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  1. Musical forces
    motion, metaphor, and meaning in music
    Autor*in: Larson, Steve
    Erschienen: c2012
    Verlag:  Indiana University Press, Bloomington

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0253005493; 9780253005496
    RVK Klassifikation: LR 56650 ; LR 57600
    Schriftenreihe: Musical meaning and interpretation
    Schlagworte: MUSIC / Instruction & Study / Appreciation; Music / Physiological aspects; Music / Physiological effect; Music / Psychological aspects; Musik; Psychologie; Music; Music; Music; Interdisziplinarität; Kraftfeld; Musik
    Umfang: 1 Online-Ressource (xvi, 369 p)
    Bemerkung(en):

    "Multi-User."

    Includes bibliographical references (p. 347-364) and index

    Introduction -- A theory of musical forces. Thinking about music and thinking in music : pattern, meaning, analogy, metaphor and hierarchies ; Something in the way she moves : the metaphor of musical motion ; Melodic forces : gravity, magnetism, and inertia ; A theory of melodic expectation ; Rhythm, meter, and musical forces ; Analyses -- Evidence for musical forces. Converging evidence : an introduction to part 2 ; Evidence from experiments in visual perception and neuroscience ; Evidence from compositions and improvisations ; Evidence from music-theoretical misunderstandings ; Evidence from a listener-judgment experiment ; Evidence from comparing computer models with production-experiment results -- Conclusion. Summary and prospects

    Steve Larson drew on his 20 years of research in music theory, cognitive linguistics, experimental psychology, and artificial intelligence-as well as his skill as a jazz pianist-to show how the experience of physical motion can shape one's musical experience. Clarifying the roles of analogy, metaphor, grouping, pattern, hierarchy, and emergence in the explanation of musical meaning, Larson explained how listeners hear tonal music through the analogues of physical gravity, magnetism, and inertia. His theory of melodic expectation goes beyond prior theories in predicting complete melodic pattern
  2. Musical forces
    motion, metaphor, and meaning in music
    Autor*in: Larson, Steve
    Erschienen: c2012
    Verlag:  Indiana University Press, Bloomington

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0253005493; 0253356822; 9780253005496; 9780253356826
    Schriftenreihe: Musical meaning and interpretation
    Schlagworte: Musik; Psychologie; Music; Music; Music; Interdisziplinarität; Kraftfeld; Musik
    Umfang: xvi, 369 p.
    Bemerkung(en):

    Includes bibliographical references and index