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  1. Writing by ear
    Clarice Lispector and the aural novel
    Autor*in: Librandi, Marília
    Erschienen: 2018
    Verlag:  University of Toronto Press, Toronto ;

    Writing by Ear examines the explicit articulation of listening-in-writing found in the work of Brazilian novelist Clarice Lispector. The terms "writing by ear," the "aural novel," and "echopoetics" rethink fiction as a poetics of listening to the... mehr

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Writing by Ear examines the explicit articulation of listening-in-writing found in the work of Brazilian novelist Clarice Lispector. The terms "writing by ear," the "aural novel," and "echopoetics" rethink fiction as a poetics of listening to the world Cover -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- Note on Copyright and Translations -- 1 Introduction: A Certain Intimate Sense -- 2 Writing by Ear -- 3 The Aural Novel -- 4 Hearing the Wild Heart -- 5 Loud Object -- 6 The Echopoetics of G.H. -- Coda: Hearing Horses -- Notes -- Works Cited -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487514730
    Schriftenreihe: University of Toronto romance series
    Schlagworte: Lispector, Clarice ; Criticism and interpretation; Electronic books
    Umfang: 1 online resource (239 pages).
    Bemerkung(en):

    Includes bibliographical references and index. Description based on print version record
  2. Writing by ear
    Clarice Lispector and the aural novel
    Autor*in: Rocha, Marília Librandi
    Erschienen: [2018]
    Verlag:  University of Toronto Press, Toronto

    Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.;... mehr

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    Cover; Contents; List of Illustrations; Preface; Acknowledgments; Note on Copyright and Translations; 1 Introduction: A Certain Intimate Sense; 2 Writing by Ear; 3 The Aural Novel; 4 Hearing the Wild Heart; 5 Loud Object; 6 The Echopoetics of G.H.; Coda: Hearing Horses; Notes; Works Cited; Index "Considering Brazilian novelist Clarice Lispector's literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and Jo[gamma]o Guimar[gamma]es Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing."--

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1487514735; 9781487514730
    Schriftenreihe: University of Toronto romance series
    Schlagworte: Orality in literature; Sound in literature; LITERARY CRITICISM ; European ; Spanish & Portuguese; LITERARY CRITICISM ; General; Orality in literature; Sound in literature; Criticism, interpretation, etc
    Weitere Schlagworte: Lispector, Clarice; Lispector, Clarice
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  3. Writing by ear
    Clarice Lispector and the aural novel
    Autor*in: Rocha, Marília Librandi
    Erschienen: 2019
    Verlag:  University of Toronto Press, Toronto

    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and João Guimarães Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487514730
    Weitere Identifier:
    Schriftenreihe: University of Toronto romance series
    Schlagworte: Orality in literature; Sound in literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Umfang: 1 Online-Ressource (xxi, 214 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  4. Writing by ear
    Clarice Lispector and the aural novel
    Autor*in: Rocha, Marília Librandi
    Erschienen: 2019
    Verlag:  University of Toronto Press, Toronto

    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Considering Brazilian novelist Clarice Lispector’s literature as a case study and a source of theory, Writing by Ear presents an aural theory of the novel based on readings of Near to the Wild Heart (1943), The Besieged City (1949), The Passion According to G.H. (1964), Agua Viva (1973), The Hour of the Star (1977), and A Breath of Life (1978). What is the specific aesthetic for which listening-in-writing calls? What is the relation that listening-in-writing establishes with silence, echo, and the sounds of the world? How are we to understand authorship when writers present themselves as objects of reception rather than subjects of production? In which ways does the robust oral and aural culture of Brazil shape literary genres and forms? In addressing these questions, Writing by Ear works in dialogue with philosophy, psychoanalysis, and sound studies to contemplate the relationship between orality and writing. Citing writers such as Machado de Assis, Oswald de Andrade and João Guimarães Rosa, as well as Mia Couto and Toni Morrison, Writing By Ear opens up a broader dialogue on listening and literature, considering the aesthetic, ethical, and ecological reverberations of the imaginary. Writing by Ear is concerned at once with shedding light on the narrative representation of listening and with a broader reconceptualization of fiction through listening, considering it an auditory practice that transcends the dichotomy of speech and writing.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487514730
    Weitere Identifier:
    Schriftenreihe: University of Toronto romance series
    Schlagworte: Orality in literature; Sound in literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Umfang: 1 Online-Ressource (xxi, 214 Seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  5. Writing by ear
    Clarice Lispector and the aural novel
    Autor*in: Librandi, Marília
    Erschienen: 2018
    Verlag:  University of Toronto Press, Toronto ;

    Writing by Ear examines the explicit articulation of listening-in-writing found in the work of Brazilian novelist Clarice Lispector. The terms "writing by ear," the "aural novel," and "echopoetics" rethink fiction as a poetics of listening to the... mehr

    Standort:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Writing by Ear examines the explicit articulation of listening-in-writing found in the work of Brazilian novelist Clarice Lispector. The terms "writing by ear," the "aural novel," and "echopoetics" rethink fiction as a poetics of listening to the world Cover -- Contents -- List of Illustrations -- Preface -- Acknowledgments -- Note on Copyright and Translations -- 1 Introduction: A Certain Intimate Sense -- 2 Writing by Ear -- 3 The Aural Novel -- 4 Hearing the Wild Heart -- 5 Loud Object -- 6 The Echopoetics of G.H. -- Coda: Hearing Horses -- Notes -- Works Cited -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781487514730
    Schriftenreihe: University of Toronto romance series
    Schlagworte: Lispector, Clarice ; Criticism and interpretation; Electronic books
    Umfang: 1 online resource (239 pages).
    Bemerkung(en):

    Includes bibliographical references and index. Description based on print version record