits of visual and verbal representation in Renaissance paintings of the Annunciation; binary thought and Peirce's triadic semiotics; the cinematic semiotics of Gilles Deleuze; fascist iconography in the paintings of Anselm Kiefer; oppositional s

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027242259
    Umfang: Online-Ressource (222 p.)
    Bemerkung(en):

    Description based upon print version of record

    MIMESIS IN CONTEMPORARY THEORY AN INTERDISCIPLINARY APPROACH Volume 2: Mimesis, Semiosis and power; Editorial page; Title page; Copyright page; Table of contents; Acknowledgements; Introduction; Notes; Plato's lon: Mimesis, Poetry and Power; Notes; Petrarch's Thought; Notes; Stating a Mysterious Figure; Notes; Mimesis, Binary Opposition, and Peirce's Triadic Realism; 1. Consider the sense of symmetry evoked by binary oppositions like; 2. This problematic involving the rhetoric of binary opposition seemsfar removed from Peirce,

    3. It might be argued at this point that my use of the word purpose tosuggest a principle of coherence amounts to talk about law but that inspite of Peirce's attempt to overcome the symmetrical lock-up of all binaryopposition,4. Peirce's trust in institutional consensus does suggest that he is eagerto contain the question of truth within a notion of Utopian closure.; Notes; Word, Image and Sound: The Non-Representational Semiotics of Gilles Deleuze; 1. In Mille plateaux (1980),; 2. It would seem from this account that Deleuze would have littleinterest in conventional semiotic analysis,

    3. For Deleuze,Notes; Portrait of the Artist as Hero: Anselm Kiefer and the Modernist Semiotics of Fascism; 1. The Art of Fascism; 1.1 Fascism's Aesthetic Ground; 1.2 The Theatrical Self: Creating the Fascist Hero; 1.3 The Politics of Personality; 1.4 The Apotheosis of the Fascist Hero: From Ruler to Divinity; 1.5 The Aggression of Nostalgia; 2. Kiefer and the Fascist Theater; 2.1 Art's Sovereign Imperative; 2.2 The Art of Nostalgia; 2.3 Art as Divine; 2.4 Portrait of the Artist as Hero; 2.5 The Divine Artist; 2.6 The Warrior Artist; 3. The Critical Complicity; Notes

    Postmodernism Beyond Self-Reflection: Radical Mimesis in Recent Fiction1. Innovative Fiction and the Mimetic Metaphor; 2. From Textual Ontology to Narrative Ideology; 3. Narrative Articulation and Fictional Mastery; Notes; Mixed Signals in the Body Languages of Sexual, Commercial, and Extraterrestrial Discourse; Sex and Discourse; Who Gets to Talk about Sex?; 1980s An-aesthetics: Simulated Fantasy and Fantasia of Simulacra; As Real As It Gets; Enjoying the Guilt: Safe Sex, Smokeless Sex; From Scandal to Routine; The Body is the Message; Notes

    Popular Culture/Popular Violence: Postmodernism and the Mailing of SemioticA Semiotically Inadmissible Prologue; The Meditation on Plagiarism; Where Culture Has Gone; An Apparent Argument for Infinite Semiosis; A Sentimental Objection to the Apparent Argument for Infinite Semiosis; Gone to the Mall; A Postmodern Interrogation; The Natural History of Sign Production; Prosthetic Epilogue; Notes; List of Contributors; Index;
  4. Mimesis in Contemporary Theory
    Volume 2: Mimesis, semiosis and power
    Autor*in: Bogue, Ronald
    Erschienen: 1991
    Verlag:  John Benjamins Publishing Company, Amsterdam/Philadelphia

    The essays collected in this volume focus on the interrelated themes of mimesis, semiosis and power, each study exploring some facet of the problem of representation and its relation to strategies of power in the use of verbal and visual signs.... mehr

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    The essays collected in this volume focus on the interrelated themes of mimesis, semiosis and power, each study exploring some facet of the problem of representation and its relation to strategies of power in the use of verbal and visual signs. Topics discussed include mimesis and power in Plato's Ion, rhetoric and erotics in Petrarch's thought; the limits of visual and verbal representation in Renaissance paintings of the Annunciation; binary thought and Peirce's triadic semiotics; the cinematic semiotics of Gilles Deleuze; fascist iconography in the paintings of Anselm Kiefer; oppositional s

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027242259
    Schriftenreihe: Cultura Ludens
    Umfang: Online-Ressource (222 p)
    Bemerkung(en):

    Description based upon print version of record

    MIMESIS IN CONTEMPORARY THEORY AN INTERDISCIPLINARY APPROACH Volume 2: Mimesis, Semiosis and power; Editorial page; Title page; Copyright page; Table of contents; Acknowledgements; Introduction; Notes; Plato's lon: Mimesis, Poetry and Power; Notes; Petrarch's Thought; Notes; Stating a Mysterious Figure; Notes; Mimesis, Binary Opposition, and Peirce's Triadic Realism; 1. Consider the sense of symmetry evoked by binary oppositions like; 2. This problematic involving the rhetoric of binary opposition seemsfar removed from Peirce,

    3. It might be argued at this point that my use of the word purpose tosuggest a principle of coherence amounts to talk about law but that inspite of Peirce's attempt to overcome the symmetrical lock-up of all binaryopposition,4. Peirce's trust in institutional consensus does suggest that he is eagerto contain the question of truth within a notion of Utopian closure.; Notes; Word, Image and Sound: The Non-Representational Semiotics of Gilles Deleuze; 1. In Mille plateaux (1980),; 2. It would seem from this account that Deleuze would have littleinterest in conventional semiotic analysis,

    3. For Deleuze,Notes; Portrait of the Artist as Hero: Anselm Kiefer and the Modernist Semiotics of Fascism; 1. The Art of Fascism; 1.1 Fascism's Aesthetic Ground; 1.2 The Theatrical Self: Creating the Fascist Hero; 1.3 The Politics of Personality; 1.4 The Apotheosis of the Fascist Hero: From Ruler to Divinity; 1.5 The Aggression of Nostalgia; 2. Kiefer and the Fascist Theater; 2.1 Art's Sovereign Imperative; 2.2 The Art of Nostalgia; 2.3 Art as Divine; 2.4 Portrait of the Artist as Hero; 2.5 The Divine Artist; 2.6 The Warrior Artist; 3. The Critical Complicity; Notes

    Postmodernism Beyond Self-Reflection: Radical Mimesis in Recent Fiction1. Innovative Fiction and the Mimetic Metaphor; 2. From Textual Ontology to Narrative Ideology; 3. Narrative Articulation and Fictional Mastery; Notes; Mixed Signals in the Body Languages of Sexual, Commercial, and Extraterrestrial Discourse; Sex and Discourse; Who Gets to Talk about Sex?; 1980s An-aesthetics: Simulated Fantasy and Fantasia of Simulacra; As Real As It Gets; Enjoying the Guilt: Safe Sex, Smokeless Sex; From Scandal to Routine; The Body is the Message; Notes

    Popular Culture/Popular Violence: Postmodernism and the Mailing of SemioticA Semiotically Inadmissible Prologue; The Meditation on Plagiarism; Where Culture Has Gone; An Apparent Argument for Infinite Semiosis; A Sentimental Objection to the Apparent Argument for Infinite Semiosis; Gone to the Mall; A Postmodern Interrogation; The Natural History of Sign Production; Prosthetic Epilogue; Notes; List of Contributors; Index