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  1. Hearing things
    the work of sound in literature
    Autor*in: Leighton, Angela
    Erschienen: 2018
    Verlag:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Hearing Things is a meditation on sound's work in literature. Drawing on the writings of critics and philosophers but especially on the comments of many poets and novelists who have pointed to the role of the ear in writing and reading, it offers a... mehr

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2019/605
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 EC 2440 L529 H435
    Fernleihe:
    keine Fernleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    69/1738
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Hearing Things is a meditation on sound's work in literature. Drawing on the writings of critics and philosophers but especially on the comments of many poets and novelists who have pointed to the role of the ear in writing and reading, it offers a reconsideration of literature itself as an exercise in hearing things. Ranging from Alfred Tennyson to Alice Oswald, Virginia Woolf to Marilynne Robinson, Walter de la Mare to Les Murray, Angela Leighton examines various ways of listening to the printed word, while examining how writers themselves manage the expressivity of sound in their silent writings. Although her focus is on poets from the nineteenth to the twenty-first centuries--Alfred Tennyson, W. B. Yeats, Walter de la Mare, Robert Frost, Wallace Stevens, Elizabeth Bishop, Les Murray, Jorie Graham, and Anne Stevenson--Leighton expands her scope to include letter writing, rhythm, and the difficult relationship between philosophical and literary texts. While her larger argument is always answerable to the specifics of the writer under discussion, one clear message emerges from the whole: literature by its very nature commands listening, and listening is a form of cognitive attention that has often been overlooked.--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674983496; 0674983491
    Weitere Identifier:
    9780674983496
    RVK Klassifikation: EC 2440 ; HG 439
    Auflage/Ausgabe: Second printing
    Schlagworte: Senses and sensation in literature; Hearing; Spoken word poetry; Hearing; Senses and sensation in literature; Spoken word poetry
    Umfang: 297 Seiten, 25 cm
    Bemerkung(en):

    Includes bibliographical references and index
  2. Hearing things
    the work of sound in literature
    Autor*in: Leighton, Angela
    Erschienen: 2018
    Verlag:  <<The>> Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Hearing Things is a meditation on sound's work in literature. Drawing on the writings of critics and philosophers but especially on the comments of many poets and novelists who have pointed to the role of the ear in writing and reading, it offers a... mehr

     

    Hearing Things is a meditation on sound's work in literature. Drawing on the writings of critics and philosophers but especially on the comments of many poets and novelists who have pointed to the role of the ear in writing and reading, it offers a reconsideration of literature itself as an exercise in hearing things. Ranging from Alfred Tennyson to Alice Oswald, Virginia Woolf to Marilynne Robinson, Walter de la Mare to Les Murray, Angela Leighton examines various ways of listening to the printed word, while examining how writers themselves manage the expressivity of sound in their silent writings. Although her focus is on poets from the nineteenth to the twenty-first centuries--Alfred Tennyson, W. B. Yeats, Walter de la Mare, Robert Frost, Wallace Stevens, Elizabeth Bishop, Les Murray, Jorie Graham, and Anne Stevenson--Leighton expands her scope to include letter writing, rhythm, and the difficult relationship between philosophical and literary texts. While her larger argument is always answerable to the specifics of the writer under discussion, one clear message emerges from the whole: literature by its very nature commands listening, and listening is a form of cognitive attention that has often been overlooked.--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674983496; 0674983491
    RVK Klassifikation: HG 260 ; HG 439
    Schlagworte: Literatur; Text; Englisch; Satzmelodie;
    Weitere Schlagworte: Senses and sensation in literature; Hearing; Spoken word poetry; Hearing; Senses and sensation in literature; Spoken word poetry
    Umfang: 297 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 273-286

    Sound's work: an introduction -- Listening thresholds -- Tennyson's hum -- Humming Tennyson: Christina Rossetti and Virginia Woolf -- Pennies and horse-play: W. B. Yeats's recalls -- "Coo-ee:" calling Walter de la Mare, Edward Thomas, Robert Frost -- A book, a face, a phantom: Walter de la Mare's "The green room" -- Hearing something: Robert Frost, Elizabeth Bishop, Jorie Graham -- "Wherever you listen from:" W. S. Graham's art of the letter -- Incarnations in the ear: hearing presence in Les Murray -- Justifying time in ticks and tocks -- Poetry's knowing: so what do we know?
  3. Hearing things
    the work of sound in literature
    Autor*in: Leighton, Angela
    Erschienen: [2018]; © 2018
    Verlag:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    90.994.40
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Titel im lokalen Katalog:
    https://hds.hebis.de/ubffm/Record/HEB432470999
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Fachkatalog AVL
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674983496; 0674983491
    RVK Klassifikation: HG 260 ; HG 439
    Schlagworte: Englisch; Literatur; Zuhören; Klang
    Umfang: 297 Seiten
    Bemerkung(en):

    Literaturverzeichnis Seite 273-286
  4. Hearing things
    the work of sound in literature
    Autor*in: Leighton, Angela
    Erschienen: [2018]; © 2018
    Verlag:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts

    Standort:
    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    Signatur:
    HG 260 lei 2018
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signatur:
    90.994.40
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780674983496; 0674983491
    RVK Klassifikation: HG 260 ; HG 439
    Schlagworte: Englisch; Literatur; Zuhören; Klang
    Umfang: 297 Seiten
    Bemerkung(en):

    Literaturverzeichnis Seite 273-286