A comparative analysis of the cultural politics of modernist writing in Taiwan and the United States, as well as in immigrant Asian American writing
mehr
Includes bibliographical references (p. [171]-180) and index
Electronic reproduction; Available via World Wide Web
Contents; Acknowledgments; Introduction: Canonical Modernisms, Minor Modernisms, and the Cultural Politics of Fragmentation; One: The Historicity of the Fragment:Toward a Critical Comparativism; Two: "Completely Painted Over but Painted Full of Empty Spaces":Stein's American Allegories and the End of Progress; Three: "Learning a Lesson in the Superficial Song Lyrics": Hsia Yü's "Underground" Poetry; Four: "For the Other Overlapping Time": Pound's Ideogramic Universalism and Cha's Countermodernist Translation; Conclusion: The Cultural Uses of an Interventionary Poetics; Notes; Works Cited
