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Inhaltsverzeichnis: Carsten Meiner and Peter Borum: "Introduction. The history and theory of the locus amoenus" -- Maria Damkjær: "Landscape on pause: strong feelings and the locus amoenus in British literature, 1800-1890" -- Frode Lerum Boasson: "Pleasure is not fun. The locus amoenus in Knut Hamsun" -- Katrine Andersen: "The locus amoenus in nineteenth century Spanish literature: from meadows to gardens. Doña Perfecta as a micro-representation of a topological development" -- Pia Schwarz Lausten: ""In the shade of the chestnut tree". The locus amoenus in Giovanni Verga's writing" -- Michael Høxbro Andersen: "Defective pleasant places. The locus amoenus in Gustave Flaubert's Madame Bovary" -- Charles Lock: "Derelictions of contentment: the locus amoenus in the nineteenth century" -- Birthe Hoffmann: "The locus amoenus as a hetero-utopia of human existence in Theodor Fontanes novel On tangled paths" -- Hans Julio Casada Jensen: "Locus amoenus: a topos of melancholy in three Spanish-language authors (Juan Ramón Jiménez, Luis Cernuda, Julio Cortázar)" -- Carsten Meiner: "Naturalizing deviant pleasure. Loci amoeni in Zola". Klappentext: "Mutating Idylls examines the surprising presence of the antique literary topos of the idyllic landscape, the locus amoenus, in European literature from the latter half of the 19th century. The book sets out to identify how this topos, which for many obvious reasons has no place in politically and socially realistic and naturalist literature, actually does have a role to play. Chapters on central 19th century authors like Flaubert and Zola, Fontane, Verga and Hamsun, Austen, Eliot and Wilde, Jiménez, Cernuda, and Galdós demonstrate both the presence and the multiple refunctionalizations of the locus amoenus. The theoretical aim of Mutating Idylls is to rehabilitate the notion of literary topos. This feature is present in the introduction as a possibility in literary studies today. The articles all argue in the direction of a notion of topos, which is more flexible than the one Curtius defines along the lines of formula or cliché. In this way, the book intervenes in at least three major fields of study: 19th century studies, classical philology, and literary theory. Through empirical analyses covering diverse authors who all, more or less unconsciously, use the locus amoenus, Mutating Idylls offers a new understanding of the culture of writing in the 19th century and contributes to literary theory a rehabilitation of the important notion of the topos"--
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