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  1. The photographic invention of whiteness
    the visual cultures of White Atlantic worlds
    Autor*in: Polsky, Stephanie
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781032227344; 9781032229324
    Schriftenreihe: Routledge History of Photography
    Schlagworte: Fotografie; Nationalismus <Motiv>; Daguerreotypie; Porträtfotografie
    Weitere Schlagworte: ART / History / General; Art forms; Colonialism & imperialism; Ethnic Studies; Ethnic studies; Fotografie; History of art / art & design styles; Kolonialismus und Imperialismus; Kunstformen; Kunstgeschichte; PHOTOGRAPHY / General; POL045000; Photography & photographs; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Ethnic Studies / General; SOCIAL SCIENCE / Sociology / General; Social & cultural anthropology, ethnography; Sociology: customs & traditions; Sozial- und Kulturanthropologie, Ethnographie; Soziologie
    Umfang: 227 Seiten, Illustrationen
    Bemerkung(en):

    Introduction: The Invention of a Photographic Whiteness 1. Daguerreotypes, the Vanishing Native American, and the Invention of Western Typologies 2. Mathew Brady s Civil War, Daguerreotypes, and the Technological Redefinition of White Nationalism 3. Ain t I a Human: Louis Agassiz s Slave Daguerreotypes and White Scientific Voyeurism 4. How the West was Won: America at the Great Exhibition of 1851 5. The Founding of the Great White World: The Arctic Daguerreotypes 6. White Aesthetics: Daguerreotypes in the Consolidation of Colonial Empires in West Africa 7. Lewis Carroll and the Imperial Eroticisation of White Childhood 8. Material Agency: The Eames Office, Race, and US Cold War Photographic Aesthetics 9. The Apple and the Anthropocene: The Whiteness of Silicon Valley s Digital Ecologies Conclusion: Entrepreneurs, Clients, and Images: How Photography Inserted Whiteness into a Global Visual Economy
  2. <<The>> photographic invention of whiteness
    the visual cultures of White Atlantic worlds
    Autor*in: Polsky, Stephanie
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Ltd, New York ; London

    Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century mehr

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781032227344; 9781032229324
    Schriftenreihe: Routledge History of Photography
    Schlagworte: Fotografie; ; Daguerreotypie; ; USA; Porträtfotografie; Nationalismus <Motiv>; Nationalismus <Motiv>; Geschichte 1850-1900;
    Weitere Schlagworte: ART / History / General; Art forms; Colonialism & imperialism; Ethnic Studies; Ethnic studies; Fotografie; History of art / art & design styles; Kolonialismus und Imperialismus; Kunstformen; Kunstgeschichte; PHOTOGRAPHY / General; POL045000; Photography & photographs; SOCIAL SCIENCE / Anthropology / Cultural; SOCIAL SCIENCE / Ethnic Studies / General; SOCIAL SCIENCE / Sociology / General; Social & cultural anthropology, ethnography; customs & traditions; Sozial- und Kulturanthropologie, Ethnographie; Soziologie
    Umfang: 227 Seiten, Illustrationen
    Bemerkung(en):

    Introduction: The Invention of a Photographic Whiteness 1. Daguerreotypes, the Vanishing Native American, and the Invention of Western Typologies 2. Mathew Brady s Civil War, Daguerreotypes, and the Technological Redefinition of White Nationalism 3. Ain t I a Human: Louis Agassiz s Slave Daguerreotypes and White Scientific Voyeurism 4. How the West was Won: America at the Great Exhibition of 1851 5. The Founding of the Great White World: The Arctic Daguerreotypes 6. White Aesthetics: Daguerreotypes in the Consolidation of Colonial Empires in West Africa 7. Lewis Carroll and the Imperial Eroticisation of White Childhood 8. Material Agency: The Eames Office, Race, and US Cold War Photographic Aesthetics 9. The Apple and the Anthropocene: The Whiteness of Silicon Valley s Digital Ecologies Conclusion: Entrepreneurs, Clients, and Images: How Photography Inserted Whiteness into a Global Visual Economy
  3. The photographic invention of Whiteness
    the visual cultures of White Atlantic worlds
    Autor*in: Polsky, Stephanie
    Erschienen: 2024
    Verlag:  Routledge, Taylor & Francis Group, New York

    "Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century. With the advent of the... mehr

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century. With the advent of the daguerreotype in the mid-nineteenth century, white European settlers could imagine themselves as a supra-national community, where the attainment of wealth was rapidly becoming accessible through colonisation. Their dispersal throughout the colonial territories made possible the advent of a new representative type of whiteness that eventually merged with the portrayal of modernity itself. Over time, the colonisation of the Atlantic World, became synonymous with fascination itself within a European mind fixated upon both a racially subordinated world and the technical media through which it was represented. In the intervening centuries, images have acted as a medium of the imaginary, allowing for ideas around classification and the measurement of value to travel and to situate themselves as universal means. Contemporary societies still grapple with the residues of race, gender, class, and sexuality first established by the contrived mores of this representational medium and those who were racialised by the camera as objects of fascination, curiosity, or concern have remained so well into the postdigital era. The book will be of interest to scholars working in history of photography, art history, colonialism, and critical race theory"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781032227344; 9781032229324
    RVK Klassifikation: AP 95700 ; LC 96000
    Schriftenreihe: Routledge History of photography
    Schlagworte: Photography; Photography; Daguerreotype; White privilege (Social structure); Stereotypes (Social psychology) in art; White people in popular culture
    Umfang: 227 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Daguerreotypes, the vanishing Native American and the invention of Western typologies -- Mathew Brady's Civil War, daguerreotypes and the technological redefinition of White nationalism -- Ain't I a human : Louis Agassiz's slave daguerreotypes and White scientific voyeurism -- How the West was won : America at the Great Exhibition of 1851 -- The founding of the great White world : the Arctic daguerreotypes -- White aesthetics : daguerreotypes in the consolidation of Colonial empires in West Africa -- Lewis Carroll and the imperial eroticisation of White childhood -- Material agency : the Eames Office, race, and US Cold War photographic aesthetics -- The apple and the Anthropocene : the Whiteness of Silicon Valley's digital ecologies.