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  1. Who owns the problem?
    Africa and the struggle for agency
    Autor*in: Adesanmi, Pius
    Erschienen: [2020]
    Verlag:  Michigan State University Press, East Lansing

    Foreword: More Than Just a Name / by Toyin Falola -- Foreword / by Kenneth W. Harrow -- Preface. Form as Resistance: The Story of This Book -- #WhoOwnsTheProblem? -- Culture, Development, and Other Annoyances -- For Whom Is Africa Rising? -- Africa... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 93771
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Fakultätsbibliothek Theologie
    R Ai ii 719
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Foreword: More Than Just a Name / by Toyin Falola -- Foreword / by Kenneth W. Harrow -- Preface. Form as Resistance: The Story of This Book -- #WhoOwnsTheProblem? -- Culture, Development, and Other Annoyances -- For Whom Is Africa Rising? -- Africa Is People, Nigeria Is Nigerians: Provocations on Post-mendicant Economies -- The Disappeared African Roots of Emma Watson's UN Feminism -- The Africa Just Outside of Your Hilton Hotel Window -- Capitalism and Memory: Of Golf Courses and Massage Parlors in Badagry, Nigeria -- Ode to the Bottle-For Ken Harrow who Laughed -- Aso Ebi on my Mind -- Ara Eko, Ara Oke: Lagos, Culture, and the Rest of Us -- A Race through Race in Missouri -- Dowry: Managing Africa's Many Lovers -- Caribbean Self, African Selfie -- Face Me, I Book You: Writing Africa's Agency in the Age of the Netizen -- What Does (Nigerian) Literature Secure? -- Post-centenary Nigeria: New Literatures, New Leaders, New Nation "This book assembles lectures given by Pius Adesanmi that answer the questions: How may we conceptualize Africa in the driver's seat of her own destiny in the twenty-first century? How practically may her cultures become the foundation and driving force of her innovation, development, and growth in the age of the global knowledge economy? How may the Africanist disciplines in the humanities, the social sciences, and the natural sciences be revamped to rise up to these challenges through new imaginaries of intersectional reflection? His lecture delivery techniques combine with diction and borrowings from Nigerian popular culture to create a distinct African performative mode that ultimately becomes a form of resistance against Western ideals of knowledge transfer. Together, these short essays preserve the voice of an African writer lost too soon. Adesanmi urges his readers to commit themselves to Africa's cultural agency"--

     

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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Falola, Toyin (VerfasserIn eines Geleitwortes); Harrow, Kenneth W. (VerfasserIn eines Geleitwortes)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781611863550; 9781628953923; 9781628963939
    Schriftenreihe: African humanities and the arts
    Schlagworte: Literature and society; Literature and society
    Umfang: xxvi, 181 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

  2. Who owns the problem?
    Africa and the struggle for agency
    Autor*in: Adesanmi, Pius
    Erschienen: [2020]
    Verlag:  Michigan State University Press, East Lansing

    "This book assembles lectures given by Pius Adesanmi that answer the questions: How may we conceptualize Africa in the driver's seat of her own destiny in the twenty-first century? How practically may her cultures become the foundation and driving... mehr

    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book assembles lectures given by Pius Adesanmi that answer the questions: How may we conceptualize Africa in the driver's seat of her own destiny in the twenty-first century? How practically may her cultures become the foundation and driving force of her innovation, development, and growth in the age of the global knowledge economy? How may the Africanist disciplines in the humanities, the social sciences, and the natural sciences be revamped to rise up to these challenges through new imaginaries of intersectional reflection? His lecture delivery techniques combine with diction and borrowings from Nigerian popular culture to create a distinct African performative mode that ultimately becomes a form of resistance against Western ideals of knowledge transfer. Together, these short essays preserve the voice of an African writer lost too soon. Adesanmi urges his readers to commit themselves to Africa's cultural agency"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781611863550
    RVK Klassifikation: EC 1780
    Schriftenreihe: African humanities and the arts
    Schlagworte: Geistesleben; Gesellschaft
    Weitere Schlagworte: Literature and society / Africa; Literature and society / Nigeria; Africa / Social conditions / 21st century; Nigeria / Social conditions / 21st century; Africa / Intellectual life / 21st century; Nigeria / Intellectual life / 21st century; Intellectual life; Literature and society; Social conditions; Africa; Nigeria; 2000-2099
    Umfang: xxvi, 181 Seiten
    Bemerkung(en):

