Verlag:
McFarland & Company, Inc., Publishers, Jefferson, North Carolina
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical...
mehr
Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
Fernleihe:
uneingeschränkte Fernleihe, Kopie und Ausleihe
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women's drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities
Electronic reproduction; Available via World Wide Web
Cover; Table of Contents; Acknowledgments; Introduction; Part I. History; 1. Female Spirituality, Female Sexuality and Re-Viewing "Re-Viewing Hrotsvit"; 2. Not Just a University Theatre; 3. Shakespeare as Catholic Dramatist in The Tempest; 4. Orthodoxy and Technique; 5. Little Mothers, Mischievous Boys, and Good Little Christians; 6. Religious Tragedy; 7. Catholic Theatre for Women in Post-War Italy; Part II. Practice ; 8. Saints as Subject and Agenda; 9. Magi Liturgical Dramas Performed in Worship; 10. Opera News; 11. Ancient Ritual, Modern Drama; 12. Genesius in the City of Angels
13. The Genesian Effect14. Publicity, Props and Playtext in a Franciscan Setting; About the Contributors; Index
Verlag:
McFarland & Company, Inc., Publishers, Jefferson, North Carolina
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical...
mehr
The relationship between the Catholic Church and theatre has a long and complicated history. This collection of fourteen critical essays seeks to demystify the ties--both practical and ideological--that have long bound Catholicism to theatrical production. This volume offers insights into medieval theatre, Jesuit drama, ballet and opera, modern stagings of medieval liturgical drama, Lorca and Lope de Vega as Catholic playwrights, Italian Catholic women's drama, Catholic play-wrighting and acting, and the unique challenges of teaching theatre in Catholic universities
Electronic reproduction; Available via World Wide Web
Cover; Table of Contents; Acknowledgments; Introduction; Part I. History; 1. Female Spirituality, Female Sexuality and Re-Viewing "Re-Viewing Hrotsvit"; 2. Not Just a University Theatre; 3. Shakespeare as Catholic Dramatist in The Tempest; 4. Orthodoxy and Technique; 5. Little Mothers, Mischievous Boys, and Good Little Christians; 6. Religious Tragedy; 7. Catholic Theatre for Women in Post-War Italy; Part II. Practice ; 8. Saints as Subject and Agenda; 9. Magi Liturgical Dramas Performed in Worship; 10. Opera News; 11. Ancient Ritual, Modern Drama; 12. Genesius in the City of Angels
13. The Genesian Effect14. Publicity, Props and Playtext in a Franciscan Setting; About the Contributors; Index
