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  1. Shakespeare and the visual imagination
    Autor*in: Sillars, Stuart
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of... mehr

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    Universitätsbibliothek Bamberg
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    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139342759
    Weitere Identifier:
    RVK Klassifikation: HI 3323
    Schlagworte: Visual perception in literature; Painting in literature; Art and literature; Kunst <Motiv>; Visuelle Wahrnehmung <Motiv>
    Weitere Schlagworte: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xvii, 317 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare
  2. Shakespeare and the visual imagination
    Autor*in: Sillars, Stuart
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of... mehr

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    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139342759
    Schlagworte: Kunst <Motiv>; Visuelle Wahrnehmung <Motiv>
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xvii, 317 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. Shakespeare and the visual imagination
    Autor*in: Sillars, Stuart
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139342759; 9781316382806
    Weitere Identifier:
    Schlagworte: Visual perception in literature; Painting in literature; Art and literature; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Visual perception in literature; Painting in literature; Art and literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (XVII, 317 S., [8] Bl.), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  4. Shakespeare and the visual imagination
    Autor*in: Sillars, Stuart
    Erschienen: 2015
    Verlag:  Cambridge University Press, Cambridge

    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of... mehr

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    Shakespeare's knowledge of the practices of visual art, its fundamental concepts and the surrounding debates is clear from his earliest works. This book explores this relationship, showing how key works develop visual compositions as elements of dramatic movement, construction of ideas, and reflections on the artifice of theatre and language. The Taming of the Shrew, Love's Labour's Lost, Richard II and A Midsummer Night's Dream are explored in detail, offering new insights into their forms, themes, and place in European traditions. The use of emblems is examined in Titus Andronicus and As You Like It; studies of Venus and Adonis, some sonnets and The Rape of Lucrece reveal different but related visual aspects; a later chapter suggests how the new relation between seeing and soliloquy in The Rape of Lucrece is developed in other plays. Extensively illustrated, the book explores Shakespeare's assimilation and exploration of visual traditions in structure, theme and idea throughout the canon Likeness, device, composition : Shakespeare's visual surroundings -- Allusion and idea in The taming of the shrew -- Visual exchange in the Poems -- Love's labour's lost and visual composition -- Richard II and the politics of perspective -- Visual identities in A midsummer night's dream -- Emblem, tradition and invention -- Imagination beyond image : ethopoeia and metatheatre -- Defining the visual in Shakespeare

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781139342759; 9781316382806
    Weitere Identifier:
    Schlagworte: Visual perception in literature; Painting in literature; Art and literature; Shakespeare, William ; 1564-1616 ; Criticism and interpretation; Visual perception in literature; Painting in literature; Art and literature
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (XVII, 317 S., [8] Bl.), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)