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  1. Contemporary revolutions
    turning back to the future in 21st-century literature and art
    Beteiligt: Friedman, Susan Stanford (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Bloomsbury Academic / Bloomsbury Publishing Plc, London ; Bloomsbury Publishing, New York

    "An exploration of how 21st-century writers, artists, and performers forge a new concept of contemporaneity, this book shows how their work re-purposes fiction, poetry, and paintings of the past. Returning to revolution's original meaning of 'cycle',... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    "An exploration of how 21st-century writers, artists, and performers forge a new concept of contemporaneity, this book shows how their work re-purposes fiction, poetry, and paintings of the past. Returning to revolution's original meaning of 'cycle', Contemporary Revolutions examines how African, European, and Middle Eastern literature and the arts addresses the violence and inequities of the present. Friedman brings together essays on a broad range of artists and topics: artists including Kabe Wilson, fabric artist Ellen Bell, graphic designer Sana Yazigi; writers such as W. G. Sebald and poet Selina Tusitala Marsh and their reworking of authors Virginia Woolf and Albert Wendt; and traumatic occurrences from Nazism to the Syrian Revolution --

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Friedman, Susan Stanford (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350045323; 9781350045309; 9781350045316
    Weitere Identifier:
    Schlagworte: Literature, Modern; Literature and revolutions; Literature, Modern; Arts and revolutions; Art, Modern; Arts, Modern
    Umfang: 1 Online-Ressource (vii, 252 pages)
    Bemerkung(en):

    Contributions to a panel on "Revolving Modernisms, Recycling Revolutions" held at the 2015 Modernist Studies Association Conference in Boston. The conference's unifying theme was Revolution, a gesture toward the city as a birthplace of the American Revolution. The panel grew out of the recognition of contradictory meanings hidden in the etymology of the word revolution. Revolution originally meant a turning back, a rotation back to move forward, as in the cycle of the planets; later, revolution came to mean radical overthrow, rupture, change, particularly of political systems and the social order

    Includes bibliographical references and index
  2. Contemporary Revolutions
    Turning Back to the Future in 21st-Century Literature and Art
    Autor*in: Friedman, Susan Stanford
    Erschienen: 2018
    Verlag:  Bloomsbury Publishing PLC, London

    Intro -- Title Page -- Copyright page -- Contents -- List of Figures -- Notes on Contributors -- Part 1 Beginnings -- Introduction: The Past in the Present: Temporalities of the Contemporary -- The Temporality of the Contemporary -- Beginnings --... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Intro -- Title Page -- Copyright page -- Contents -- List of Figures -- Notes on Contributors -- Part 1 Beginnings -- Introduction: The Past in the Present: Temporalities of the Contemporary -- The Temporality of the Contemporary -- Beginnings -- Recycles: Aesthetics of Unsewing and Blacking Out -- Revolutions: Arts of Resistance -- Restages: Palimpsests of the Past -- Rereads: Then, Now -- Why Woolf? -- Endings -- Notes -- Works Cited -- Chapter 1 Recycling Revolution: Re-mixing A Room of One's Own and Black Power in Kabe Wilson's Performance, Installation, and Narrative Art -- Recycling, Re-mix, Revolution -- Recycling A Room of One's Own -- Re-Mixing Feminism, Queering Mary Carmichael -- Revolution: Sampling Black Power -- Re-ordering A Room of One's Own -- All's Well That Ends Well: A Conclusion -- Notes -- Works Cited -- Part 2 Recycles: Aesthetics of Unsewing and Blacking Out -- Chapter 2 Stitch Works: Ellen Bell's Unpicking Aesthetics and Victorian Women's Creative Labor -- Bell's Unpicking Aesthetics and Victorian Stitchers -- Vibrant Assemblages -- Unpicking Literary Text -- Assemblages of Charlotte Brontë -- Performing Stitches: Oubliette -- Re-stitching: A Wrapping Up -- Notes -- Works Cited -- Chapter 3 Making It Niu: Blacking Out Albert Wendt's Pouliuli the Tusitala Way -- The Tusitala Way -- Tusi/Tala/Ala and I -- Making Black Out Poetry Niu -- Blacking Out Pouliuli -- Niu Mythologies -- Making It Niu -- Acknowledgments -- Notes -- Works Cited -- Part 3 Revolutions: Arts of Resistance -- Chapter 4 Curating the Syrian Revolution Online -- Revolution -- Creative Resistance -- Curating Resistance -- Revolutionary Habitus -- The Human Slaughterhouse -- Conclusion -- Notes -- Works Cited -- Chapter 5 A Thousand Times No!: Spray Painting as Resistance and the Visual History of the Lam-Alif -- A Thousand Times NO! -- Revolution Relapse Off Streets of Cairo-On Streets of the World -- Conclusion -- Notes -- Works Cited -- Part 4 Restages: Palimpsests of the Past -- Chapter 6 The Folds of History in William Kentridge's Black Box Theatre: Sampling German Nazism and Colonialism -- Black Box as a Critical Multidirectional Memory Discourse -- Cross-Referencing the Colonial Archive -- Performing the Colonial Archive -- The Rhinoceros as the Black Box of Postcolonial Europe -- The Folds of History -- Notes -- Works Cited -- Chapter 7 The Revolutions of Antjie Krog's Lady Anne: A Chronicle in Verse -- The Lady and the Bard: On Texts, Times, and Transgressions -- Revolutionary Transparencies: On Having and Being -- Unexpected Forms: On Knowing, Waiting, and Learning to Listen -- Coda on a Marimba: On Failure and Freedom -- Notes -- Works Cited -- Part 5 Rereads: Then, Now -- Chapter 8 Repair Work, Despair Work: W. G. Sebald's Contending Modernisms -- That Most Abstract of Humanity's Homes -- As a Reader of Virginia Woolf -- Always Returning -- Notes -- Works Cited -- Chapter 9 On Rereading Woolf's Orlando as Transgender Text -- Reading Transgender Histories -- Histories of Reading Orlando -- Rereading Orlando: Narrative Form as Transgender Text -- Two Popular Orlandos: Orlando without Narration -- Conclusion: (Back) Toward Transgender Rereading -- Notes -- Works Cited -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781350045309
    Umfang: 1 Online-Ressource (265 pages)