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  1. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Autor*in: Parker, John
    Erschienen: 2010
    Verlag:  Cornell University Press, Ithaca

    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama mehr

    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama

     

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  2. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Autor*in: Parker, John
    Erschienen: 2007
    Verlag:  Cornell Univ. Press, Ithaca ; JSTOR, New York, NY

    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama. mehr

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    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780801463549; 0801463548
    RVK Klassifikation: HG 620 ; HI 2715
    DDC Klassifikation: Englische, altenglische Literaturen (820)
    Schlagworte: Englisch; Geistliches Drama; Antichrist <Motiv>; English drama; Christian drama, English; Christianity and literature; Antichrist in literature
    Weitere Schlagworte: Marlowe, Christopher (1564-1593)
    Umfang: 1 Online-Ressource (XVIII, 252 Seiten)
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  3. The aesthetics of Antichrist
    from Christian drama to Christopher Marlowe
    Autor*in: Parker, John
    Erschienen: 2010
    Verlag:  Cornell University Press, Ithaca

    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama Introduction: After... mehr

    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Crossing the divide between medieval and Renaissance theater while drawing heavily on New Testament scholarship, Patristics, and research into the apocrypha, this text proposes a wholesale rereading of pre-Shakespearean drama Introduction: After Strange Gods: the Making of Christ and his Doubles -- The Orthodoxy of Heresy -- From Script to Scripture-- The Gospel Truth -- Christ as Antichrist -- The Sign of Jonah -- Salvation through Antichrist -- Lying Likenesses: Typology and the Medieval Miracula -- Imago in Evangelio --The Typological Image -- Ad Imaginem in the York Cycle -- Miracula -- Salvaging the Audience, or Christ as Antichrist Redux -- Antichrist and Antitheatricalism -- The Chester Antichrist -- The Anagogical Promise of Art -- Blood Money: Antichristian Economics and the Drama of the Sacraments -- The Root of All Evil -- Blinde Reckeninge (Everyman) -- Judas Superstar -- The Offertory as Price of Admission -- The Miracle at Croxton -- Coda: the Blood Money of Mankind -- Vicarious Criminal: Christ as Representative -- Antigraphy (the Making of the Septuagint -- Christ and Vicarious Substitution -- Christian Appropriation -- The Deceiver Deceived and the Cycles' Descent -- Virgin Birth, or the Septuagint Redux -- The Curious Sovereignty of Art: Marlowe's Sacred Counterfeits -- Marlowe the Antichrist -- Jesus Barabbas, Son of God -- Apostolic Conquest (Tamburlaine and Paul) -- Faustus Magus

     

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