Verlag:
EDUSP, Editora da Universidade de São Paulo, São Paulo
;
Museu do Ipiranga - USP
In this book, the exhibition "Passados Imaginados", curated by Paulo César Garcez Marins, is the focus of the nine articles written by the Museum's curatorial team, in which the main challenge is to make explicit the subjective representation of the...
mehr
keine Ausleihe von Bänden, nur Papierkopien werden versandt
In this book, the exhibition "Passados Imaginados", curated by Paulo César Garcez Marins, is the focus of the nine articles written by the Museum's curatorial team, in which the main challenge is to make explicit the subjective representation of the past of these history paintings and monumental sculptures. For the curator, it is essential to assume that these and other images are artifacts inevitably marked by the artists' subjectivities and desires, or by determinations imposed by the commissioners and that should be met by the painters and sculptors during the conception and realization of their works. Museums were and still are powerful spaces in the construction of collective images, and discussing the appropriation of these images is also an objective of the exhibition
Verlag:
EDUSP, Editora da Universidade de São Paulo, São Paulo
;
Museu Paulista da USP
In this book, the exhibition "Passados Imaginados", curated by Paulo César Garcez Marins, is the focus of the nine articles written by the Museum's curatorial team, in which the main challenge is to make explicit the subjective representation of the...
mehr
Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
Signatur:
Linga B/952359
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
In this book, the exhibition "Passados Imaginados", curated by Paulo César Garcez Marins, is the focus of the nine articles written by the Museum's curatorial team, in which the main challenge is to make explicit the subjective representation of the past of these history paintings and monumental sculptures. For the curator, it is essential to assume that these and other images are artifacts inevitably marked by the artists' subjectivities and desires, or by determinations imposed by the commissioners and that should be met by the painters and sculptors during the conception and realization of their works. Museums were and still are powerful spaces in the construction of collective images, and discussing the appropriation of these images is also an objective of the exhibition
Hier auch später erschienene, unveränderte Nachdrucke
"Os livros da coleção Museu do Ipiranga 2022 apresentam temas abordados nas exposições de longa duração, que são o resultado das pesquisas institucionais realizadas no campo da história e da cultura material." --Verso cover
Enthält bibliographische Hinweise
Apresentação / Rosaria Ono e Amâncio Jorge Silva Nunes de Oliveira -- Um museu universitário de história / Vânia Carneiro de Carvalho -- Imaginar o passado em imagens / Paulo César Garcez Marins -- O museu da paz / Paulo César Garcez Marins -- Os bandeirantes vão às escolas / Thaís Chang Waldmann -- Encontros quinhentistas na pintura de história: aliança ou conflito? Michelli Scapol Monteiro e Eduardo Polidori Villa Nova de Oliveira -- Pintura de costumes como pintura de história / Fernanda Pitta -- O Anhanguera, uma imagem controversa / Elisa Ferreira Rocha Campos -- A inundação da várzea do Carmo na pintura de Calixto / Vanessa Costa Ribeiro -- São Paulo antigo: imagens sempre presentes / Solange Ferraz de Lima E Vânia Carneiro de Carvalho -- A Maquete da cidade de São Paulo em 1841: para saber mais sobre suas ruas, largos e edificações presentes / Solange Ferraz de Lima E Vânia Carneiro de CarvalhoSobre os autores -- Ficha técnica -- Parceiros do Museu.