    Foreword: More Than Just a Name / by Toyin Falola -- Foreword / by Kenneth W. Harrow -- Preface. Form as Resistance: The Story of This Book -- #WhoOwnsTheProblem? -- Culture, Development, and Other Annoyances -- For Whom Is Africa Rising? -- Africa Is People, Nigeria Is Nigerians: Provocations on Post-mendicant Economies -- The Disappeared African Roots of Emma Watson's UN Feminism -- The Africa Just Outside of Your Hilton Hotel Window -- Capitalism and Memory: Of Golf Courses and Massage Parlors in Badagry, Nigeria -- Ode to the Bottle-For Ken Harrow who Laughed -- Aso Ebi on my Mind -- Ara Eko, Ara Oke: Lagos, Culture, and the Rest of Us -- A Race through Race in Missouri -- Dowry: Managing Africa's Many Lovers -- Caribbean Self, African Selfie -- Face Me, I Book You: Writing Africa's Agency in the Age of the Netizen -- What Does (Nigerian) Literature Secure? -- Post-centenary Nigeria: New Literatures, New Leaders, New Nation

  3. Who owns the problem?
    Africa and the struggle for agency
    Autor*in: Adesanmi, Pius
    Erschienen: [2020]
    Verlag:  Michigan State University Press, East Lansing

    Foreword: More Than Just a Name / by Toyin Falola -- Foreword / by Kenneth W. Harrow -- Preface. Form as Resistance: The Story of This Book -- #WhoOwnsTheProblem? -- Culture, Development, and Other Annoyances -- For Whom Is Africa Rising? -- Africa... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Foreword: More Than Just a Name / by Toyin Falola -- Foreword / by Kenneth W. Harrow -- Preface. Form as Resistance: The Story of This Book -- #WhoOwnsTheProblem? -- Culture, Development, and Other Annoyances -- For Whom Is Africa Rising? -- Africa Is People, Nigeria Is Nigerians: Provocations on Post-mendicant Economies -- The Disappeared African Roots of Emma Watson's UN Feminism -- The Africa Just Outside of Your Hilton Hotel Window -- Capitalism and Memory: Of Golf Courses and Massage Parlors in Badagry, Nigeria -- Ode to the Bottle-For Ken Harrow who Laughed -- Aso Ebi on my Mind -- Ara Eko, Ara Oke: Lagos, Culture, and the Rest of Us -- A Race through Race in Missouri -- Dowry: Managing Africa's Many Lovers -- Caribbean Self, African Selfie -- Face Me, I Book You: Writing Africa's Agency in the Age of the Netizen -- What Does (Nigerian) Literature Secure? -- Post-centenary Nigeria: New Literatures, New Leaders, New Nation "This book assembles lectures given by Pius Adesanmi that answer the questions: How may we conceptualize Africa in the driver's seat of her own destiny in the twenty-first century? How practically may her cultures become the foundation and driving force of her innovation, development, and growth in the age of the global knowledge economy? How may the Africanist disciplines in the humanities, the social sciences, and the natural sciences be revamped to rise up to these challenges through new imaginaries of intersectional reflection? His lecture delivery techniques combine with diction and borrowings from Nigerian popular culture to create a distinct African performative mode that ultimately becomes a form of resistance against Western ideals of knowledge transfer. Together, these short essays preserve the voice of an African writer lost too soon. Adesanmi urges his readers to commit themselves to Africa's cultural agency"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Falola, Toyin (VerfasserIn eines Geleitwortes); Harrow, Kenneth W. (VerfasserIn eines Geleitwortes)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781611863550; 9781628953923; 9781628963939
    Schriftenreihe: African humanities and the arts
    Schlagworte: Literature and society; Literature and society
    Umfang: xxvi, 181 Seiten
    Bemerkung(en):

    Includes bibliographical references and index