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  1. Beyond the sovereign self
    aesthetic autonomy from the avant-garde to socially engaged art
    Autor*in: Kester, Grant H.
    Erschienen: [2024]
    Verlag:  Duke University Press, Durham

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478025344; 9781478020585
    Schlagworte: Ästhetik; Engagierte Kunst;
    Umfang: 283 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis Seite [255]-269
  2. Beyond the sovereign self
    aesthetic autonomy from the avant-garde to socially engaged art
    Autor*in: Kester, Grant H.
    Erschienen: 2024
    Verlag:  Duke University Press, Durham ; London

    "In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myer and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781478025344; 9781478020585
    RVK Klassifikation: LH 61040
    Schlagworte: Ästhetik; Engagierte Kunst
    Weitere Schlagworte: Art / Philosophy; Art criticism; Autonomy (Psychology) in art; Subjectivity in art; Avant-garde (Aesthetics) / History / 20th century; Art, Modern / Political aspects; Art and society / History / 20th century; ART / Criticism & Theory; PHILOSOPHY / Aesthetics
    Umfang: 283 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. Beyond the sovereign self
    aesthetic autonomy from the avant-garde to socially engaged art
    Autor*in: Kester, Grant H.
    Erschienen: 2024
    Verlag:  Duke University Press, Durham

    "In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zeppelin Universität gGmbH, Bibliothek
    Signatur:
    LH 61040 K42 B5
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myer and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478025344; 9781478020585
    RVK Klassifikation: LH 61040
    Schlagworte: Art; Art criticism; Autonomy (Psychology) in art; Subjectivity in art; Avant-garde (Aesthetics); Art, Modern; Art and society; ART / Criticism & Theory; PHILOSOPHY / Aesthetics
    Umfang: 283 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    The incommensurability of socially engaged art -- Escrache and autonomy -- Dematerialization and aesthetics in real time -- The aesthetics of answerability -- Social labor and communicative action -- Our pernicious temporality -- Being human as praxis -- Conclusion: Beyond the white wall.