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  1. Imagining home
    American war fiction from Hemingway to 9/11
    Autor*in: Farrell, Susan Elizabeth
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by building a home. Yet the writers discussed in this book complicate these expectations, since their female characters often take part directly in war and especially since their male characters repeatedly imagine domestic spaces for themselves in the midst of war. Chapters on Hemingway and the First World War, Kurt Vonnegut and the Second World War, and Tim O'Brien and the Vietnam War place these writers in their particular historical and cultural contexts while tracing similarities in their depiction of gender relationships, imagined domestic spaces, and the representability of trauma. The book concludes by examining post-9/11 American literature, probing what happens when the front lines actually come home to Americans. While much has been written about Hemingway, Vonnegut, O'Brien, and even 9/11 literature separately, this study is the first to bring them together in order to examine views about war, gender, and domesticity over a hundred-year period. It argues that 9/11 literature follows a long tradition of American writing about war in which the domestic and public realms are inextricably intertwined and in which imagined domestic spaces can provide a window into representing wartime trauma, an experience often thought to be unrepresentable or incomprehensible to those who were not actually there. Susan Farrell is Professor of English at the College of Charleston

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440661
    Schriftenreihe: Studies in American literature and culture
    Schlagworte: American fiction; Home in literature; War in literature; War stories, American; American fiction; Hemingway, Ernest ; 1899-1961 ; Criticism and interpretation; Vonnegut, Kurt ; Criticism and interpretation; War stories, American ; History and criticism; American fiction ; 20th century ; History and criticism; American fiction ; 21st century ; History and criticism; Home in literature; War in literature
    Weitere Schlagworte: Vonnegut, Kurt; Hemingway, Ernest (1899-1961)
    Umfang: 1 Online-Ressource (223 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 31 Aug 2018)
  2. Imagining home
    American war fiction from Hemingway to 9/11
    Autor*in: Farrell, Susan Elizabeth
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by building a home. Yet the writers discussed in this book complicate these expectations, since their female characters often take part directly in war and especially since their male characters repeatedly imagine domestic spaces for themselves in the midst of war. Chapters on Hemingway and the First World War, Kurt Vonnegut and the Second World War, and Tim O'Brien and the Vietnam War place these writers in their particular historical and cultural contexts while tracing similarities in their depiction of gender relationships, imagined domestic spaces, and the representability of trauma. The book concludes by examining post-9/11 American literature, probing what happens when the front lines actually come home to Americans. While much has been written about Hemingway, Vonnegut, O'Brien, and even 9/11 literature separately, this study is the first to bring them together in order to examine views about war, gender, and domesticity over a hundred-year period. It argues that 9/11 literature follows a long tradition of American writing about war in which the domestic and public realms are inextricably intertwined and in which imagined domestic spaces can provide a window into representing wartime trauma, an experience often thought to be unrepresentable or incomprehensible to those who were not actually there. Susan Farrell is Professor of English at the College of Charleston

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440661
    Weitere Identifier:
    RVK Klassifikation: HU 1816
    Schriftenreihe: Studies in American literature and culture
    Schlagworte: War stories, American / History and criticism; American fiction / 20th century / History and criticism; American fiction / 21st century / History and criticism; Home in literature; War in literature; Kriegsroman
    Weitere Schlagworte: Hemingway, Ernest / 1899-1961 / Criticism and interpretation; Vonnegut, Kurt / Criticism and interpretation
    Umfang: 1 Online-Ressource (223 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 31 Aug 2018)
  3. Imagining home
    American war fiction from Hemingway to 9/11
    Autor*in: Farrell, Susan Elizabeth
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York ; Cambridge University Press, Cambridge, UK

    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by... mehr

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    Universitätsbibliothek Gießen
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    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by building a home. Yet the writers discussed in this book complicate these expectations, since their female characters often take part directly in war and especially since their male characters repeatedly imagine domestic spaces for themselves in the midst of war. Chapters on Hemingway and the First World War, Kurt Vonnegut and the Second World War, and Tim O'Brien and the Vietnam War place these writers in their particular historical and cultural contexts while tracing similarities in their depiction of gender relationships, imagined domestic spaces, and the representability of trauma. The book concludes by examining post-9/11 American literature, probing what happens when the front lines actually come home to Americans. While much has been written about Hemingway, Vonnegut, O'Brien, and even 9/11 literature separately, this study is the first to bring them together in order to examine views about war, gender, and domesticity over a hundred-year period. It argues that 9/11 literature follows a long tradition of American writing about war in which the domestic and public realms are inextricably intertwined and in which imagined domestic spaces can provide a window into representing wartime trauma, an experience often thought to be unrepresentable or incomprehensible to those who were not actually there. Susan Farrell is Professor of English at the College of Charleston.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440661
    RVK Klassifikation: HR 1708
    Schriftenreihe: Studies in American literature and culture
    Umfang: 1 Online-Ressource (223 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 31 Aug 2018)
  4. Imagining home
    American war fiction from Hemingway to 9/11
    Autor*in: Farrell, Susan Elizabeth
    Erschienen: 2017
    Verlag:  Camden House, Rochester, New York

    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by... mehr

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    War has often been seen as the domain of men and thus irrelevant to gender analysis, and American writers have frequently examined war according to traditional gender expectations: that boys become men by going to war and girls become women by building a home. Yet the writers discussed in this book complicate these expectations, since their female characters often take part directly in war and especially since their male characters repeatedly imagine domestic spaces for themselves in the midst of war. Chapters on Hemingway and the First World War, Kurt Vonnegut and the Second World War, and Tim O'Brien and the Vietnam War place these writers in their particular historical and cultural contexts while tracing similarities in their depiction of gender relationships, imagined domestic spaces, and the representability of trauma. The book concludes by examining post-9/11 American literature, probing what happens when the front lines actually come home to Americans. While much has been written about Hemingway, Vonnegut, O'Brien, and even 9/11 literature separately, this study is the first to bring them together in order to examine views about war, gender, and domesticity over a hundred-year period. It argues that 9/11 literature follows a long tradition of American writing about war in which the domestic and public realms are inextricably intertwined and in which imagined domestic spaces can provide a window into representing wartime trauma, an experience often thought to be unrepresentable or incomprehensible to those who were not actually there. Susan Farrell is Professor of English at the College of Charleston

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787440661
    Schriftenreihe: Studies in American literature and culture
    Schlagworte: American fiction; Home in literature; War in literature; War stories, American; American fiction; Hemingway, Ernest ; 1899-1961 ; Criticism and interpretation; Vonnegut, Kurt ; Criticism and interpretation; War stories, American ; History and criticism; American fiction ; 20th century ; History and criticism; American fiction ; 21st century ; History and criticism; Home in literature; War in literature
    Weitere Schlagworte: Vonnegut, Kurt; Hemingway, Ernest (1899-1961)
    Umfang: 1 Online-Ressource (223 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 31 Aug 2018)