Louis Althusser and Thomas Hardy: how Victorian ideologies work in under the Greenwood tree
Abstract: In his early novel, Under the Greenwood Tree, Thomas Hardy attempts to show the readers how the inhabitants of a small village are repressed by the ideologies the dominant class or capitalism defines for them. The aim of these suppressive...
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Abstract: In his early novel, Under the Greenwood Tree, Thomas Hardy attempts to show the readers how the inhabitants of a small village are repressed by the ideologies the dominant class or capitalism defines for them. The aim of these suppressive programs is to oppress the individuals by making them good and subordinate subjects. Althusser calls these ideologies created by the dominant class, Ideological State Apparatuses; however, in this novel one observes how some of the subjects try to revolt against these cruel rules by defining their own ideologies. One can also recognize that how the blatant break of these ideological programs by the revolutionary subject makes the subject look weird and eventually how he/she is alienated and marginalized by the society. On the other hand, the good subjects are made to believe that following these ideologies is usual and breaking of them is synonymous with interfering with the discipline and order of nature. Brought up in the Victorian age, Hardy un
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Darkness in the costume of whiteness: a glimpse of black gaze, white mask in heart of darkness
Abstract: To begin with, Heart of Darkness has always been challenging for every critic who feels the urge to take either pro-colonialist or contra-colonialist positions. However, herein the main focus would be set less upon the binary stances...
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Volltext:
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Abstract: To begin with, Heart of Darkness has always been challenging for every critic who feels the urge to take either pro-colonialist or contra-colonialist positions. However, herein the main focus would be set less upon the binary stances regarding the protagonist and his leanings toward the natives. Based on the indissociability of the psychological-cum-cultural operations, this study lends itself best to an amalgam of Freudian together with Bhabhian theories such as the dreamwork, repetition-compulsion, mimickry and hybridization. That is to say, it deserves attention to see the colonialist ideology through the dissecting lens of psychoanalysis. Besides, Tiffin's subversive counter-discourse would provide a valuable source to this study. The present study aims to explore the underlying motive for Marlow's narration and his interaction with the natives free from a slippery evaluation of the narratives prime facie. Since any consideration of the native-settler relation without taking th
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Acknowledged & Unacknowledged Influence
The Seminal Influence of Chekhov and Strindberg on the Subsequent Drama; Mainly on Beckett and Pinter
Feminist Narratology
George Eliot's Narrative Techniques in Adam Bede
Suzanne Collins' Hunger Games and the society of the spectacle
Abstract: The theory of spectacle is introduced by Guy Debord in his famous book The Society of Spectacle. Debord presents the society of Spectacle as a mere representation of seemingly real images which is used by the capital for its own good....
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Abstract: The theory of spectacle is introduced by Guy Debord in his famous book The Society of Spectacle. Debord presents the society of Spectacle as a mere representation of seemingly real images which is used by the capital for its own good. Spectacle consists of images such as games, entertainments or television shows which are political tools in the hands of the Capitol to stabilize its power. In fact, by applying these images through different exciting entertainments and shows, the Capitol disperses people more and destroys their unity so that people cannot be united to rebel against the Capitol’s power. This paper tries to apply the theory of spectacle to Suzanne Collin's Hunger Games and as the title of the novel is very telling of itself, it revolves around the annual event of Hunger Games connoting the starvation of the poor people in the twelve districts and the Capitol. The setting of this novel is Panem which is shown as a dystopia because of its misusing of the modern technolog
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Louis Althusser and Thomas Hardy: how Victorian ideologies work in under the Greenwood tree
Abstract: In his early novel, Under the Greenwood Tree, Thomas Hardy attempts to show the readers how the inhabitants of a small village are repressed by the ideologies the dominant class or capitalism defines for them. The aim of these suppressive...
mehr
|
Abstract: In his early novel, Under the Greenwood Tree, Thomas Hardy attempts to show the readers how the inhabitants of a small village are repressed by the ideologies the dominant class or capitalism defines for them. The aim of these suppressive programs is to oppress the individuals by making them good and subordinate subjects. Althusser calls these ideologies created by the dominant class, Ideological State Apparatuses; however, in this novel one observes how some of the subjects try to revolt against these cruel rules by defining their own ideologies. One can also recognize that how the blatant break of these ideological programs by the revolutionary subject makes the subject look weird and eventually how he/she is alienated and marginalized by the society. On the other hand, the good subjects are made to believe that following these ideologies is usual and breaking of them is synonymous with interfering with the discipline and order of nature. Brought up in the Victorian age, Hardy un
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Darkness in the costume of whiteness: a glimpse of black gaze, white mask in heart of darkness
Abstract: To begin with, Heart of Darkness has always been challenging for every critic who feels the urge to take either pro-colonialist or contra-colonialist positions. However, herein the main focus would be set less upon the binary stances...
mehr
|
Abstract: To begin with, Heart of Darkness has always been challenging for every critic who feels the urge to take either pro-colonialist or contra-colonialist positions. However, herein the main focus would be set less upon the binary stances regarding the protagonist and his leanings toward the natives. Based on the indissociability of the psychological-cum-cultural operations, this study lends itself best to an amalgam of Freudian together with Bhabhian theories such as the dreamwork, repetition-compulsion, mimickry and hybridization. That is to say, it deserves attention to see the colonialist ideology through the dissecting lens of psychoanalysis. Besides, Tiffin's subversive counter-discourse would provide a valuable source to this study. The present study aims to explore the underlying motive for Marlow's narration and his interaction with the natives free from a slippery evaluation of the narratives prime facie. Since any consideration of the native-settler relation without taking th
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