Zeige Ergebnisse 1 bis 2 von 2.
Hier auch später erschienene, unveränderte Nachdrucke (2012)
Literaturverz. S. [325] - 350
Literaturverz. S. [325] - 350 und Index
Patricia Fumerton and Anita Guerrini: Introduction : straws in the wind
Patricia Fumerton: Remembering by dismembering : databases, archiving, and the recollection of seventeenth-century broadside ballads
Paula McDowell: The art of printing was fatal : print commerce and the idea of oral tradition in long eighteenth-century ballad discourse
Mary Ellen Brown: Child's ballads and the broadside conundrum
Thomas Pettit: Journalism vs. tradition in the early English ballads of the murdered sweetheart
Tassie Gniady: Do you take this hog-faced woman to be your wedded wife?
Anita Guerrini: Advertising monstrosity : broadsides and human exhibition in early eighteenth-century London
Simone Chess: And I my vowe did keepe : oath making, subjectivity, and husband murder in "murderous wife" ballads
Frances Dolan: Tracking the petty traitor across genres
Joy Wiltenburg: Ballads and the emotional life of crime
Steve Newman: The maiden's bloody garland : Thomas Warton and the elite appropriation of popular song
Angela McShane: Ne sutor ultra crepidam : political cobblers and broadside ballads in late seventeenth-century England
Elizabeth Mitchell: William Hogarth's pregnant ballad sellers and the engraver's matrix
Ruth Perry: War and the media in border minstrelsy : the ballad of Chevy Chase
Dianne Dugaw: Heroines gritty and tender, printed and oral, late-breaking and traditional : revisiting the Anglo-American female warrior
Noelle Chao: Music and Indians in John Gay's Polly
by Bruce R. Smith.: Afterword : ballad futures