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  1. Singing the Dutch : an extended imagological approach to constructions of "Dutchness" in late eighteenth-century political songs
    Autor*in: Vulto, Renée
    Erschienen: 08.04.2024

    Throughout history, songs have been considered effective instruments to strengthen the formation of collective identities. Eighteenth-century Dutch songwriters engaged with this idea in their striving for national unity. Political songs from that... mehr

     

    Throughout history, songs have been considered effective instruments to strengthen the formation of collective identities. Eighteenth-century Dutch songwriters engaged with this idea in their striving for national unity. Political songs from that period employ several tropes, and the music often reinforces such images through musical imagery and intertextual references. Moreover, the imagined identities voiced in the songs might have become embodied identities through the performative act of singing. Therefore, for an investigation of the construction of collective identities in songs, the imagological approach can be expanded to musical imagery and take into account cognitive theories explaining the effects of singing.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Musik (780); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Niederlande; Politisches Lied; Nationalbewusstsein; Nationale Einheit; Geschichte 1790-1800
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  2. "… the first singer, a born German" : notions of nationality as a field of conflict in operatic music of the 1770s
    Autor*in: Horz, Andrea
    Erschienen: 08.04.2024

    This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia... mehr

     

    This article contributes to the European history of musical nationalism with regard to operatic debates in the eighteenth century. The investigation reveals that within operatic debates national categories were used for all levels of the multimedia genre of opera: music, text, composer, and actor. Moreover, the relationship between national character and national taste was a highly critical point: there was general agreement that only outstanding aesthetic abilities enable composers to go beyond their own particular national character. Only in this respect could aesthetic abilities stand above national taste, which was said to be shaped by national character.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Bühnenkunst (792); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Oper; Diskurs; Nationalismus; Nationalcharakter; Musikalischer Geschmack; Geschichte 1770-1780; Gluck, Christoph Willibald; Rezeption
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  3. Blurring stereotypes : "Aus dem Leben eines Tonkünstlers" as a medium of Italian musical character around 1800
    Autor*in: Krahn, Carolin
    Erschienen: 08.04.2024

    How can music history help us understand the establishment of national character? This article discusses a prosaic text by Johann Friedrich Rochlitz as a medium for implementing stereotypical ideas of "the Italian" in German music historiography and,... mehr

     

    How can music history help us understand the establishment of national character? This article discusses a prosaic text by Johann Friedrich Rochlitz as a medium for implementing stereotypical ideas of "the Italian" in German music historiography and, thereby, in public consciousness. It shows how particular musical qualities of the story's fictional protagonists are blurred with ideas of national character. Against this background, the predominant reception of the author Rochlitz in the realm of German music historiography can be reevaluated from a more transnational scholarly perspective. Key to this reassessment is investigation into the categories of fictional and musical characters with regard to notions of both "the German" and "the Italian."

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Musik (780); Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Rochlitz, Friedrich; Musikgeschichtsschreibung; Deutschland; Italien; Nationalcharacter; Stereotyp
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  4. Axiological foundations of imagology
    Autor*in: Dukić, Davor
    Erschienen: 08.04.2024

    Images, the main object of imagological analysis, are by nature value-charged. Despite this fact, previous research has neglected the axiological foundations of imagology. This article discusses in brief some fundamental axiological questions of... mehr

     

    Images, the main object of imagological analysis, are by nature value-charged. Despite this fact, previous research has neglected the axiological foundations of imagology. This article discusses in brief some fundamental axiological questions of imagological investigations. The here analysed corpus includes an eighteenth-century visual-textual source (the so-called "Leopold-Stich"), and a famous imagological handbook ("Imagology", by Beller and Leerssen). The analysis starts with the problem of value connotations of the signifier of geocultural spaces and continues with a cluster of questions concerning the nature of value of imagotypical representations. The final part examines two relevant imagological phenomena—diachronic changes in evaluation of certain geocultural spaces and a somewhat opposite phenomenon of evaluative apriorism.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Imagologie; Wertphilosophie
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Toward a production-oriented imagology
    Autor*in: Köhler, Ulrike Kristina
    Erschienen: 08.04.2024

    This article outlines a production-oriented imagology and equips the imagological toolkit with concepts and terminology from cultural memory studies, reception aesthetics, narratology, rhetoric, and text linguistics. It thereby presents the... mehr

     

    This article outlines a production-oriented imagology and equips the imagological toolkit with concepts and terminology from cultural memory studies, reception aesthetics, narratology, rhetoric, and text linguistics. It thereby presents the theoretical framework which makes it possible to analyse generic elements without a national connotation with regard to their function in generating a national image. Using as examples genres from English Romanticism and how they evoke Englishness, the article highlights the aesthetic complexity of national images and their range of variation. Simultaneously it paves the way for a more nuanced deconstruction of these images.

     
    Export in Literaturverwaltung
    Hinweise zum Inhalt: kostenfrei
    Quelle: CompaRe
    Sprache: Englisch
    Medientyp: Teil eines Buches (Kapitel); Teil eines Buches (Kapitel)
    Format: Online
    ISBN: 978-90-04-51315-0; 978-90-04-45012-7
    DDC Klassifikation: Literatur und Rhetorik (800); Englische, altenglische Literaturen (820)
    Sammlung: Leibniz-Zentrum für Literatur- und Kulturforschung (ZfL)
    Schlagworte: Imagologie; Englisch; Literatur; Romantik; Produktionsästhetik
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de

    ;

    info:eu-repo/semantics/openAccess