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  1. International Yearbook of Futurism Studies 2014
    Erschienen: 2014; ©2014
    Verlag:  Walter de Gruyter GmbH Co.KG, [s.l.]

    Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan,... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry. Günter Berghaus, University of Bristol,UK. Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3110334003
    Auflage/Ausgabe: 1. Aufl.
    Schlagworte: Futurism (Art); Futurism (Literary movement); Futurism (Art); Futurism (Literary movement); Electronic books
    Umfang: Online Ressource (7028 KB, 620 S.)
    Bemerkung(en):

    Description based upon print version of record

    Reaction: Futurism in Belgium and Europe: Editorial; Section 1: Critical responses to Exhibitions, conferences and publications; The Legacy and Topicality of Futurism: A Conference in Rome, 11-12 April 2013; The Centenary of 1913, or Russian Futurism 'as such':  A Conference at the University of Geneva on 10-13 April 2013; Almada Negreiros: A Futurist Poet, and Much More. International Symposium at the Calouste Gulbenkian Foundation in Lisbon, 13-15 November 2013; La poética de la vanguardia; Sound and Silence in Futurist Poetry; Marinetti i futuryzm w Polsce; Action

    Futurism and Modernist MagazinesNew Research into Anarchism and Futurism; Section 2: Research Reports on Countries and Artistic Disciplines; French Research on Literary Futurism; Section 3: Caricatures and Satires of Futurism in the Contemporary Press; A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912); A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923); The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror"; A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun

    The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' DebateA Caricature of Futurism in the New York Sun (1914); Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh; Section 4: Futurism Studies; The Reception of Futurism in France (1909-1912); Mallarmé and His Futurist 'Heir' Marinetti; Futurism in the Netherlands, 1909-1940; No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia

    The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia GiuliaKara-Darvish and Armenian Futurism; The Reception of Italian Futurism in Hungarian Painting and Literature; The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after; Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism; Futurist Influences in the Work of Guillermo de Torre; The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933); Theodor Däubler: A Mediator between Florentine Futurism and German Modernism

    Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon CoburnSection 5: Bibliography; A Bibliography of Publications on Futurism, 2011-2013; Section 6: Back Matter; List of Illustrations and Provenance Descriptions; Notes on Contributors; Name Index; Subject Index; Geographical Index

  2. International Yearbook of Futurism Studies 2014
    Erschienen: 2014; ©2014
    Verlag:  Walter de Gruyter GmbH Co.KG, [s.l.]

    Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan,... mehr

    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    keine Fernleihe
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    keine Fernleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    keine Fernleihe
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    keine Fernleihe
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    keine Fernleihe
    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
    keine Fernleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    keine Fernleihe
    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
    keine Fernleihe
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry. Günter Berghaus, University of Bristol,UK. Volume 4 (2014) of the International Yearbook of Futurism Studies is again an open issue that addresses reactions to Italian Futurism in 16 countries (Argentina, Armenia, Brazil, Egypt, France, Germany, Great Britain, Greece, Holland, Hungary, Japan, Portugal, Russia, Slovenia, Spain, USA), and in the artistic media of photography, theatre and visual poetry

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 3110334003
    Auflage/Ausgabe: 1. Aufl.
    Schlagworte: Futurism (Art); Futurism (Literary movement); Futurism (Art); Futurism (Literary movement); Electronic books
    Umfang: Online Ressource (7028 KB, 620 S.)
    Bemerkung(en):

    Description based upon print version of record

    Reaction: Futurism in Belgium and Europe: Editorial; Section 1: Critical responses to Exhibitions, conferences and publications; The Legacy and Topicality of Futurism: A Conference in Rome, 11-12 April 2013; The Centenary of 1913, or Russian Futurism 'as such':  A Conference at the University of Geneva on 10-13 April 2013; Almada Negreiros: A Futurist Poet, and Much More. International Symposium at the Calouste Gulbenkian Foundation in Lisbon, 13-15 November 2013; La poética de la vanguardia; Sound and Silence in Futurist Poetry; Marinetti i futuryzm w Polsce; Action

    Futurism and Modernist MagazinesNew Research into Anarchism and Futurism; Section 2: Research Reports on Countries and Artistic Disciplines; French Research on Literary Futurism; Section 3: Caricatures and Satires of Futurism in the Contemporary Press; A "Hypermodern" Futurist in the Munich Satirical Magazine, Fliegende Blätter (1912); A Caricature of Futurism in the Spanish Magazine, Buen Humor (1923); The Futurist Exhibition at the Sackville Gallery (1912) and Charles Harrison's Caricature, "The New Terror"; A Japanese View on Futurism in 1922 in the Daily Newspaper Kokumin Shimbun

    The Reception of Russian Futurism through Satire: The Case of the 1913 Mishen' DebateA Caricature of Futurism in the New York Sun (1914); Marinetti's Visit to Cairo in December 1929: Kimon Evan Marengo's caricatures in Maalesh; Section 4: Futurism Studies; The Reception of Futurism in France (1909-1912); Mallarmé and His Futurist 'Heir' Marinetti; Futurism in the Netherlands, 1909-1940; No Future for the Futurists? Art of the Commune and the Quest for a New Art in Post-Revolutionary Russia

    The New Slovene Theatre and Italian Futurism: Delak, Cernigoj and the Historical Avant-garde in Venezia GiuliaKara-Darvish and Armenian Futurism; The Reception of Italian Futurism in Hungarian Painting and Literature; The Reception of Italian Futurism in Brazilian Periodicals: 1909, 1922 and after; Bartolomé Galíndez's Magazine, Los raros: A 'Symbolist' Fusion of Futurism and Ultraism; Futurist Influences in the Work of Guillermo de Torre; The Reception of Futurism in Greece and Marinetti's Visit to Athens (1933); Theodor Däubler: A Mediator between Florentine Futurism and German Modernism

    Photodynamism and Vortography: The Futurist Anti-Portraits of Anton Giulio Bragaglia and Alvin Langdon CoburnSection 5: Bibliography; A Bibliography of Publications on Futurism, 2011-2013; Section 6: Back Matter; List of Illustrations and Provenance Descriptions; Notes on Contributors; Name Index; Subject Index; Geographical Index