Peter Garside: Beginnings. The Early Nineteenth-Century English Novel, 1820-1836 William McKelvy: New Histories of English Literature and the Rise of the Novel, 1835-1859 Rebecca Edwards Newman: Genre, Criticism and the Early Victorian Novel Rachel Sagner Buurma: Publishing, Reading, Reviewing, Quoting, Censoring. Publishing the Victorian Novel Debra Gettelman: The Victorian Novel and Its Readers Solveig C. Robinson: The Victorian Novel and the Reviews Lynda Mugglestone: The Victorian Novel and the OED Barbara Leckie: The Novel and Censorship in Late-Victorian England Marie-Francoise Cachin: The Victorian Novel Elsewhere. Victorian Novels in France Julie Buckler: Victorian Literature and Russian Culture: Translation, Reception, Influence, Affinity Amanda Claybaugh: The Victorian Novel and America Margery Sabin: Colonial India and Victorian Storytelling Richard Menke: Technologies: Communication, Travel, Visual. The Victorian Novel and Communication Networks Alison Byerly: Technologies of Travel and the Victorian Novel Jennifer Green-Lewis: Victorian Photography and the Novel Janice Carlisle: The Middle. Novels of the 1860s Evan Horwitz: Commerce, Work, Professions. Industrialism and the Victorian Novel George Levine: The Protestant Ethic and the Spirit of Money: Max Weber, Silas Marner, and the Victorian Novel Jennifer Ruth: The Novel and the Professions Kenneth Haynes: Gentleman's Latin, Lady's Greek Jonathan Smith: The Novel and Other Disciplines. The Victorian Novel and Science Meegan Kennedy: The Victorian Novel and Medicine Suzy Anger: Naturalizing the Mind in the Victorian Novel: Consciousness in Wilkie Collins's Poor Miss Finch and Thomas Hardy's Woodlanders Two Case Studies Jan-Melissa Schramm: The Victorian Novel and the Law Patrick R. O'Malley: The Novel and Religion: Catholicism and Victorian Women's Novels Lynn Voskuil: The Victorian Novel and Horticulture Emily Allen: The Victorian Novel and Theater James Najarian: Poetry and Criticism. Verse Versus the Novel Philip Horne: Poetic Allusion and the Novel Christopher Ricks: The Novelist as Critic Julia Prewitt Brown: Distinguishing the Victorian Novel. The Moral Scope of the English Bildungsroman Mark Lambert: Three Matters of Style Anna Vaninskaya: Endings. The Novel, its Critics, and the University: A New Beginning? Talia Schaffer: The Victorian Novel and the New Woman Rosemarie Bodenheimer: The Last Victorian Novel. Slapstick Noir: The Secret Agent Works the Victorian Novel Daniel Hack.: The Quest of the Silver Fleece, by W. E. B. Du Bois |
