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  1. The romance of failure
    first-person fictions of Poe, Hawthorne, and James
    Erschienen: 1989
    Verlag:  Oxford University Press, New York

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 019505721X; 0195345258; 128052376X; 1602566003; 9780195057218; 9780195345254; 9781280523762; 9781602566002
    Schlagworte: LITERARY CRITICISM / American / General; American fiction; Failure (Psychology) in literature; First person narrative; American fiction; Failure (Psychology) in literature; First person narrative; Versagen <Motiv>; Ich-Form; Prosa
    Weitere Schlagworte: Poe, Edgar Allan / 1809-1849; Hawthorne, Nathaniel / 1804-1864; James, Henry / 1843-1916; Hawthorne, Nathaniel / 1804-1864; James, Henry / 1843-1916; Poe, Edgar Allan / 1809-1849; Poe, Edgar Allan (1809-1849); Hawthorne, Nathaniel (1804-1864); James, Henry (1843-1916); Poe, Edgar Allan (1809-1849); James, Henry (1843-1916); Hawthorne, Nathaniel (1804-1864)
    Umfang: 1 Online-Ressource (201 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 177-196) and index

    Introduction: "Proper Identity" and the First Person; 1. Disfiguring the Perfect Plot: Doubling and Self-Betrayal in Poe; 2. Hawthorne's The Blithedale Romance and the Death of Enchantment; 3. The Jamesian Critical Romance; Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; P; Q; R; S; T; U; V; W; Y.

    This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them

  2. The romance of failure
    first-person fictions of Poe, Hawthorne, and James
    Erschienen: 1989
    Verlag:  Oxford University Press, New York ; Oxford, [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195345254
    RVK Klassifikation: HT 1800 ; HT 6555
    Schlagworte: American fiction; Failure (Psychology) in literature; First person narrative; Psychological fiction, American; Prosa; Versagen <Motiv>; Ich-Form
    Weitere Schlagworte: Poe, Edgar Allan (1809-1849); Hawthorne, Nathaniel (1804-1864); James, Henry (1843-1916); Hawthorne, Nathaniel (1804-1864); James, Henry (1843-1916); Poe, Edgar Allan (1809-1849)
    Umfang: 1 Online-Ressource (212 pages)
    Bemerkung(en):

    Includes index

    Description based on print version record

  3. The romance of failure
    first-person fictions of Poe, Hawthorne, and James
    Erschienen: 1989
    Verlag:  Oxford University Press, New York

    This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In... mehr

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    Hochschule Aalen, Bibliothek
    E-Book EBSCO
    keine Fernleihe
    Hochschule Esslingen, Bibliothek
    E-Book Ebsco
    keine Fernleihe
    Saarländische Universitäts- und Landesbibliothek
    keine Fernleihe
    Universitätsbibliothek der Eberhard Karls Universität
    keine Fernleihe

     

    This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them

     

    Export in Literaturverwaltung   RIS-Format
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  4. The Romance of Failure
    First-person Fictions of Poe, Hawthorne, and James
    Erschienen: 1989
    Verlag:  Oxford University Press, Oxford ; ProQuest, Ann Arbor, Michigan

    Auerbach's book explores the fictions of three 19th-century writers--Poe, Hawthorne, and James--in which the first-person narrator is both the central actor and the retrospective teller of tale, at once hero and historian. Auerbach argues that first... mehr

    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe
    Universitätsbibliothek Gießen
    keine Fernleihe

     

    Auerbach's book explores the fictions of three 19th-century writers--Poe, Hawthorne, and James--in which the first-person narrator is both the central actor and the retrospective teller of tale, at once hero and historian. Auerbach argues that first person is an attractive but dangerous form of self-revelation that foregrounds fundamental problems of literay representation such as how fiction come to be made, and the relation between these plots and the people who make them.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780195345254
    Umfang: 1 Online-Ressource (212 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  5. The romance of failure
    first-person fictions of Poe, Hawthorne, and James
    Erschienen: 1989
    Verlag:  Oxford University Press, New York ; EBSCO Industries, Inc., Birmingham, AL, USA

    This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In... mehr

    Bibliothek der Hochschule Mainz, Untergeschoss
    keine Fernleihe

     

    This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1602566003; 9781602566002; 9780195345254; 0195345258; 9780195057218; 019505721X; 128052376X; 9781280523762
    RVK Klassifikation: HT 6555 ; HT 1800
    Schlagworte: Prosa; Versagen <Motiv>; Ich-Form
    Weitere Schlagworte: Poe, Edgar Allan (1809-1849); James, Henry (1843-1916)
    Umfang: 1 Online-Ressource (201 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 177-196) and index

  6. The romance of failure
    first-person fictions of Poe, Hawthorne, and James
    Erschienen: 1989
    Verlag:  Oxford University Press, New York

    Auerbach's book explores the fictions of three 19th-century writers--Poe, Hawthorne, and James--in which the first-person narrator is both the central actor and the retrospective teller of tale, at once hero and historian. Auerbach argues that first... mehr

    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Auerbach's book explores the fictions of three 19th-century writers--Poe, Hawthorne, and James--in which the first-person narrator is both the central actor and the retrospective teller of tale, at once hero and historian. Auerbach argues that first person is an attractive but dangerous form of self-revelation that foregrounds fundamental problems of literay representation such as how fiction come to be made, and the relation between these plots and the people who make them This book focuses on the intense intimacy between author and first-person narrator in the fictions of Poe, Hawthorne, and James in order to defend the beleaguered "I" in these works against the depersonalizing tendencies of postructuralism. In reaffirming the importance of the human subject for the study of narrative, Auerbach shows how the first person form, in particular, underscores fundamental problems of literary representation: how fictions come to be made, and the relation between these plots and the people who make them

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0195345258; 9780195345254
    Schlagworte: American fiction; Failure (Psychology) in literature; First person narrative
    Weitere Schlagworte: James, Henry (1843-1916); Poe, Edgar Allan (1809-1849); Hawthorne, Nathaniel (1804-1864)
    Umfang: Online-Ressource (201 p)
    Bemerkung(en):

    Includes bibliographical references (p. 177-196) and index

    Introduction: "Proper Identity" and the First Person; 1. Disfiguring the Perfect Plot: Doubling and Self-Betrayal in Poe; 2. Hawthorne's The Blithedale Romance and the Death of Enchantment; 3. The Jamesian Critical Romance; Afterword; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; P; Q; R; S; T; U; V; W; Y.